The Economics of the British Stage, 1800-1914

The Economics of the British Stage, 1800-1914

by Tracy C. Davis
     
 

ISBN-10: 0521571154

ISBN-13: 9780521571159

Pub. Date: 01/28/2015

Publisher: Cambridge University Press

British theater became big business in the nineteenth century, and the role of laissez-faire in this cultural industry consistently troubled the government. This is the first full-length study to investigate the theater's growth from an economic perspective, reflecting the debates of theorists from Adam Smith to Alfred Marshall. Tracy Davis' wide-ranging analysis…  See more details below

Overview

British theater became big business in the nineteenth century, and the role of laissez-faire in this cultural industry consistently troubled the government. This is the first full-length study to investigate the theater's growth from an economic perspective, reflecting the debates of theorists from Adam Smith to Alfred Marshall. Tracy Davis' wide-ranging analysis grounds issues such as subsidization and the economic viability of the live arts in an era predating government funding, offering fresh insight into the history of cultural policy for the arts in Britain.

Product Details

ISBN-13:
9780521571159
Publisher:
Cambridge University Press
Publication date:
01/28/2015
Pages:
524
Product dimensions:
5.98(w) x 8.98(h) x 1.57(d)

Table of Contents

List of illustrations; List of figures; Acknowledgements; Abbreviations; Note to readers; Introduction; Part I. Competition: Theatre and Laissez-Faire: 1. Monopoly and free trade: fair and unfair competition; 2. Property and the stakes of private interest; 3. Industrial regulation and safety; 4. Marginal economics, national interest and the half-naked woman; Part II. Ownership and Entrepreneurialism: 5. Opportunity, finance and failure; 6. Profit; 7. Business structures; 8. Gender, 'gentlemanly capitalism' and the wo-manager; Part III. Industrialization, Commodity Capitalism and Theatre Production Systems: 9. Labour and labourers; 10. Theatre as cultural capital; Appendix: 'To the public. Charles Kemble's mercies or the '999' increasing'; Notes; Bibliography; Index.

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