Economies of Change: Form and Transformation in the Nineteenth-Century Novel
This book argues against the tendency of much of literary studies today to mistake the critique of formalism for a license to disregard form altogether. In detailed readings of ten novels (by Balzac, Stendhal, Austen, Dickens, and James), the author shows how novelists, in their practice of novelistic representation, deal with certain cultural issues, social values, and ideological purposes through the particular combination and manipulation of a set of formal possibilities.

The analysis of each novel centers around the notion of transformation—or the “economy of change”—as it informs the text and our understanding of it, arguing that transformation is not only a basic category of narrative structure but also the key to the link between literary form and cultural context. The readings foreground the different ways transformation operates in narrative texts: as a category of plot, as what underlies the production of meaning or knowledge in the text, and as what constitutes the text as representation. The discussion of each novel begins by reviewing certain dominant interpretations and then proceeds to offer alternative readings, challenging the logic that underlies those interpretations and complicating common ways of categorizing novels.

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Economies of Change: Form and Transformation in the Nineteenth-Century Novel
This book argues against the tendency of much of literary studies today to mistake the critique of formalism for a license to disregard form altogether. In detailed readings of ten novels (by Balzac, Stendhal, Austen, Dickens, and James), the author shows how novelists, in their practice of novelistic representation, deal with certain cultural issues, social values, and ideological purposes through the particular combination and manipulation of a set of formal possibilities.

The analysis of each novel centers around the notion of transformation—or the “economy of change”—as it informs the text and our understanding of it, arguing that transformation is not only a basic category of narrative structure but also the key to the link between literary form and cultural context. The readings foreground the different ways transformation operates in narrative texts: as a category of plot, as what underlies the production of meaning or knowledge in the text, and as what constitutes the text as representation. The discussion of each novel begins by reviewing certain dominant interpretations and then proceeds to offer alternative readings, challenging the logic that underlies those interpretations and complicating common ways of categorizing novels.

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Economies of Change: Form and Transformation in the Nineteenth-Century Novel

Economies of Change: Form and Transformation in the Nineteenth-Century Novel

by Michal Peled Ginsburg
Economies of Change: Form and Transformation in the Nineteenth-Century Novel

Economies of Change: Form and Transformation in the Nineteenth-Century Novel

by Michal Peled Ginsburg

Hardcover(1)

$75.00 
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Overview

This book argues against the tendency of much of literary studies today to mistake the critique of formalism for a license to disregard form altogether. In detailed readings of ten novels (by Balzac, Stendhal, Austen, Dickens, and James), the author shows how novelists, in their practice of novelistic representation, deal with certain cultural issues, social values, and ideological purposes through the particular combination and manipulation of a set of formal possibilities.

The analysis of each novel centers around the notion of transformation—or the “economy of change”—as it informs the text and our understanding of it, arguing that transformation is not only a basic category of narrative structure but also the key to the link between literary form and cultural context. The readings foreground the different ways transformation operates in narrative texts: as a category of plot, as what underlies the production of meaning or knowledge in the text, and as what constitutes the text as representation. The discussion of each novel begins by reviewing certain dominant interpretations and then proceeds to offer alternative readings, challenging the logic that underlies those interpretations and complicating common ways of categorizing novels.


Product Details

ISBN-13: 9780804726115
Publisher: Stanford University Press
Publication date: 09/01/1996
Edition description: 1
Pages: 268
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)
Lexile: 1490L (what's this?)

About the Author

Michal Peled Ginsburg is Associate Professor of French and Comparative Literature at Northwestern University. She is the author of Flaubert Writing: A Study in Narrative Strategies.
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