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Editorial Reviews
Barnes & Noble - Andrew Farach-Colton
Sarah Brightman doesn't just mix styles, she blends them like a painter creating new tints to expand her palette. Take "Baïlero," for example, the most famous of Canteloube's "Songs of the Auvergne" and a favorite of operatic sopranos. Brightman's version has a spaced-out atmosphere that manages to be faithful to the sensuous spirit of the original without seeming out of place next to her refined and appropriately retro rendition of the '70s rock classic "Dust in the Wind." The influences on Eden range far and wide: Enigma the chanting on "In Paradisum", Madonna Brightman's pop diva delivery on the techno-influenced title track, Bocelli by way of Celine Dion in ...