Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100 [NOOK Book]

Overview

At long last, film and video editors are using the same systems to edit their projects, and Editing Digital Film is the guide to show them how to do it. This concise reference provides video and film editors familiar with the Avid, Media 100, and Final Cut Pro systems with crucial information they will need to edit on all three of these systems. In addition to showing film editors and directors working on DV ...
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Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100

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Overview

At long last, film and video editors are using the same systems to edit their projects, and Editing Digital Film is the guide to show them how to do it. This concise reference provides video and film editors familiar with the Avid, Media 100, and Final Cut Pro systems with crucial information they will need to edit on all three of these systems. In addition to showing film editors and directors working on DV projects how to edit for this new format, this text also clarifies the NLE process to those familiar with traditional film editing.


With its focus on the essentials of integrating nonlinear editing with film, Editing Digital Film is an excellent resource for video editors wishing to edit films, and for film editors wishing to learn how films are integrated into nonlinear systems. With coverage the film cutting process, post production methods, telecine, matchback editing, HDTV, 24P, cutting DV, and all necessary tools to get the job done, this is the perfect guide for those interested in editing digital film.

Audience: Nonlinear video editors familiar with Avids, Media 100, or Final Cut Pro SECONDARY MARKET: (audience) Student Editors Film Editors wishing to learn how NLE is integrated with film Film Directors, Assistant Directors and Script Supervisors who want to understand how the NLE process is integrated with filmmaking Any film school students who want to study the digital nonlinear post production process.

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Editorial Reviews

From the Publisher
"Fowler takes you through every aspect of this process, explaining in fine detail all the paperwork, various prints of film and so forth that are involved in the process." - Charlie White, digitalvideoediting.com

"Along with these cogent explanations, the author offers useful descriptions of aspect ratios of film, the different types of film, and incredibly detailed discussions of edge numbers, key nubmers and lots of other film conventions." - Charlie White, digitalvideoediting.com
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Product Details

  • ISBN-13: 9781136043376
  • Publisher: Taylor & Francis
  • Publication date: 11/12/2012
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 192
  • File size: 4 MB

Meet the Author

Jaime Fowler is President of Digital Media Education Center. He has been a film and video editor for over 20 years. As a freelance editor, he edited trailers/promotionals for Warner Brothers, Tri-Star and Lightstorm. He has completed documentaries for director James Cameron, including Under Pressure: The Making of the Abyss, The Making of T2, and edited seven seasons of “Jeopardy!” for Merv Griffin/Sony. Having won an Emmy for his involvement the development of Avid Multicam, he is a well experienced editor who has also consulted on editing for over 30 national sitcoms.
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Table of Contents

Preface
Acknowledgements
Ch. 1 Tools of the Film Editor 1
Ch. 2 Post Production Workflow 21
Ch. 3 Telecine Demystified 33
Ch. 4 Conforming a Workprint 43
Ch. 5 Cut Lists 55
Ch. 6 24 fps versus Matchback 63
Ch. 7 Editing Film on Avid NLEs with FilmScribe 69
Ch. 8 Editing Film on Media 100 NLEs with Slingshot Pro 99
Ch. 9 Editing Film on Final Cut Pro NLEs with FilmLogic 115
Ch. 10 Cutting DV for a Film Release 131
Ch. 11 HDTV, 24p, and the Future 143
Glossary 155
App. A: Time/Footage Conversions 171
Bibliography 175
Webliography 177
Index 183
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