EDJ

Editorial Reviews

All Music Guide - James Christopher Monger
Sounding like the culmination of all of his myriad other projects, from the quirky, rural folk-pop of the Fruit Bats to the psych-tinged post-rock of Califone and the smart, Beatles/Beach Boys-esque indie rock of the Shins (there are even elements at play here from his film score work on Smashed and Our Idiot Brother), pop polymath Eric D. Johnson's first foray under just his initials is all about the art of songcraft. Festooned with not-so-obvious hooks and richly detailed yet never intrusive arrangements, and delivered with the easy gait of someone doing exactly what they should in life, EDJ feels like it sounds and vice-versa, especially on standout cuts ...
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Editorial Reviews

All Music Guide - James Christopher Monger
Sounding like the culmination of all of his myriad other projects, from the quirky, rural folk-pop of the Fruit Bats to the psych-tinged post-rock of Califone and the smart, Beatles/Beach Boys-esque indie rock of the Shins (there are even elements at play here from his film score work on Smashed and Our Idiot Brother), pop polymath Eric D. Johnson's first foray under just his initials is all about the art of songcraft. Festooned with not-so-obvious hooks and richly detailed yet never intrusive arrangements, and delivered with the easy gait of someone doing exactly what they should in life, EDJ feels like it sounds and vice-versa, especially on standout cuts like "For the Boy Who Moved Away," "Lose It All, All the Time," and "A West County Girl." Similar in tone to stalwart retro-pop enthusiasts like Jonathan Wilson, Richard Swift, M. Ward, Ken Stringfellow, and Ron Sexsmith, there's an effortless '70s AOR vibe at play here that suggests a steady diet of Rundgren, Nilsson, and Van Dyke Parks. While the music, all weepy pedal steel, soft piano, finger-picked electric and acoustic guitars, and on-the-nose handclaps, points to the West Coast, Johnson's lyrical tone is one of firm yet agreeable Midwest stoicism, all self-effacement, polite disagreement, and weary acceptance of one's place in the world, a notion he sums up nicely on the stellar fourth cut "Minor Miracles" with the lyric "Everyone you've ever known was made from some kinda weird mojo." It's a sentiment that can be applied to Johnson and his languid ambient pop confections as well, all of which are sweet enough for Sunday morning, yet carry with them the weight of a lost weekend.
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Product Details

  • Release Date: 8/5/2014
  • Label: Welk Records
  • UPC: 014921500822
  • Catalog Number: 150082
  • Sales rank: 126,253

Album Credits

Performance Credits
EDJ Primary Artist
Neal Casal Guitar
Tim Rutili Guitar, Casio
Nathan Larson Drones
Thom Monahan Guitar, Percussion, Noise
Andy Cabic Synthesizer
James Mercer Vocals
Eric Johnson Guitar, Keyboards
Sam Cohen Synthesizer, Guitar
Richard Gowen Drums
Brian Kantor Percussion, Drums
Caitlyn Gutenberger Guitar
Josh Kaufman Bass, Guitar, Lap Steel Guitar
Technical Credits
Thom Monahan Producer, Engineer, Atmosphere
Ashod Simonian Cover Design, Layout
Eric Johnson Composer, Lyricist, Instrumentation
Annie Beedy Cover Design, Layout
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