Edward Steichen: In High Fashion, the Condé Nast Years, 1923-37

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Overview

Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair.

Over the next fifteen years, Steichen would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers in politics, literature, film, sport, dance, theater, opera, and the world of high ...

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Overview

Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair.

Over the next fifteen years, Steichen would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers in politics, literature, film, sport, dance, theater, opera, and the world of high fashion. Here are iconic images of Gloria Swanson, Gary Cooper, Greta Garbo, and Charlie Chaplin as well as numerous other celebrities drawn from an archive of more than two thousand original prints. Until now, no more than a handful have been exhibited or published in book form. The photographs of the 1920s and 1930s represent the high point in Steichen's career and are among the most striking creations of twentieth-century photography.

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Editorial Reviews

Library Journal

Photographer Edward Steichen is often noted for his early pictorialist pictures, which have a mysterious, painterly feel. He was also an important portrait photographer throughout his career and during the 1920s and 1930s completed a span of celebrity work for Vogue and Vanity Fair that is featured here. His subjects included Winston Churchill, Greta Garbo, H.G. Wells, Gary Cooper, and many other popular figures. Ewing and Brandow-also the authors of Edward Steichen: Lives in Photography, the best available overview of Steichen's work-and three contributing essayists are all curators at major museums. Their excellent essays focus on the idea that Steichen's modernist approach brought fashion photography to a new level. This companion volume, the result of research for Lives in Photography, which uncovered a little-known archive of Steichen's fashion photography at Condé Nast Publications in New York, includes 242 well-chosen examples of the collection of more than 2000 prints. Highly recommended, along with Lives in Photography, for academic and larger public libraries.
—Eric Linderman

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Product Details

  • ISBN-13: 9780393066777
  • Publisher: Norton, W. W. & Company, Inc.
  • Publication date: 10/1/2008
  • Pages: 288
  • Sales rank: 780,396
  • Product dimensions: 10.40 (w) x 12.40 (h) x 1.40 (d)

Meet the Author

Todd Brandow is the founding director of the Foundation for the Exhibition of Photography. He lives in Minneapolis, Minnesota, and in Paris.

William A. Ewing is the author of many publications on photography including Masterclass: Arnold Newman.

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Table of Contents

Preface and Acknowledgments: In High Fashion William A. Ewing Ewing, William A. Todd Brandow Brandow, Todd 11

A Perfect Conjunction William A. Ewing Ewing, William A. 19

Plates I: I will sign the pictures 37

Edward Steichen at Conde Nast Publications Carol Squiers Squiers, Carol 109

Plates II: Light is a charlatan 121

Lights Going All Over the Place Tobia Bezzola Bezzola, Tobia 187

Plates III: Make Vogue a Louvre 199

In the Days of Chic Nathalie Herschdorfer Herschdorfer, Nathalie 265

Models and Sitters: A Who's Who Nathalie Herschdorfer Herschdorfer, Nathalie 270

Works in the Exhibition 276

Notes on the Contributors 283

Index 284

Reproduction and Photograph Credits 288

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