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| Daddy Yankee | Primary Artist |
| Tony Love | Guitar |
| Raffi Torres | Trombone |
| Angel "Angie" Machado | Trumpet |
| Yanira Torres | Vocals |
| Jose Ruiz | Trumpet |
| César Ayala | Trombone |
| Leslie Brathwaite | Vocal Mixing |
| Scott Storch | Producer, Audio Production |
| Kara DioGuardi | Producer |
| Michael Fuller | Mastering |
| will.i.am | Producer, Engineer, Audio Production |
| Nicole Scherzinger | Producer |
| Conrad Golding | Engineer |
| Aliaune "Akon" Thiam | Producer |
| Raymond Ayala | Executive Producer |
| Andrew Flad | Marketing |
| Justin Dreyfuss | Marketing Coordinator |
| Frank Rodríguez "El Médico" | Engineer |
| Kiley DelValle | Graphic Design |
Editorial Reviews
All Music Guide - Jason Birchmeier
It took Daddy Yankee a long time to follow up Barrio Fino (2004), the most successful and influential reggaeton album to date, but when he finally unveiled El Cartel: The Big Boss three years later, the wait seemed worthwhile. It's a well-conceived album with a wealth of commercial potential. It not only pushes the hybrid Latin style forward creatively; it also broadens Daddy Yankee's appeal considerably, teaming him with pop-rap household names like Fergie and Akon while playing down some of Barrio Fino's Latino-specific lyrical themes in favor of potent club-bangers that are as conducive to body language as they are to Spanish. Admittedly, the three-year wait between...