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The projects of Jones, Partners: Architecture (J,P:A) exhibit a highly technological image and modular form. The PRO/con system (for programmed container) delivers its most developed prototype. A more individualized approach emerges from F2, an unbuilt design referring to a variation of (and self-proclaimed improvement on) Ludwig Mies van der Rohe's Farnsworth House, in which J,P:A replaced Mies's elegant floating terraces with a ramp and introduced other technologies. This chronologically arranged catalogue raisonné of the firm's work consists of more unbuilt than realized projects. Fifteen essays present abstract and theoretical observations of the state of modernism today. The most useful apparatus is the table of contents, in which boldface entries presumably indicate completed commissions, these illustrated with floor plans and sections in addition to the otherwise ubiquitous and overwrought computer-generated perspective views. Minimally edited and inscrutably designed by the firm, this is ultimately a vanity publication, and its unexplained numbering protocol for the entries and overly small type make for an achingly superfluous reading experience. Nevertheless, larger architecture libraries will want to acquire the monograph for its documentation of this important Southern California architecture firm.