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Overview

This new adaptation of a classic play blends live music, text and movement. When a young Electra’s father is murdered by her mother, her world changes irrevocably. Ten years on, bound by grief and unwilling to forgive, Electra surrenders to an all consuming desire for revenge that propels her toward a bloody and terrifying conclusion.

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Overview

This new adaptation of a classic play blends live music, text and movement. When a young Electra’s father is murdered by her mother, her world changes irrevocably. Ten years on, bound by grief and unwilling to forgive, Electra surrenders to an all consuming desire for revenge that propels her toward a bloody and terrifying conclusion.

Editorial Reviews

Publishers Weekly
Every era needs the classics on its own terms, so Sophocles' Electra, translated by Anne Carson (The Beauty of the Husband; Forecasts, Dec. 18, 2000), should prove very popular among newcomers and seasoned readers of the sublime dramatist's brutal drama, as well as among Carson's many fans. While Carson renders the book in her signature free verse, her major innovation is the phonetic preservation of Electra's "far from formulaic" screams: "OIMOI," "O TALAINA" and "PHEU PHEU" among them. As Carson writes in her excellent translator's preface, they are not stock ejaculations like "Alas!" or "Woe is me!," but "bones of sound" emitted by the daughter who finds herself cheering her mother's execution. Though Oxford's stock existentialist cover looks like something from the height of '50s abstract angst and the book's paper is pulpy, expect strong sales. ( Apr.) Copyright 2001 Cahners Business Information.

Product Details

  • BN ID: 2940000717219
  • Publisher: Neeland Media
  • Sold by: Barnes & Noble
  • Format: eBook
  • Sales rank: 516,977
  • File size: 105 KB
  • Items ship to U.S, APO/FPO and U.S. Protectorate addresses.

Meet the Author

The Plays for Performance series is edited by Nicholas Rudall, former artistic director of the Court Theatre at the University of Chicago where he is professor of classics, and Bernard Sahlins, founder and director of the Second City. They both live in Chicago, Illinois.

The Plays for Performance series is edited by Nicholas Rudall, former artistic director of the Court Theatre at the University of Chicago where he is professor of classics, and Bernard Sahlins, founder and director of the Second City. They both live in Chicago, Illinois.

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