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Elliot Allagash

Elliot Allagash

3.0 6
by Simon Rich

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Simon Rich dazzled readers with his absurdist sense of humor in his hilarious collections Ant Farm and Free-Range Chickens. Now comes Rich’s rollicking debut novel, which explores the strangest, most twisted, and comically fraught terrain of them all: high school.

Seymour Herson is the least popular student at Glendale, a private


Simon Rich dazzled readers with his absurdist sense of humor in his hilarious collections Ant Farm and Free-Range Chickens. Now comes Rich’s rollicking debut novel, which explores the strangest, most twisted, and comically fraught terrain of them all: high school.

Seymour Herson is the least popular student at Glendale, a private school in Manhattan. He’s painfully shy, physically inept, and his new nick-name, “chunk style,” is in danger of entering common usage. But Seymour’s solitary existence comes to a swift end when he meets the new transfer student: Elliot Allagash, evil heir of America’s largest fortune.

Elliot’s rampant delinquency has already gotten him expelled from dozens of prep schools around the country. But despite his best efforts, he can’t get himself thrown out of Glendale; his father has simply donated too much money. Bitter and bored, Elliot decides to amuse himself by taking up a challenging and expensive new hobby: transforming Seymour into the most popular student in the school.

An unlikely friendship develops between the two loners as Elliot introduces Seymour to new concepts, like power, sabotage, and vengeance. With Elliot as his diabolical strategist and investor, Seymour scores a spot on the basketball team, becomes class president, and ruthlessly destroys his enemies. Yet despite the glow of newfound popularity, Seymour feels increasingly uneasy with Elliot’s wily designs. For an Allagash victory is dishonorable at its best, and ruinous at its worst.

Cunningly playful and wickedly funny, Elliot Allagash is a tale about all of the incredible things that money can buy, and the one or two things that it can’t.

Editorial Reviews

Publishers Weekly
Saturday Night Live writer Rich's first novel (after two humorous collections) is a hit and miss riff on Pygmalion in which genial high school loser Seymour gets a life-changing makeover after meeting Elliot, a fabulously wealthy malcontent who has transferred to Seymour's Manhattan private school. Elliot's lessons on the power of money and the fine art of popularity are given in exchange for chubby Seymour's agreement to do whatever Elliot tells him to do, and, sure enough, Seymour transforms from consummate outsider to a Harvard-bound, straight-A class president. But as the book constantly reminds readers, there are things money can't buy, even for the Allagash family, whose astronomical wealth comes, believe it or not, from an ancestor's invention of paper. Elliot “knew the functions of all his father's companies... [but] never seemed to know what I was thinking or feeling,” opines Seymour, who grows increasingly complacent in Elliot's schemes and alienated from his dimensionless, doting parents. While Rich is undoubtedly funny and quick-witted, his novelistic chops are underdeveloped, and the narrative's inevitability and the lack of character development detract from the book's finer, funnier points. (May)
From the Publisher
"I found Simon Rich's first novel, about an evil teenage billionaire, to be suspenseful and hilarious.  I am so glad I don't have to lie in this blurb like I usually do."—Judd Apatow

"I am a big fan of Simon Rich’s first two books, which were wonderful pu pu platters of absurdist comedy. And now comes his first novel, which is one of the funniest books about high schoolers since The Catcher in the Rye. We all must pray that Simon Rich won’t move to New Hampshire and become a recluse who spends his time reading Eastern philosophy. Because we need more books from this guy."—A. J. Jacobs

"Fellow high school losers, use your video game money to buy this book! Simon Rich will make you relive the dread, the hilarity, and the insanity of those formative years like no one else. Open at your own peril!"—Gary Shteyngart

"Rich is always funny, and he nails the bogus solemnity of high-school social politics. A high-school romp that John Hughes should be so lucky to direct."—Kirkus Reviews

"An unfailingly funny and compulsively readable mix of sweet and sour that will leave readers hoping for another helping."—Booklist

Larry Doyle
…cheefully caustic…Mr. Rich's novel is largely episodic and digressive, all of which would be more bothersome if the individual bits weren't so clever and fun.
—The New York Times
Kirkus Reviews
Two outsiders from opposite sides of the tracks join forces to survive that most heinous of limbos: high school. Comedy writer and essayist Rich (Free Range Chickens, 2008, etc.) mines the adolescent postmodern humor of King Dork and Youth in Revolt and emerges with a feel-good comedy that melds the feel-good humor of the 1995 film Angus with the acerbic wit of the recent Charlie Bartlett. The book follows the trial by fire of the narrator, Seymour, an obese but grudgingly docile eighth-grader at a posh Manhattan private school. He's the sort of kid who puts up with the school's arcane policy of putting any student involved in a scrap in detention-which means Seymour is in detention every week just for getting beaten up. His life changes dramatically when another character, an arrogant little bastard who stands to inherit an unimaginable fortune, takes an interest in Seymour's future. "Don't thank me," says Elliot. "Remember I'm not doing this out of kindness or generosity. I'm doing this purely for sport. It's an intellectual exercise-a way to occupy my days during this hellish period of my life." Before long Seymour is stealing test answers; accepting a devilish bargain to sneak into Harvard; and corrupting the simplistic social systems of school to rise to the top of its hierarchy, no matter what it costs. There are some filler moments, mostly involving parents, but it all comes together. Rich is always funny, and he nails the bogus solemnity of high-school social politics. A high-school romp that John Hughes should be so lucky to direct.

Product Details

Random House Publishing Group
Publication date:
Product dimensions:
5.84(w) x 7.66(h) x 0.85(d)

Read an Excerpt

Elliot Allagash

A Novel
By Simon Rich

Random House

Copyright © 2010 Simon Rich
All right reserved.

ISBN: 9781400068357

My parents always took my side when I was a kid, no ??matter how much I screwed up. When I smashed my ??? brand new Sega Genesis during a temper tantrum, they blamed the game “Sonic the Hedgehog” for getting me riled up. When I lost my passport at the airport, they blamed themselves for entrusting it to me. So when I told them what Elliot had done to me, I was pretty surprised by their reaction.

“Maybe it was an accident,” my father said. “Accidents happen all the time.”

“I don’t think it was an accident,” I said.

“Are you sure you didn’t imagine it?” my mother asked. “You have such an amazing imagination.”

I struggled to resist the compliment.

“No,” I said. “It wasn’t my imagination. This thing definitely happened.”

It was Monopoly night and even though my father had rolled a seven, he hadn’t yet moved his wheelbarrow. It just sat there, on the wrong square, abandoned. Eventually, both of my parents got up and went into the kitchen.

“Mom? Dad?”

They didn’t respond but I could hear them murmuring to each other on the other side of the door.

“He pushed me down the stairs,” I said, for what seemed like the hundredth time of the night. “He pushed me, on purpose, in front of a lot of people. It was really crazy.”

Eventually, my parents returned to the table. I noticed that my father was holding a beer. I had only ever seen him drink at weddings and funerals and I was mildly shocked. They both hesitated for a moment, hoping the other one would do the talking.

“The thing about Elliot,” my mother said finally, “is that he’s different from most boys.”

I felt a sudden stab of guilt.

“Oh geez,” I said. “Is he retarded?”

“No,” my father said. “Not exactly.”

“What is it then?” I asked. “What’s different about him?”

My mother cleared her throat.

“He’s rich,” she said.

My father nodded.

“He’s very rich.”

When I look back on the past five years of my life, which have been dominated by Elliot Allagash in almost every way, I can’t help but think about how strange it is we met in the first place. By the time he showed up at my school, in a white vest and boat shoes, Elliot had lived in seven cities, including London, Brussels, and Zurich. Elliot’s father Terry liked to switch homes regularly, based on his whims. The only reason he had moved the family to New York, according to Elliot, was that his favorite glovemaker had opened up a store on Madison Avenue. The choice of Glendale Academy was far less arbitrary: It was the only private school on the East Coast that would consider taking Elliot as a student. While living in those seven cities, he had gotten himself expelled from more than a dozen top-tier schools. Only Glendale, with its dilapidated gym and dated chemistry charts, was financially desperate enough to overlook his record. By the time I met Elliot, his offenses included vandalism, truancy, unprovoked violence, drunkenness, hiring an imposter to take a standardized test, and blackmail. He was thirteen years old.

It’s strange we crossed paths. But it’s even stranger that we became best friends.

Glendale was a small school and it was getting smaller every year. The three long tables in the cafeteria could accommodate about sixty students, but there were only forty-one in my eighth-grade class. When we ate lunch, the twenty most popular kids sat at the back table and the next twenty squeezed into the middle table. I sat at the third table.

Now I’m sure that if I wanted to I could have wedged myself into the middle table—I’d done it once by turning my tray sideways. But the truth is I liked the third table. It was spacious, quiet and, as far as I was concerned, perfectly located. Most students treated lunchtime as a social activity. But I preferred to think of lunchtime as a kind of contest, the goal of which was to drink as many chocolate milks as possible. I didn’t consider lunchtime a success unless I had consumed at least five cartons. At any other seat in the cafeteria, this would have been an impossible dream. But by positioning myself within ten feet of the lunch lady, and working closely with her, I could accomplish this feat almost every day.

I was working on carton number three one afternoon when I noticed that Elliot was sitting right beside me. He had no food in front of him, just a large black notebook.

I hadn’t seen Elliot since he had inexplicably pushed me down the stairs four days ago, on his very first morning at Glendale. I assumed he had sat down next to me in order to apologize. But by the time I went up for my fifth chocolate milk, it was clear he had no intention of doing so. He never once looked in my direction during the meal. Instead, he just stared at his notebook, noisily scratching the pages with a razor-sharp fountain pen. He sat next to me at lunch the following day, and the day after that, and both times it was exactly the same. He never spoke to me or even looked at me. He just sat there, writing. Sometimes he ripped a piece of paper out of his notebook, crumpled it up, and tossed it onto the floor. And once in a while he snapped his fingers before jotting something down with a flourish. I thought about asking him what he was working on, but it seemed important and I didn’t want to interrupt. It didn’t occur to me until years later that he might not have been working on anything. All that scribbling and crumpling and snapping—that was Elliot’s way of saying hello.

Whenever there was a physical altercation between two students, both of them got detentions, regardless of who started it. The policy seemed unfair to me, but I didn’t see any point in arguing with teachers. And besides, I didn’t really mind detention. It was only an hour long and Ms. Pearl, the elderly librarian who supervised it, let us each take two pieces of Laffy Taffy from her bowl at the start of every session. School felt crowded and claustrophobic, but detention was usually empty, except for me, Ms. Pearl, and which?ever boys had attacked me over the course of the week. It was a peaceful environment and sometimes, during stressful weeks, I actually looked forward to it.

Occasionally, Ms. Pearl made us fill out detention forms, but I knew from experience that nobody actually read them, so I never spent much time on them.

Name: Seymour

Grade: 8th

Offense: Fighting

Describe what happened: I was standing by my locker, humming a song from the radio, when Lance came over and started fighting me.

What have you learned from this experience?

Apparently humming is one of the things that sets Lance off and makes him want to fight you.

What could you have done differently?


How do you plan to modify your behavior?

I will try not to hum around Lance.

There was a lot to like about detention: the quiet, the candy. But the best part was that Jessica was there. During the school week, I only caught glimpses of her. She was always surrounded by a buffer of boys who followed her from class to class and blocked her from view. But during detention, that buffer dissolved, and I got a chance to observe her up close.

Jessica earned her detentions by flagrantly violating the dress code, over and over again, in a variety of shocking ways. Her outfits were so obviously inappropriate for school that teachers routinely forced her to change into gym clothes in the lobby before classes even began. If she claimed not to have any gym clothes with her, the teachers would sprint to the Lost and Found and drape her with whatever garments they could find there. They moved with the urgency of firemen struggling to extinguish a five-alarm blaze.

It was astonishing to me how much someone’s life could change in just a couple of months. In seventh grade, Jessica had been shy and mousy, a nervous girl whom teachers were constantly reminding to “speak up.” But over the summer, everything about her had gotten much louder. Somehow, she had experienced all of the positive effects of puberty and none of the negative ones. Her face had grown angular without succumbing to acne. She’d sprouted several inches, but her teeth had remained perfectly straight. And while certain parts of her body had swelled enormously, she had retained her size-zero frame. Her body had become so obscenely proportioned that even teachers had a difficult time interacting with her. They stuttered or tripped over their words, and occasionally she would have to ask them to “speak up.”


Excerpted from Elliot Allagash by Simon Rich Copyright © 2010 by Simon Rich. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

 Simon Rich has written for The New Yorker, GQ, Mad, The Harvard Lampoon and other magazines. He is the author of two humor collections, Free-Range Chickens and Ant Farm, which was a finalist for the 2008 Thurber Prize for American Humor. He lives in Brooklyn and writes for Saturday Night Live. He is twenty-five.

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Elliot Allagash 3 out of 5 based on 0 ratings. 6 reviews.
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Porthos More than 1 year ago
This quick read starts wonderfully but falls flat. There is no commitment to good or evil (either option would be acceptable) and a total lack of interesting character developlment. It seems as though the author was passionate about the first 150pages and then lost interested and tried to meet a deadline.