Elliot is a bachelor in his late thirties whose new girlfriend, Joanna, is everything he ever wanted in a woman--intelligent, beautiful, warm, independent--and yet terrifies him for precisely that reason. A twice-divorced real estate broker who likes order in her life, she is equally scared of the precariousness of having someone matter to her. Their uncertainties come to a head when Elliot takes her to a party to meet 'the guys'--Bobby, who works for Playboy; Phil, a recovering alcoholic; and Larry, who 'is not ...
Elliot is a bachelor in his late thirties whose new girlfriend, Joanna, is everything he ever wanted in a woman--intelligent, beautiful, warm, independent--and yet terrifies him for precisely that reason. A twice-divorced real estate broker who likes order in her life, she is equally scared of the precariousness of having someone matter to her. Their uncertainties come to a head when Elliot takes her to a party to meet 'the guys'--Bobby, who works for Playboy; Phil, a recovering alcoholic; and Larry, who 'is not comfortable with a woman outside the confines of a divorce court.' The encounter becomes an initiation ceremony crackling with witty, barbed, and devastating dialogue that strips the two lovers of all pretensions, forcing them to confront each other anew in a painful awareness of their vulnerability. The result is a bitterly funny play about the ambiguities of being in love, with Jules Feiffer at his most incisive, wise, and wickedly honest.
Product dimensions: 5.37 (w) x 8.24 (h) x 0.25 (d)
Meet the Author
Beloved children’s book author Jules Feiffer didn’t start out with kid-friendly fare. After first gaining notoriety -- and a Pulitzer Prize -- for his stark, darkly comic political cartoons, he redrew himself as the creator of such charming kids’ tales as I’m Not Bobby! and The House Across the Street.
Born the Bronx in 1929, Jules Feiffer got his first taste of the artistic accolades that were to come his way in the form of a gold medal awarded to him at the age of five in a school art contest. His love of art persisted throughout his childhood -- and after forging a career as a Pulitzer Prize-winning political cartoonist, he would find success writing and illustrating books for children himself.
After high school, Feiffer’s talent for drawing led him to the Art Students League of New York and later earned him admittance to Brooklyn’s renowned Pratt Institute. His first paying job as a cartoonist was under the tutelage of idol Will Eisner, the famous father of the classic 1940s cartoon, “The Spirit.” Feiffer’s apprenticeship and fledgling comic strip career were interrupted, however, when he was drafted into the Army. There, he spent what little free time he was allowed doodling sketches with a decidedly anti-military bent, and his famous “Munro” character -- a four-year-old boy drafted into the Army by mistake -- was born.
After serving his time in the Army, Feiffer developed the comic strip Sick, Sick, Sick: A Guide to Non-confident Munro, which was later renamed, simply, Feiffer. The strip appeared regularly in publications from The Village Voice to The New York Times from 1956 to 1997, and Feiffer’s trademark style -- stark, scribbled figures emoting against a white background -- was promptly adopted by political cartoonists around the world. In April of 1958, an animated rendition of Sick, Sick, Sick won an Academy Award in the Short-Subject Cartoon category, and in 1996, Feiffer was awarded the Pulitzer for his biting editorial cartoons.
Feiffer's knack for capturing the turmoil of his times carried over from cartoons into other media. His play Little Murders -- a wry exploration of violence in urban life -- garnered several accolades when it was presented in 1967, among them the London Theatre Critics, Outer Circle Critics and Obie Awards. As New York Times theater reviewer Clive Barnes commented, "[Feiffer] muses on urban man, the cesspool of urban man's mind, the beauty of his neurosis, and the inevitability of his wilting disappointment." Feiffer's other plays include White House Murder Case (1970) and Anthony Rose (1990). In addition, Feiffer wrote the screenplays for several feature films, most notably Carnal Knowledge (1971) and Popeye (1980).
Feiffer’s motivation to write his first children’s book, according to legend, came from good old-fashioned spite. The story goes that a longtime friend of Feiffer's (who he won’t name) came up with a concept for a children's book based on their shared love of the movies. Feiffer agreed to hand over the illustrating duties to his friend and give writing it a shot, and toughed out every line. When he called the friend to report on his progress, Feiffer found out -- to his fury -- that his friend had decided to write it himself. Although his friend later apologized, Feiffer decided that in the end, they should each do their own books. He changed the subject of his work in progress from the movies to comic books, and The Man in the Ceiling -- a semi-autobiographical tale bout a boy and his love for drawing -- was born.
Selected by Publishers Weekly as one of the best children's books of 1993, the book was a runaway hit with kids and parents. Feiffer continued writing for his new, less jaded audience, offering up A Barrel of Laughs, A Vale of Tears (1998), I Lost My Bear (1998), Meanwhile… (1999), Bark, George (1999), I’m Not Bobby!, (2000) By the Side of the Road (2001), and The House Across the Street (2002). Far from the stark stencils that are his political cartoons, his children’s illustrations wriggle with life, their curvier lines in no way softening the lessons within.
Good To Know
Feiffer is the only cartoonist to have a comic strip published by The New York Times.
A fan of comic strips from an early age, Feiffer started to draw at the age of six. His favorites were Flash Gordon, Popeye, and Terry and the Pirates.
Feiffer didn't want Jack Nicholson cast for the lead in the 1971 film Carnal Knowledge, for which he wrote the screenplay. Director Mike Nichols fought Feiffer on the casting and finally convinced him to approve the up-and-coming actor.