Elric: Duke Elric (Chronicles of the Last Emperor of Melnibone Series #4)

Elric: Duke Elric (Chronicles of the Last Emperor of Melnibone Series #4)

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by Michael Moorcock

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“Michael Moorcock’s work as a critic, as an editor and as a writer has made it easier for me and a whole generation of us to roam the ‘moonbeam roads’ of the literary multiverse.”—from the Foreword by Michael Chabon

Has there ever been a hero–or anti-hero–to match Elric of Melniboné, last emperor of an ancient


“Michael Moorcock’s work as a critic, as an editor and as a writer has made it easier for me and a whole generation of us to roam the ‘moonbeam roads’ of the literary multiverse.”—from the Foreword by Michael Chabon

Has there ever been a hero–or anti-hero–to match Elric of Melniboné, last emperor of an ancient civilization sunk into decadence and inhuman cruelty? Elric the albino, weary of life and enamored of death, bearer of the soul-devouring black sword Stormbringer, cursed to betray all he loves and to save that which he despises: In the unending battle between the forces of Law and Chaos, he is the wildest card of all.

Del Rey proudly presents the fourth in its definitive collection of stories featuring fantasy Grand Master Michael Moorcock’s greatest creation. Here is the full novel The Sailor on the Seas of Fate, the script of the DC comic Duke Elric, the new story “The Flaneur des Arcades de l’Opera,” essays by Moorcock and others, and a selection of classic artwork.

Lavishly illustrated by Justin Sweet, with a Foreword by Pulitzer Prize-winning author Michael Chabon, Duke Elric is essential for all fans of the fantastic.

Editorial Reviews

From the Publisher
“If you are familiar with Elric, I trust you will enjoy revisiting him in this present form. If you are new to him, I hope you find him good, if rather dangerous, company.”—Michael Moorcock

“[Moorcock is] the most significant UK author of sword and sorcery, a form he has both borrowed from and transformed.”—The Encyclopedia of Fantasy

Product Details

Random House Publishing Group
Publication date:
Chronicles of the Last Emperor of Melnibone Series, #4
Edition description:
Sales rank:
Product dimensions:
5.50(w) x 8.10(h) x 0.90(d)

Read an Excerpt

Book One

Sailing to the Future

Chapter One  

IT WAS AS IF the man stood in a vast cavern whose walls and roof were composed of gloomy, unstable colours which would occasionally break and admit rays of light from the moon. That these walls were mere clouds massed above mountains and ocean was hard to believe, for all that the moonlight pierced them, stained them and revealed the black and turbulent sea washing the shore on which the man now stood. 

Distant thunder rolled; distant lightning flickered. A thin rain fell. And the clouds were never still. From dusky jet to deadly white they swirled slowly, like the cloaks of men and women engaged in a trancelike and formalistic minuet; the man standing on the shingle of the grim beach was reminded of giants dancing to the music of the faraway storm and felt as one must feel who walks unwittingly into a hall where the gods are at play. He turned his gaze from the clouds to the ocean. The sea seemed weary. Great waves heaved themselves together with difficulty and collapsed as if in relief, gasping as they struck sharp rocks. 

The man pulled his hood closer about his face and he looked over his leathern shoulder more than once as he trudged closer to the sea and let the surf spill upon the toes of his knee-length black boots. He tried to peer into the cavern formed by the clouds but could see only a short distance. There was no way of telling what lay on the other side of the ocean or, indeed, how far the water extended. He put his head on one side, listening carefully, but could hear nothing but the sounds of the sky and the sea. He sighed. For a moment a moonbeam touched him and from the white flesh of his face there glowed two crimson, tormented eyes; then darkness came back. Again the man turned, plainly fearing that the light had revealed him to some enemy. Making as little sound as possible, he headed towards the shelter of the rocks on his left. Elric was tired. In the city of Ryfel in the land of Pikarayd he had naïvely sought acceptance by offering his services as a mercenary in the army of the governor of that place. For his foolishness he had been imprisoned as a Melnibonéan spy (it was obvious to the governor that Elric could be nothing else) and had but recently escaped with the aid of bribes and some minor sorcery. 

The pursuit, however, had been almost immediate. Dogs of great cunning had been employed and the governor himself had led the hunt beyond the borders of Pikarayd and into the lonely, uninhabited shale valleys of a world locally called the Dead Hills, in which little grew or tried to live. 

Up the steep sides of small mountains, whose slopes consisted of grey, crumbling slate, which made a clatter to be heard a mile or more away, the white-faced one had ridden. Along dales all but grassless and whose river-bottoms had seen no water for scores of years, through cave-tunnels bare of even a stalactite, over plateaux from which rose cairns of stones erected by a forgotten folk, he had sought to escape his pursuers, and soon it seemed to him that he had left the world he knew for ever, that he had crossed a supernatural frontier and had arrived in one of those bleak places of which he had read in the legends of his people, where once Law and Chaos had fought each other to a stalemate, leaving their battleground empty of life and the possibility of life. And at last he had ridden his horse so hard that its heart had burst and he had abandoned its corpse and continued on foot, panting to the sea, to this narrow beach, unable to go farther forward and fearing to return lest his enemies should be lying in wait for him. 

He would give much for a boat now. It would not be long before the dogs discovered his scent and led their masters to the beach. He shrugged. Best to die here alone, perhaps, slaughtered by those who did not even know his name. His only regret would be that Cymoril would wonder why he had not returned at the end of the year. 

He had no food and few of the drugs which had of late sustained his energy. Without renewed energy he could not contemplate working a sorcery which might conjure for him some means of crossing the sea and making, perhaps, for the Isle of the Purple Towns where the people were least unfriendly to Melnibonéans. 

It had been months since he had left behind his court and his queen-to-be, letting Yyrkoon sit on the throne of Melniboné until his return. He had thought he might learn more of the human folk of the Young Kingdoms by mixing with them, but they had rejected him either with outright hatred or wary and insincere humility. Nowhere had he found one willing to believe that a Melnibonéan (and they did not know he was the emperor) would willingly throw in his lot with the human beings who had once been in thrall to that cruel and ancient race. And now, as he stood beside a bleak sea feeling trapped and already defeated, he knew himself to be alone in a malevolent universe, bereft of friends and purpose, a useless, sickly anachronism, a fool brought low by his own insufficiencies of character, by his profound inability to believe wholly in the rightness or the wrongness of anything at all. He lacked faith in his race, in his birthright, in gods or men, and above all he lacked faith in himself. 

His pace slackened; his hand fell upon the pommel of his black runesword. Stormbringer, seemingly half-sentient, was now his only companion, his only confidant, and it had become his neurotic habit to talk to the sword as another might talk to his horse or as a prisoner might share his thoughts with a cockroach in his cell. 

“Well, Stormbringer, shall we walk into the sea and end it now?” His voice was dead, barely a whisper. “At least we shall have the pleasure of thwarting those who follow us.” 

He made a half-hearted movement toward the sea, but to his fatigued brain it seemed that the sword murmured, stirred against his hip, pulled back. The albino chuckled. “You exist to live and to take lives. Do I exist, then, to die and bring both those I love and hate the mercy of death? Sometimes I think so. A sad pattern, if that should be the pattern. Yet there must be more to all this . . .” 

He turned his back upon the sea, peering upward at the monstrous the sailor on the seas of fate clouds forming and re-forming above his head, letting the light rain fall upon his face, listening to the complex, melancholy music which the sea made as it washed over rocks and shingle and was carried this way and that by conflicting currents. The rain did little to refresh him. He had not slept at all for two nights and had slept hardly at all for several more. He must have ridden for almost a week before his horse collapsed. At the base of a damp granite crag which rose nearly thirty feet above his head, he found a depression in the ground in which he could squat and be protected from the worst of the wind and the rain. Wrapping his heavy leather cloak tightly about him, he eased himself into the hole and was immediately asleep. Let them find him while he slept. He wanted no warning of his death. 

Harsh, grey light struck his eyes as he stirred. He raised his neck, holding back a groan at the stiffness of his muscles, and he opened his eyes. He blinked. It was morning–perhaps even later, for the sun was invisible– and a cold mist covered the beach. Through the mist the darker clouds could still be seen above, increasing the effect of his being inside a huge cavern. Muffled a little, the sea continued to splash and hiss, though it seemed calmer than it had on the previous night, and there were now no sounds of a storm. The air was very cold.

 Elric began to stand up, leaning on his sword for support, listening carefully, but there was no sign that his enemies were close by. Doubtless they had given up the chase, perhaps after finding his dead horse. He reached into his belt pouch and took from it a sliver of smoked bacon and a vial of yellowish liquid. He sipped from the vial, replaced the stopper, and returned the vial to his pouch as he chewed on the meat. He was thirsty. He trudged further up the beach and found a pool of rainwater not too tainted with salt. He drank his fill, staring around him. The mist was fairly thick and if he moved too far from the beach he knew he would become immediately lost. Yet did that matter? He had nowhere to go. Those who had pursued him must have realized that. Without a horse he could not cross back to Pikarayd, the most easterly of the Young Kingdoms. Without a boat he could not venture onto that sea and try to steer a course back to the Isle of the Purple Towns. He recalled no map which showed an eastern sea and he had little idea of how far he had traveled from Pikarayd. He decided that his only hope of surviving was to go north, following the coast in the trust that sooner or later he would come upon a port or a fishing village where he might trade his few remaining belongings for a passage on a boat. Yet that hope was a small one, for his food and his drugs could hardly last more than a day or so. 

He took a deep breath to steel himself for the march and then regretted it; the mist cut at his throat and his lungs like a thousand tiny knives. He coughed. He spat upon the shingle. 

And he heard something: something other than the moody whisperings of the sea; a regular creaking sound, as of a man walking in stiff leather. His right hand went to his left hip and the sword which rested there. He turned about, peering in every direction for the source of the noise, but the mist distorted it. It could have come from anywhere. Elric crept back to the rock where he had sheltered. He leaned against it so that no swordsman could take him unawares from behind. He waited. 

The creaking came again, but other sounds were added. He heard a clanking; a splash; perhaps a voice, perhaps a footfall on timber; and he guessed that either he was experiencing a hallucination as a side effect of the drug he had just swallowed or he had heard a ship coming towards the beach and dropping its anchor. 

He felt relieved and he was tempted to laugh at himself for assuming so readily that this coast must be uninhabited. He had thought that the bleak cliffs stretched for miles–perhaps hundreds of miles–in all directions. The assumption could easily have been the subjective result of his depression, his weariness. It occurred to him that he might as easily have discovered a land not shown on maps, yet with a sophisticated culture of its own: with sailing ships, for instance, and harbours for them. Yet still he did not reveal himself. 

Instead he withdrew behind the rock, peering into the mist towards the sea. And at last he discerned a shadow which had not been there the previous night. A black, angular shadow which could only be a ship. He made out the suggestion of ropes, he heard men grunting, he heard the creak and the rasp of a yard as it traveled up a mast. The sail was being furled. 

Elric waited at least an hour, expecting the crew of the ship to disembark. They could have no other reason for entering this treacherous bay. But a silence had descended, as if the whole ship slept. Cautiously Elric emerged from behind the rock and walked down to the edge of the sea. Now he could see the ship a little more clearly. Red sunlight was behind it, thin and watery, diffused by the mist. It was a good-sized ship and fashioned throughout of the same dark wood. Its design was baroque and unfamiliar, with high decks fore and aft and no evidence of rowing ports. This was unusual in a ship either of Melnibonéan or Young Kingdoms design and it tended to prove his theory that he had stumbled upon a civilization for some reason cut off from the rest of the world, just as Elwher and the Unmapped East were cut off by the vast stretches of the Sighing Desert and the Weeping Waste. He saw no movement aboard, heard none of the sounds one might usually expect to hear on a sea-going ship, even if the larger part of the crew was resting. The mist eddied and more of the red light poured through to illuminate the vessel, revealing the large wheels on both the foredeck and the rear-deck, the slender mast with its furled sail, the complicated geometrical carvings of its rails and its figurehead, the great, curving prow which gave the ship its main impression of power and strength and made Elric think it must be a warship rather than a trading vessel. But who was there to fight in such waters as these? 

He cast aside his wariness and cupped his hands about his mouth, calling out: 
 “Hail, the ship!” 

The answering silence seemed to him to take on a peculiar hesitancy as if those on board heard him and wondered if they should answer. 

“Hail, the ship!” 

Then a figure appeared on the port rail and, leaning over, looked casually towards him. The figure had on armour as dark and as strange as the design of his ship; he had a helmet obscuring most of his face and the main feature that Elric could distinguish was a thick, golden beard and sharp blue eyes. 

“Hail, the shore,” said the armoured man. His accent was unknown to Elric, his tone was as casual as his manner. Elric thought he smiled. “What do you seek with us?” 

“Aid,” said Elric. “I am stranded here. My horse is dead. I am lost.” 

“Lost? Aha!” The man’s voice echoed in the mist. “Lost. And you wish to come aboard?” 

“I can pay a little. I can give my services in return for a passage, either to your next port of call or to some land close to the Young Kingdoms where maps are available so that I could make my own way thereafter . . .” 

“Well,” said the other slowly, “there’s work for a swordsman.” 

“I have a sword,” said Elric. 

“I see it. A good, big battle-blade.” 

“Then I can come aboard?” 

“We must confer first. If you would be good enough to wait awhile . . .” 

“Of course,” said Elric. He was nonplused by the man’s manner, but the prospect of warmth and food on board the ship was cheering. He waited patiently until the blond-bearded warrior came back to the rail. 

“Your name, sir?” said the warrior. 

“I am Elric of Melniboné.” 

The warrior seemed to be consulting a parchment, running his finger down a list until he nodded, satisfied, and put the list into his largebuckled belt. 

“Well,” he said, “there was some point in waiting here, after all. I found it difficult to believe.” 

“What was the dispute and why did you wait?” 

“For you,” said the warrior, heaving a rope ladder over the side so that its end fell into the sea. “Will you board now, Elric of Melniboné?” 

Meet the Author

Michael John Moorcock (born 1939) is a prolific British writer primarily of science fiction and science fantasy who has also published a number of literary novels. His most popular works by far have been the Elric novels. As editor of the controversial British science fiction magazine New Worlds, Moorcock fostered the development of the New Wave in the UK and indirectly in the U.S. He won the Nebula Award for his novella Behold the Man,which tells the story of a time traveler who takes on the role of Christ. He has also won the World Fantasy Award, the British Fantasy Award, and many others, and in 2008 was named a Grand Master by the Science Fiction Writers of America.

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Elric 4 out of 5 based on 0 ratings. 44 reviews.
Anonymous More than 1 year ago
If you are unfamiliar with the Elric novels, do not buy! Wait for SFGateway to re-release the original novels. This version of the series is terribly disjointed with the first book in this series containing parts of the 3rd, 5th and all of the 6th original novels. The third book in this series matches up with the 4th original novel. And the fourth book in this series matches up with the 2nd original novel. If you are not already familiar with the novels, good luck putting it all together or understanding the motivations of the characters.
Valid8r More than 1 year ago
I first discovered Moorcock's Elric and The Eternal Champion saga in 7th grade. I have read every English edition and I recommend them all to the neophyte and to the subject matter expert if one has never had the pleasure. Makes me want to break out my AD&D gear and my vorpal sword! :)
harstan More than 1 year ago
"Fortress Of The Pearl". Lord Gho Fhaazi wants a position on the Council of Seven that rules over the city of Quarzhasaat, but he knows he needs help to overcome his rivals. He chooses Prince Elric of Melnibone as his tool to obtain the Pearl at the Heart of the World that will insure his spot on the council. To insure Elric cooperates, he poisons him using a slow acting agent in which he has the serum. Elric begins his escapades as the affluent class' minion the Sorcerer Adventurers try to prevent his success and eventually trap his mind inside that of a comatose teenage female, but with the Dreamthief to guide him through the Dream Realm, Elric continues his quest. The novel above is half of Elric In the Dream Realms and it is one of his greatest early tales and makes the book worth reading. The short story "A Portrait in Ivory" is terrific also as the albino hero is confronted by his worst enemy, the mirror reminding him he should be known as Elric Kinslayer filled with remorse for Cymoril more so than Imrryr. The other entries like "Elric: The Making of a Graphic Novel", the essay "Aspects of Fantasy", and the background material of "Earl Aubec of Malodor", etc. target die hard fans of Michael Moorcock only. Overall the fifth Chronicles of the last Emperor of Melnibone is an engaging look at Elric In The Dream realms. Harriet Klausner
EricABQ More than 1 year ago
Elric the Stealer of Souls starts a series of books collecting Moorcock's Eternal Champion cycle. The Eternal Champion is a character that is reincarnated in differant times and places to fight for balance between the forces of extreme Order and Chaos. The first few books are about Elric last emperor of Melnibonie who carries the soul stealing blade Stormbringer.
NYM More than 1 year ago
Elric: The Stealer of Souls is the story of Elric, the last of his noble line, and his travels. Elric has left his kingdom behind and is exploring the outlying lands with Stormbringer, his sentient sword. Being a dark fantasy, Elric's adventures are filled with horrendous creatures, evil beings and violent encounters. Moorcock does a fabulous job developing the characters and setting his scenes. The world he creates is well thought out and planned. There were occasional scenes that didn't quite ring true to me, but not so much that they seemed off. Enjoyable read and recommended to those who enjoy the genre, but those who don't should probably pass.
StokerFan More than 1 year ago
Del Rey's current release of Michael Moorcock's Elric was conceived as an authoritative edition of the Albino king, who is a a central incarnation of Moorcock's Eternal Champion. I've been picking these up as they come out to the tune of what is currently five volumes, of which DUKE ELRIC is volume 4. Leaving my starred-rating breakdown as a commentary on the quality of the work, I'll leave additional explanation here to qualify and elucidate my feeling on DUKE ELRIC, in particular. Some of these comments may be extended in general to my feeling toward the series as a whole, that being favorable. So, DUKE ELRIC. This book contains the text of a segment of ELRIC titled THE SAILOR ON THE SEAS OF FATE, which had appeared in earlier editions as a familiar episode in the ELRIC saga often represented as part 2 of the cycle. That it appears as late in the current edition as volume 4 illustrates a point: Moorcock, like Gaiman and others after him, allows reinterpretation of his ideas with ELRIC being a prime example. I've compared this text of SAILOR with that in the Science Fiction Book Club edition and found differences as significant as the addition and deletion of full paragraphs in the early pages, and British versus American usage differences in some word choices. That the current edition is to be considered authoritative may, I suppose, be accepted given the author is alive, has allowed this, and has provided essays and other material, some new. Further comparison of early pages shows this edition to match more closely the text included in the White Wolf collectible hardcover ELRIC: SONG OF THE BLACK SWORD for those who desire to know, although neither comparison is comprehensive. Further inclusions in this volume are text of an ELRIC graphic novel titled DUKE ELRIC, and part 2 of Moorcock's essay ASPECTS OF FANTASY, as well as other related material. I very much like this series as it contains a longer view of the ELRIC cycle than we've had in a uniform edition, with material as diverse as essays, graphic novels, early, rare art, and good, authoritative editions of the familiar text.
Anonymous More than 1 year ago
This is the first of three volumes of "The Balance Lost" series, which unites Elric, Corum, Dorian Hawkmoon, and Eric Beck in worlds where Law and Chaos are out of balance. This volume sets the stage of an increasingly unbalanced set of universes. Each of the champions is navigating their respective world and in the end all are called to the same place as the boundary between universes start to blur.
Chris_ More than 1 year ago
This particular volume contains "The Sailor on the Seas of Fate" novel in Michael Moorcock's Elric cycle. When I first read this novel as a kid I never really rated it (I wasn't keen on the Eternal Champion team-up stories) but reading it again recently it really impressed me. The story begins with our anti-hero on a stony shore, alone and on the run. Here's a slightly edited sample of the first chapter right from the top: "It was as if the man stood in a vast cavern whose walls and roof were comprised of gloomy, unstable colours which would occasionally break and admit rays of light from the moon. That these walls were mere clouds massed above mountains and ocean was hard to believe, for all that the moonlight pierced them, stained them and revealed the black and turbulent sea washing the shore on which the man now stood. "Distant thunder rolled; distant lightning flickered. A thin rain fell. And the clouds were never still. From dusky jet to deadly white they swirled slowly... "The sea seemed weary. Great waves heaved themselves together with difficulty and collapsed as in relief, gasping as they struck sharp rocks." Those last two sentences are quite possibly the best I've read all year. The writing is crisp and assured and the pacing and structure are tight. Like many of his fantasy novels, however, it's perhaps a little too brisk at times for my tastes when the action and plot overtake atmosphere and texture. But when it is atmospheric, as per the quote above, it is suitably fantastic - in some places even disorienting, such as the distant far future in the first part of the novel which was reminiscent of those of Jack Vance and William Hope Hodgson. If you like fantasy with a lot of flavour and have never read any Elric before then I highly suggest you push this series to the top of your list. It's a surprisingly light read too for all the detail and action. Although it's often violent and sometimes gruesome, the series is never as gothic as some of its fans make it out to be - and if that's what you're after you're probably better off checking out Mervyn Peake's "Gormenghast" series. This is more along the lines of swash-buckling dark fantasy with a modern sensibility. It's worth noting that it doesn't really matter what order you read the books because Moorcock wrote the end of Elric's saga about a decade before he published its beginning. Which brings me to another small criticism I have with this novel, and perhaps my only real one: while the beginning of Sailors blew me away, the foreshadowing at the very end of the novel (the last sentence or two) felt a little heavy-handed and slightly bathetic, especially as we all know how the saga ends. But this is a small quibble in a novel and and writer well worth your time.
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