John Stephens' aptly-titled new fantasy trilogy begins auspiciously with a nimble, fast-paced tale of three siblings. Kate, Michael, and Emma have suffered through ten years of odious orphanage "care"; now they have slipped into the care of the eccentric, disturbingly mysterious Dr. Pym. While exploring their new home, the children discover a magical green book. With that discovery, a decade of tedium dissolves into cascades of dangerous time travel adventures and struggles with a beautiful witch and decidedly less attractive zombielike Screechers. High early reader marks for strong characterization and battle scenes.
The Emerald Atlas (Books of Beginning Series #1)by John Stephens
Kate, Michael, and Emma have been in one orphanage after another for the last ten years, passed along like lost baggage.
Yet these unwanted children are more remarkable than they could possibly imagine. Ripped from their parents as babies, they are being protected from a horrible evil of devastating power, an evil they know nothing about.
Kate, Michael, and Emma have been in one orphanage after another for the last ten years, passed along like lost baggage.
Yet these unwanted children are more remarkable than they could possibly imagine. Ripped from their parents as babies, they are being protected from a horrible evil of devastating power, an evil they know nothing about.
Before long, Kate, Michael, and Emma are on a journey to dangerous and secret corners of the world...a journey of allies and enemies, of magic and mayhem. And—if an ancient prophesy is correct—what they do can change history, and it is up to them to set things right.
The Emerald Atlas brims with humor and action as it charts Kate, Michael, and Emma's extraordinary adventures through an unforgettable, enchanted world.
Since being inexplicably plucked from their parents' home, three children—Kate, Michael and Emma, who all ferociously resist the label "orphan"—have trickled through a long line of decent to atrocious orphanages. Their adventures truly begin when they're shipped to a crumbling mansion in a childless town somewhere near Lake Champlain. A mysterious book hidden in the home's dilapidated bowels whisks them to the same spot 15 years earlier, where a glamorous witch rules. The reason for the absence of children gruesomely reveals itself, and the trio determines to help with no initial clue to their own prophetic importance.That they have a larger role to play becomes clearer as they realize they have a special relationship with the magic book, the significance of which is revealed bit by bit. In this mystical world of Children with Destiny, readers might cringe at potential similarity to a certain young wizard, but this is entirely different.Each character has such a likable voice that the elaborate story doesn't feel overcomplicated, and though the third-person-omniscient narration focuses on Kate's thoughts, brief forays into the perspectives of her siblings hint that the next two books might focus on them. Supporting characters from a heroic Native American to some very funny dwarves further enliven things. The only gripe readers might initially have is with its length, but by the end, they'll immediately wish it was longer. (Fantasy. 10-14)
The New York Times
The Washington Post
Starred Review, School Library Journal, June 2011:
"Unfolding magic and secrets deepen the story and build excitement as it reaches its complex and time-bending climax....Echoes of other popular fantasy series, from “Harry Potter” to the “Narnia” books, are easily found, but debut author Stephens has created a new and appealing read that will leave readers looking forward to the next volumes in this projected trilogy."
Publishers Weekly, January 18, 2011:
"This fast-paced, fully imagined fantasy is by turns frightening and funny, and the siblings are well-crafted and empathetic heroes. Highly enjoyable, it should find many readers."
The Wall Street Journal, April 2, 2011:
"[A] great story is all in the telling, and in 'The Emerald Atlas' the telling is superb...First-time novelist John Stephens has created a vicarious adventure for children ages 9-15—the first in a trilogy—filled with unexpected twists and marvelously distinct and vivid characters."
BookPage, April 2, 2011:
"With magic, humor and unforgettable characters, John Stephens’ remarkable debut novel follows Kate, Michael and Emma as they attempt to outwit the Countess, rescue the children and maybe even save the world in the process. Unanswered questions and two more books to locate ensure a sequel and more robust adventures ahead."
Realms of Fantasy, April 2011:
“Ambitious, entertaining, magical, and whimsical, this marks a strong beginning to a new trilogy, invoking just a little Harry Potter and Series of Unfortunate Events along the way.”
Booklist, March 15, 2011:
“Fast-paced and engaging, with plenty of action, humor, and secrets propelling the plot. . . . Themes of family and responsibility . . . will easily resonate with young readers.”
Kirkus, March 15, 2011:
“Each character has such a likable voice that the elaborate story doesn’t feel overcomplicated. . . . The only gripe readers might initially have is with its length, but by the end, they’ll immediately wish it was longer.”
Library Media Connection, May / June 2011:
“A rollicking fantasy filled with shiver-inspiring evil creatures and quiet heroes. The feisty sisters and the intellectual brother will win the hearts of readers of all ages.”
CrackingTheCover.com, April 5, 2011:
"“Creativity and wit abound in 'The Emerald Atlas.' Author John Stephens could have easily fallen into the trap of building on someone else’s ideas. But he doesn’t.
Stephens doesn’t write down to his readers. Rather he offers a sophisticated narrative that will appeal to children and adults alike. It’s clear he had fun writing and that 'The Emerald Atlas' was painstakingly thought out.”
Read an Excerpt
Mrs. Lovestock's Hat
The hat in question was owned by Mrs. Constance Lovestock. Mrs. Lovestock was a woman of some years, even greater means, and no children. She was not a woman who did things by half measures. Take her position on swans. She thought them the most beautiful, graceful creatures in the world.
"So graceful," she said, "so elegant."
When one approached her large and sumptuous house on the outskirts of Baltimore, one saw shrubbery cut to look like swans. Statues of swans taking flight. Fountains where a mother swan spat water at baby swans. A birdbath in the shape of a swan where lesser birds could have the honor of bathing. And, of course, actual swans gliding across the ponds that encircled the house, and sometimes waddling, not as gracefully as one might have hoped, past ground-floor windows.
"I do nothing," Mrs. Lovestock was proud of saying, "by half measure."
And so it was one night near the beginning of December, while sitting before the fire with her husband, Mr. Lovestock—who took a vacation by himself every summer supposedly to collect beetles, but actually to hunt swans at a private reserve in Florida, blasting them at near-point-blank range with a mad grin on his face—so it was that Mrs. Lovestock sat up on the swan-shaped couch where she had been knitting and announced, "Gerald, I am going to adopt some children."
Mr. Lovestock took the pipe from his mouth and made a thoughtful sound. He had heard clearly enough what she said. Not "a child." Rather "some children." But long years had taught him the futility of direct confrontation with his wife. He decided it wisest to give up some ground with a combination of ignorance and flattery.
"Why, my dear, that is a fabulous idea. You'd make a wonderful mother. Yes, let's do adopt a child."
Mrs. Lovestock tutted sharply. "Don't toy with me, Gerald. I have no intention of adopting just one child. It'd hardly be worth the effort. I think I shall begin with three." Then she stood, indicating the discussion was over, and strode out of the room.
Mr. Lovestock sighed, replacing the pipe in the corner of his mouth and wondering if there was a place he could go in the summer to hunt children.
Probably not, he thought, and went back to his paper.
• • •
"This is your last chance."
Kate sat across the desk from Miss Crumley. They were in her office in the north tower of the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans. The building had been an armory in centuries past, and in the winter, the wind blew through the walls, rattling the windows and freezing the water in the toilets. Miss Crumley's office was the only room that was heated. Kate hoped whatever she had to say would take a long time.
"I'm not joking, young lady." Miss Crumley was a short, lumpish woman with a mound of purplish hair, and as she spoke, she unwrapped a piece of candy from a bowl on her desk. The candy was off-limits to children. On their arrival at the Home, as Miss Crumley was explaining the list of dos and don'ts (mostly don'ts), Michael had helped himself to a peppermint. He'd had to take cold showers for a week afterward. "She hadn't said not to eat them," he complained. "How was I supposed to know?"
Miss Crumley popped the candy in her mouth. "After this, I'm done. Finished. If you and your brother and sister don't make yourselves as agreeable as possible so that this lady adopts you, well . . ." She sucked hard on her candy, searching for a suitably terrifying threat. ". . . Well, I just won't be responsible for what happens."
"Who is she?" Kate asked.
"Who is she?!" Miss Crumley repeated, her eyes widening in disbelief.
"I mean, what's she like?"
"Who is she? What's she like?" Miss Crumley sucked violently, her outrage rising. "This woman—" She stopped. Kate waited. But no words came. Instead, Miss Crumley's face turned bright red. She made a gagging sound.
For the briefest of seconds—well, perhaps more like three seconds—Kate considered watching Miss Crumley choke. Then she jumped up, ran around, and pounded her on the back.
A gooey greenish lump flew out of Miss Crumley's mouth and landed on the desk. She turned to Kate, breathing hard, her face still red. Kate knew better than to expect a thank-you.
"She is"—Miss Crumley gasped—"a woman interested in adopting three children. Preferably a family. That is all you need know! Who is she! The nerve! Go find your brother and sister. Have them washed and in their best clothes. The lady will be here in an hour. And if either one of them does anything, so help me . . ." She picked up the candy and popped it back in her mouth. ". . . Well, I just won't be responsible."
As Kate descended the narrow spiral stairs from Miss Crumley's office, the air grew colder, and she drew her thin sweater more tightly around herself. Adults seeing Kate for the first time always took note of what a remarkably pretty girl she was, with her dark blond hair and large hazel eyes. But if they looked closer, they saw the furrow of concentration that had taken up residence on her brow, the way her fingernails were bitten to the quick, the weary tension in her limbs, and rather than saying, "Oh, what a pretty girl," they would cluck and murmur, "The poor thing." For to look at Kate, pretty as she was, was to see someone who lived in constant anticipation of life's next blow.
Leaving the side door of the orphanage, Kate saw a group of children gathered around a skeletal tree at the edge of the yard. A small girl with thin legs and short, chestnut-colored hair was throwing rocks at a boy in the branches, yelling at him to come down and fight.
Kate pushed through the crowd of laughing, jeering children as Emma picked up another stone.
"What're you doing?"
Emma turned. There were red circles on her cheeks, and her dark eyes were bright.
"He ripped my book! I was just sitting there reading and he grabbed my book and ripped it! I swear, I didn't do anything! And now he won't even come down and fight!"
"It's not true," cried the boy in the tree. "She's crazy!"
"Shut up!" Emma yelled, and threw the rock. The boy ducked behind the tree as it bounced off the trunk.
Emma was small for eleven. All knees and elbows. But every child in the orphanage respected and feared her temper. When cornered or aroused, she would fight like a devil. Kicking and scratching and biting. Kate sometimes wondered whether her sister would have been as fierce if they'd never been separated from their parents. Emma was the only one who had no memory of their mother and father. Even Michael had hazy recollections of being cared for and loved. As far as Emma was concerned, this was the only life she had ever known, and it had one rule: When you stopped fighting, you were finished. Unfortunately, there were always a few older boys who went out of their way to rile her, relishing the way Emma worked herself into a fury. Their favorite target, not surprisingly, was the children's single-letter surname. Since Kate was the oldest, at fourteen, it was usually her job to calm her sister down.
"We have to find Michael," Kate said. "There's a woman coming to see us."
A hush fell over the children. There had not been a prospective parent at the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans in months.
"I don't care," Emma said. "I'm not going."
"She'd have to be a loon to want you," called the boy in the tree.
Emma seized a rock and winged it. The boy wasn't quick enough, and it caught him on the elbow.
"Emma"—Kate took her sister's arm—"Miss Crumley says this is our last chance."
Emma pulled herself free. She stooped and picked up another rock. But it was clear the fight had gone out of her, and Kate waited quietly as Emma tossed the rock from hand to hand, then threw it weakly against the tree.
"Do you know where Michael is?"
Emma nodded. Kate took her hand, and the children parted so they could pass.
The girls found Michael in the woods above the orphanage, exploring a cave he'd discovered the week before. He was pretending it was the mouth of an old dwarf tunnel. All his life, Michael had been obsessed with stories of magical creatures. Wizards who battled dragons. Knights who fought off maiden-hungry goblins. Clever farmhands outwitting trolls. He read everything he could get his hands on. But he was particularly fond of stories about dwarves.
"They have a long and noble history. And they're very industrious. Not always combing their hair and mooning about with mirrors the way elves do. Dwarves work."
Michael had a very low opinion of elves.
The source of this passion was a book titled The Dwarf Omnibus, written by one G. G. Greenleaf. Waking up that first morning of their new lives, parentless, in a strange room, Kate had discovered the book tucked into Michael's blankets. She'd immediately recognized it as their mother's Christmas present to their father. Over the years, Michael had read the book dozens of times. It was, Kate knew, his way of staying connected to a father he barely remembered. So she tried, and tried to convince Emma, to be understanding when Michael would launch into one of his impromptu lectures. But it wasn't always easy.
The air in the cave was damp and mossy, but the ceiling was high enough that Kate and Emma could walk upright. Michael was a dozen feet from the entrance, kneeling beside a flashlight. He was just this side of scrawny, and he had the same chestnut hair and dark eyes as his younger sister, though his were hidden behind a pair of wire-rimmed spectacles. People often mistook them for twins, which irritated Michael no end. "I'm a year older," Michael would say. "I think it's pretty obvious."
There was a flash, then a whirring, and Michael's battered Polaroid camera spat out a picture. He had found the camera in a junk store in downtown Baltimore a few weeks earlier, along with a dozen packs of film that the owner had more or less given him, and ever since, he had been using it for his exploring game, constantly reminding Kate and Emma how important it was to document your discoveries.
"Here." Michael showed his sisters a rock he'd just photographed. "What do you think that is?"
Emma groaned. "A rock."
"What is it?" Kate asked, willing to go along.
"An old dwarf ax head," Michael said. "There's water damage, obviously. These are hardly ideal conditions for preservation."
"That's funny," Emma said. "'Cause it looks just like a rock."
"All right, enough," Kate said, for she could see Michael was about to get upset. She told him about the woman coming to see them.
"You go," he said. "I've got work here."
Most orphans longed to be adopted. They dreamed of a rich, kind couple whisking them away to a life of comfort and love. Kate and her brother and sister did not. For that matter, they refused to be referred to as orphans.
"Our parents are alive," Kate would say, or Emma would say, or Michael. "And one day they're coming back for us."
Of course, they had nothing to support this belief. They had been left at St. Mary's Orphanage on the banks of the Charles River in Boston one snowy Christmas Eve ten years earlier, and since that time they had not heard the faintest whisper from their parents or any other relation. They couldn't even say what the P of their last name stood for. But still, they continued to believe, deep in their hearts, that their parents would one day reappear. This was due entirely to the fact that Kate had never stopped reminding Michael and Emma of their mother's promise, on that last night, that they would all be together again as a family. It made the thought of being claimed by some stranger totally unacceptable. Unfortunately, this time, there were other considerations.
"Miss Crumley says this is our last chance."
Michael sighed and let the rock fall from his hand. Then he picked up his flashlight and followed his sisters out of the cave.
In the past ten years, the children had been in no fewer than twelve different orphanages. Their shortest stay had been two weeks. Their longest by far had been at their first home, St. Mary's. Nearly three years. But then St. Mary's had burned down—along with the Mother Superior, a kind woman named Sister Agatha, who took a special interest in the children but who had a bad habit of smoking in bed. Leaving St. Mary's was the start of a journey that took them from orphanage to orphanage to orphanage. Just as the children would get settled in one place, they would have to move again. Finally, they stopped expecting to stay anywhere more than a few months, stopped trying to make friends. They learned to count only on each other.
The reason behind all this moving about was that the children were, in adoption-speak, "difficult to place." To adopt one, a family had to adopt all three. But a family willing to adopt three children in a single stroke was a rare thing, and the Miss Crumleys of the world were not long on patience.
Kate understood that if this lady didn't take them, Miss Crumley would cite it as proof that she had tried her best but the children were hopeless, and they'd be shuffled off to the next orphanage. Her hope was that if she and her brother and sister were well behaved, then even if the interview was a failure, Miss Crumley would think twice about sending them away. Not that the children had any great love for their present home. The water was brown. The beds hard. The food made your stomach ache if you ate too much, but if you ate too little, your stomach ached anyway. No, the problem was that as the years had gone by, each new orphanage had been worse than the last. In fact, when they'd arrived at the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans six months earlier, Kate had thought, This is it, we've reached the bottom. But now she wondered, What if there's someplace even worse?
She didn't want to find out.
Half an hour later, washed and dressed in their best clothes (which was not saying a great deal), the children knocked at the door of Miss Crumley's office.
Kate led Emma by the hand. Michael followed close behind. She had counseled them, "Just smile and don't say a lot. Who knows? Maybe she'll be great. Then we can just stay with her till Mom and Dad come back."
But when Kate saw the large woman wrapped in a coat composed entirely of white feathers, holding a purse in the shape of a swan and wearing a hat from which a swan's head curved upward like a question mark, she knew it was hopeless.
"I suppose these are the foundlings," Mrs. Lovestock said, stepping forward to loom over the children. "Their last name is P, you say?"
"Yes, Mrs. Lovestock," Miss Crumley tittered. She only came up to the giant woman's waist. "They're three of our best. Oh, I do love them so. But painful as it would be to part with them, I could force myself to. Knowing they'd be going to such a wonderful home."
"Hmp." Mrs. Lovestock bent to inspect them, causing the swan's head to dip forward with an air of curiosity.
Kate glanced over and saw Emma and Michael staring wide-eyed at the bird.
"I should warn you now," Mrs. Lovestock said, "I don't go in for any childish higgledy-piggledy. I won't have running, shouting, yelling, loud laughter, dirty hands or feet, rude comments about the bank. . . ." Each time she ticked off something she wouldn't tolerate, the swan's head nodded as if in agreement.
". . . I also don't care for excessive talking, rubbing of the hands, or full pockets. I despise children with full pockets."
"Oh, these children have never had a thing in their pockets, I can assure you, Mrs. Lovestock," said Miss Crumley. "Not a thing."
"In addition, I expect—"
"What's that on your head?" Emma interrupted.
"Excuse me?" The woman looked startled.
"That thing on your head. What's that supposed to be?"
"Emma . . . ," Kate warned.
"I know what it is," Michael said.
"So what is it?" Emma demanded.
Mrs. Lovestock turned on the quivering orphanage director. "Miss Crumley, what in the world is going on here?"
"Nothing, Mrs. Lovestock, nothing at all. I assure you—"
"It's a snake," Michael said.
Mrs. Lovestock looked as if someone had slapped her.
"That's not a snake," Emma said.
"It is too." Michael was studying the woman's hat. "It's a cobra."
"But it's all white."
"She probably painted it." He addressed Mrs. Lovestock. "Is that what you did? Did you paint it?"
"Michael! Emma!" Kate hissed. "Be quiet!"
"I was just asking if she painted—"
For what felt like a very long time, there was just the whisper of the radiator and the sound of Miss Crumley nervously clasping and unclasping her hands.
"Never in my life . . . ," Mrs. Lovestock finally began.
"My dear Mrs. Lovestock," Miss Crumley twitched.
Kate knew she had to say something. If they were to have any hope of not being sent away, she needed to smooth things over. But then the woman said the thing.
"I understand one can expect only so much from orphans—"
"We're not orphans," Kate interrupted.
"Orphans are kids whose parents are dead," Michael said. "Ours aren't."
"They're coming back for us," Emma added.
"Pay them no mind, Mrs. Lovestock. Pay them no mind. It's just idle orphan chatter." Miss Crumley held up the bowl of sweets. "Candy?"
Mrs. Lovestock ignored her.
"It's true," Emma insisted. "They're coming back. Honest."
"Listen to me." Mrs. Lovestock leaned forward. "I am an understanding woman. You may ask anyone. But one thing I will not tolerate is fantasy. This is an orphanage. You are orphans. If your parents had wanted you, they would not have left you on the street like last week's garbage without so much as a civilized name! P indeed! You should be thankful someone such as myself is willing to excuse your atrocious lack of manners—and your complete ignorance of the most beautiful waterfowl in the world—and take you into my home. Now, what do you have to say for yourselves?"
Kate saw Miss Crumley glaring at her around the woman's waist. She knew if she didn't apologize to the Swan Lady, Miss Crumley would almost certainly send them somewhere that would make the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans look like a fancy vacation resort. But what was the alternative? Going to live with this woman who insisted that their parents had thrown them away like trash and had no intention of ever returning? She squeezed her sister's hand.
"You know," she said, "it does look like a snake."
Meet the Author
JOHN STEPHENS spent ten years in television, and was executive producer of Gossip Girls and a writer for Gilmore Girls and The O.C. He holds an MFA from the University of Virginia and was inspired to write novels for children after reading Philip Pullman's His Dark Materials trilogy.
Most Helpful Customer Reviews
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One Christmas Eve, Kate is shaken awake by her mother. Kate, the oldest of three children, is implored by her mother to look after the younger two, Michael and Emma. The three children are spirited away in the middle of the night to keep them safe. For the next ten years, these siblings will find themselves shuffled from foster home to foster home, until one disastrous meeting with a potential adoptive parent lands them in the "orphanage" of Dr. Stanislaus Pym. It is a strange sort of orphanage, made so because of the enigmatic owner of the house, Dr. Pym, the old caretaker, Abraham, and the housekeeper who insists on speaking to the children in address of royalty, Miss Sallow. Oh, and the fact that Kate, Michael, and Emma are the only children in the orphanage. Upon their first investigation of the house, the children find a book bound in green leather. Purely by accident, they stick a picture in the book and are transported back in time. It is here they meet the Countess, an evil witch in search of the book that the children themselves have found. When they try to get back to their time, Michael is left behind. The girls then return to find Michael, sending them on the adventure of a lifetime. The children seems to be on one adventure after another trying to right the wrongs of the past. When I first started this book, I was not sure if I would finish it. The Emerald Atlas contains characters reminiscent of Harry Potter's Albus Dumbledore and Rubius Hagrid, a story line about children entering another time (world) in order to save it as in The Lion, The Witch, and The Wardrobe, and a seemingly never-ending abundance of dismal situations a la A Series of Unfortunate Events. I was concerned that John Stephens would not find his own voice. I am glad I kept reading. While the aforementioned nods to other great children's literature do exist, Stephens begins to weave his own tale. The characters are ones for whom you can champion. I am a major fan of books that incorporate strong female characters, and Stephens does this twice with both Kate and Emma. He also manages to do so while keeping in consideration the fact that they are still children. As with any book, I rate it based on its repeat readability (yep, making up words now). Stephens gets a solid yes. Stephens' novel is great for young readers, rich in folklore and vivid imagery. I am looking forward to the next two books in this trilogy, even knowing I will have to wait quite some time (as Atlas is not slated for release until April 2011). Disclosure of Material Connection: I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission's 16 CFR, Part 255 "Guides Concerning the Use of Endorsements and Testimonials in Advertising."
I am 11 years old and I love this book probably the best book i've read!!!
THIS WAS THE BEST BOOK EVER MADE IN THE ENTIRE WORLD!! IT SUCKED ME RIGHT IN!! I COULD NOT PUT IT DOWN!! IT IS A MUST READ!! ENJOY!!! :D
The book is definitely a must read. Hard to put down
This is an entertaining story of magic and imagination. Very fast paced and full of interesting twists and surprises. If you enjoyed the Harry Potter series, you will be right at home with this book. It is the first book of a trilogy chronicling the adventures of three children, who one night are mysteriously abandoned by their parents. Although they never lose hope of seeing their parents again, ten years pass as they are shuffled from one orphanage to another. They finally land in Cambridge Falls in the care of Dr. Stanislaus Pym. The magic begins while the children, Kate, Michael, and Emma, are exploring the new orphanage. They find a secret room, which contains an emerald green book with blank pages. They place a photograph in the book and are inexplicably transported to the location and time that the photo was taken. Thus begins a nonstop adventure back and forth through time, vying with a sorceress and her evil minions, while trying to find out the truth about the children's parents.
Kate, Michael and Emma are orphaned, after a mysterious night when their parents send them away and disappear. Kate is the only one with any sort of memory of their life with their mother and father. As the children grow, they are bounced around through various orphanages, until landing at the strange house of Dr. Stanislaus Pym. While exploring one night, the three stumble upon an old book hidden deep within the basement. They quickly learn this book is very powerful. As the children set off on an adventure to discover more of the book, they will meet evil witches, angry dwarves, and the most terrifying creatures - Screechers! The Emerald Atlas was exactly what I expected it to be: a fun adventure, if not a little tedious at times. John Stephens' vision of the magical book is well-executed, though I personally wanted to do more traveling through it. Kate is by far the most interesting character, as she seems to be the one holding all of the powers. But Emma is also oh-so-adorable, and extremely courageous. Some characters are silly and overdone, but this is a good thing, especially in the mean old Miss Sallow. A few scenes are chuckle-out-loud funny, thanks in part to Stephens' exceptional dialog between the children. As an exciting tale with twists and danger at every turn, I think this new series will appeal more to fans of Fablehaven over those of Harry Potter.
When I read the description of The Emerald Atlas, my first thought was "ummm, did this author miss the whole Harry Potter phenomenon?" Children whisked away from their parents in the middle of the night and hidden away in orphanages only to discover they are instrumental in saving humanity? Magical creatures and time travel? Hmmm, ok. But loving the genre as I do, I downloaded it anyway. Reading through the first chapter, my first impression served me well. Originality, anyone? But then something unexpected happened...as I read I found that I absolutely could not put it down and even ended up bringing my Nook into the bathtub (something I swore I'd never do!). For all that it's not the first of its type ever penned, it is very well written in terms of vivid dialogue between the characters and description of scenery. The characters, both human and unhuman, were genuine. A great read if you're ok with another of this genre! Was disappointed to see how new it was and that there's not a sequel waiting for me to read tonight!
This book was marvelous. I would read it 100 times if i could. It was filled with tons of emotion. I cried and laughed. The characters felt so real, i can't even find the words to say how alive they felt. I literally felt as if i was in the book. After i had read it, i hoped there was a movie about it, so i looked up the name and put movie after it and turns out, there was! Although, i looked everywhere for the movie, stores and online buying sites. No luck. I couldn't even see it on t.v. because they never showed it when i was around! Anyway, i found out there was a series when i looked more in my book so, i checked on my Nook color and at Barnes and Noble¿, but i found out the next book wasn,t going to come out in about 6 months! Now im just waiting 4months. I can't wait to read the next books! I honestly didn't really think i was going to finish the book but still told my parents i was going to because it looked good and because i was confident i could finish it and i did! I RECOMEND THIS BOOK FOR YOU!
Hi i love this book!!so great!!
This book pulls you right in. I would highly reccomend it to readers young as well as old. The tension and adventure never end. I could go on and on and never stop but instead I will let you actually read the book instead of my tiresome old review.
This book is tremendous. Combining fantasy with modern day adventure. A great read
Really good i cant wait till the next one comes out
A really good book so far! I recommend it
I like the book alot
Could not put this book down it was awesome and if you like books like this or you want to get a good book to read check out "the lost children" its really good This book is on ar "accelarated Reader for 15 points and the lost children book is 8 points HAVE FUN READING!!!!!!!!!! MUST READ!!!!!!! CHECK LIST....... READ THIS BOOK ___________________________
Emma is my favorite character she is soooooo sweet
This is one of those books that sucks you in from the first paragraph. There is quite a bit of mystery to it that keeps you on the edge of your seat. The story is centered around three orphans, Kate, Michael and Emma. Their parents gave them up for adoption at a very young age. You don't know why but you know that it's for their own good. The children grow up in several different orphanages over the years. I really liked the children's characters. They each have their own distinct personalities that add charm into this story. Kate is the eldest. She's a leader but she's still young with lots of insecurities. Michael is the middle child. He's bookish with a fascination for dwarfs that boarders on obsession. Emma is the youngest and the girl has gumption. I think she's my favorite of the three. Emma is a brave and tough cookie but at times you see her vulnerabilities come through. I love the dialog between the three children. Several times I laughed out loud because of it. John Stephens captured the art of sibling rivalry perfectly. The children are placed in a new orphanage where they are the only children. This is where the adventure begins. They are led through a time traveling journey full of magic and impossibilities. Along the way they find friendship and make enemies. They unlock secrets that have been forgotten and awaken mystical forces. The children find out that they are more important than they could ever imagine. I like how John Stephens slowly unravels the children's personalities. He shows you their strengths and weaknesses that help to form them. He pulls back their layers as the children are tested in all sorts of ways. I really like this book. The characters are great although some of the characters reminded me of others. For instance, Granny reminded my a little bit of Yoda and the secretary reminded me of Gollum from Lord of the Rings. It's not that they were exact copies but there was something about their characters that brought these others to mind. This did not take away from the story at all. This is the first book in the series and I can't wait to see what happens next. I really enjoyed getting to know these characters.
I LOVE THIS BOOK SOOOOOOOO MUCH PLEASE READ IT ITS AMAZING!! WOW WOW WOW WO WOW!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! :) :) :)
This book kept me on the edge of my seat! I loved it!
If you put this book down the only thing you want to do is pick it back up.
I have read a least 75 books this year and this by far the best. I read it all the time! I love ur books
Realy realy good book peace out from the (.)(.) — :p
My son was blown away by this book. He told me over and over how the book continued to make him wonder what was going to happen next. He loved how the book went from present time to past. I asked him if it was confusing and he said it wasn't. He can't wait to buy the next book. Thanks for writing such an awesome story for my son!
This is a great, well written book for kids of all ages.