Entering the Silence: Becoming a Monk and Writer: 1941-1952by Thomas Merton
"Inexorably life moves on towards crisis and mystery. Everyone must struggle to adjust himself to this, to face the situation for 'now is the judgment of the world.' In a way, each one judges himself merely by what he does. Does, not says. Yet let us not completely dismiss words. They do have meaning. They are related to action. They spring from action and they prepare for it, they clarify it, they direct it." --Thomas Merton, August 16, 1961
The fourth volume of Thomas Merton's complete journals, one of his final literary legacies, springs from three hundred handwritten pages that capture - in candid, lively, deeply revealing passages - the growing unrest of the 1960s, which Merton witnessed within himself as plainly as in the changing culture around him.
In these decisive years, 1960-1963, Merton, now in his late forties and frequently working in a new hermitage at the Abbey of Gethsemani, finds himself struggling between his longing for a private, spiritual life and the irresistible pull of social concerns. Precisely when he longs for more solitude, and convinces himself he could not cut back on his writing, Merton begins asking complex questions about the contemporary culture ("the 'world' with its funny pants, of which I do not know the name, its sandals and sunglasses"), war, and the churches role in society.
Thus despite his resistance, he is drawn into the world where his celebrity and growing concerns for social issues fuel his writings on civil rights, nonviolence, and pacifism and lead him into conflict with those who urge him to leave the moral issues to bishops and theologians.
This pivotal volume in the Merton journals reveals a man at the height of a brilliant writing career, marking the fourteenth anniversary of his priesthood but yearning still for the key to true happiness and grace. Here, in his most private diaries, Merton is as intellectually curious, critical, and insightful as in his best-known public writings while he documents his movement from the cloister toward the world, from Novice Master to hermit, from ironic critic to joyous witness to the mystery of God's plan.
Thomas Merton (1915-1968) was a Trappist monk, writer and peace activist. His spiritual classics include New Seeds of Contemplation, The Sign of Jonas, Mystics and Zen Masters and The Seven Story Mountain
By 1960 Merton was an internationally renowned figure. His bestselling Seven-Storey Mountain (1948) had been ranked alongside St. Augustine's Confessions, and in a steady stream of books and articles he had explored monastic spirituality in a way that seemed fresh and relevant to a wide public. The themes in this volume of his journals show a definite shift away from his earlier otherworldliness. Kramer (English/Georgia State Univ.) has divided the manuscript chronologically into four parts. We see Merton at last obtaining the unusual permission from his abbott at Gethsemani to live in a hermitage, yet meeting a growing number of thinkers and representatives of other faiths in his retreat. Even before Vatican II begins, he is involved in the issues of liturgical reform, ecumenism, and especially the Church's attitude to the modern world. The Cuban missile crisis and the apparent inevitability of nuclear war loom large. Merton considers the need for Christians, including himself, to speak out against the Vietnam War and social segregation, while the writings of Hannah Arendt and the Eichmann case force him to think more deeply about the Catholic understanding of obedience. These pages are characterized more by breadth than depth. Although there is much personal questioning, spiritual musing, and notes from Merton's extensive reading and worldwide correspondence, most readers would do better to turn to Conjectures of a Guilty Bystander (1966), which contains the developed fruits of these jottings.
Strictly for Merton connoisseurs.
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