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Enterprise Zones: Critical Positions On Star Trek
     

Enterprise Zones: Critical Positions On Star Trek

by Taylor Harrison, Sarah Projansky, Kent Ono, Elyce Rae Helford, EDITOR * (Editor)
 

Can you imagine a world without Star Trek —without warp drive, phasers, photon torpedoes, tricorders, communicators, and transporters? After six Hollywood movies and twenty-five years of nonstop television presence, Star Trek is, indeed, a pervasive cultural phenomenon! This is the first critical, scholarly look at the mysteries, hidden meanings,

Overview

Can you imagine a world without Star Trek —without warp drive, phasers, photon torpedoes, tricorders, communicators, and transporters? After six Hollywood movies and twenty-five years of nonstop television presence, Star Trek is, indeed, a pervasive cultural phenomenon! This is the first critical, scholarly look at the mysteries, hidden meanings, and complex issues of the text known as Star Trek. Looking at the original Spock-Kirk Star Trek, the contributors ask and answer questions such as: What are the cultural conditions surrounding the homoerotic relationship between Kirk and Spock? How does the show depict gender relations while simultaneously recreating the cultural conditions under which women continue to experience sexual aggression and violence? They also explore Star Trek: The Next Generation, raising issues such as: Was Data a battlefield on which the struggle for human rights was waged? Did militarism and warring versions of masculinity intersect at Worf? Readers will discover the unique charges of cultural studies scholarship and how it enables us to designate a powerful pop-cultural phenomenon such as Star Trek into a legitimate site of study. The thirteen essayists address the very real and necessary topics of hegemony, utopias, militarism, colonialism, gender, violence, race, class, sexuality, and liminality, analyzing individual episodes and overarching themes of Star Trek and Star Trek: The Next Generation. Their insights on how Star Trek affects what we understand our culture to be, how it represents the social and political order, and how it reproduces pleasure and pain in its televisual texts, will fascinate scholars, students, and Trekkers alike.

Editorial Reviews

Library Journal
Thirteen scholars contributed to this volume, the first of its kind to address Star TrekR critically. Where Camille Bacon-Smith's Enterprising Women: Television Fandom and the Creation of Popular Myth (Univ. of Pennsylvania, 1992) focused on audiences, Enterprise Zones dissects the episodes and films. The contributors challenge Star Trek's avowed utopian vision and liberal humanism, demonstrating the concerns of recent cultural studies in academe. Essays explore such topics as Captain Kirk's masculinity, Lt. Commander Data's cyborg nature, and Counselor Troi's costumes. Emphasis is given to the politics of the original series and The Next Generation, and both are discussed in terms of militarism and neocolonialism. The contributors write with suspicion, insight, and respect for their subject matter, making this a sterling addition for any academic library. General readers might well be alienated by the scholarly jargon, however.Neal Baker, Dickinson Coll. Lib., Carlisle, Pa.
Booknews
The subject is the cultural phenomena of the television series "Star Trek". Twelve scholarly essays address such topics as Captain Kirk's multiple masculinities; Worf as metonymic signifier of racial, cultural, and national differences; miscegenation in "Star Trek"; trilateralism and hegemony; and General Chang as homoerotic enablement. Annotation c. by Book News, Inc., Portland, Or.

Product Details

ISBN-13:
9780813328980
Publisher:
Avalon Publishing
Publication date:
08/08/1996
Series:
Film Studies
Pages:
320
Product dimensions:
6.61(w) x 9.53(h) x 1.11(d)

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