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Entombed (Alexandra Cooper Series #7)

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From New York Times bestselling author and famed former Manhattan prosecutor Linda Fairstein comes a chilling new Alexandra Cooper novel, Entombed, in which Alex matches wits with the master of detective fiction himself-Edgar Allan Poe...

Workers demolishing a nineteenth-century brownstone where Edgar Allan Poe once lived discover a human skeleton entombed -- standing -- behind a brick wall. When sex crimes prosecutor Alexandra Cooper hears about the case, it strikes her as a ...

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Entombed (Alexandra Cooper Series #7)

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Overview

From New York Times bestselling author and famed former Manhattan prosecutor Linda Fairstein comes a chilling new Alexandra Cooper novel, Entombed, in which Alex matches wits with the master of detective fiction himself-Edgar Allan Poe...

Workers demolishing a nineteenth-century brownstone where Edgar Allan Poe once lived discover a human skeleton entombed -- standing -- behind a brick wall. When sex crimes prosecutor Alexandra Cooper hears about the case, it strikes her as a classic Poe scene...except that forensic evidence shows that this young woman died within the last twenty-five years. Meanwhile, Alex's old nemesis the Silk Stocking Rapist is once again terrorizing Manhattan's Upper East Side. The attacks soon escalate to murder, and the search leads Alex and detectives Mercer Wallace and Mike Chapman to the city's stunning Bronx Botanical Gardens. There, an enigmatic librarian presides over the Raven Society, a group devoted to the work of Poe. In exploring the fabled writer's tormented life for clues, Alex will cross paths with a cunning killer and face some of the greatest challenges of her career. Entombed is masterful, exhilarating crime fiction from one of crime writing's most dazzling stars.

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Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
For sex crimes prosecutor Alexandra Cooper, even a night out can be murder. Already troubled by the return of the Silk Stocking Rapist (back in business after a four-year break), Alex is further burdened when the seminar she's attending at NYU Law School is interrupted by the discovery of a skeleton bricked up behind the wall in the basement of a Manhattan brownstone that was once the residence of Edgar Allan Poe! Although the tabloids have a field day with the Poe connection, this corpse is no relic from the poet's era. Forensics estimates that the body was entombed sometime after 1979 -- ancient history only from the perspective of leads gone cold.

Meanwhile, someone is mimicking the M.O. of the Silk Stocking Rapist -- with one notable distinction: He leaves his victim dead. As that investigation unfolds, Alex wonders if the copycat's victim might have had information about the body in the basement…. Suddenly the cold case turns red-hot, and it's up to Alex to ensure that no one else gets burned.

Linda Fairstein's inside knowledge of police procedure and legal work (she spent 25 years in the Sex Crimes Prosecution Unit of the Manhattan D.A.'s Office) provides Entombed with intriguing realistic touches; her craft as a writer turns it into an atmospheric, fast-paced tale that rivals Poe. Sue Stone

Publishers Weekly
The specter of Edgar Allan Poe hovers, chillingly, over bestseller Fairstein's seventh thriller featuring Manhattan sex crimes prosecutor Alexandra Cooper. Alex's labyrinthine path to a serial killer travels through a lot of forensic evidence and two initially unconnected cases: the Silk Stocking rapist is terrorizing women after a few years' respite and a woman's skeleton is discovered in the wall of an East Village building. Said discovery takes on additional dimension when it's learned that the victim was walled up alive and that the house was once inhabited by Poe. Freelance writer Emily Upshaw appears, at first glance, to be the Silk Stocking rapist's latest victim, but several details feel off to Alex and NYPD detective sidekicks Mike Chapman and Mercer Wallace. Emily, it's determined, is the victim of a copycat, but she does have a tenuous link to Poe and to a secret organization called the Raven Society. These are the puzzle pieces that Alex and company work with, in a tale that develops like the proverbial peeled onion, a layer at a time. Alex, fresh from a breakup, also continues her unconsummated flirtation with Mike. It's a tribute to Fairstein's integrity and her clear, measured prose that the novel never tips into prurience. Her methodical presentation of authentic detail engages reader interest more than narrative flourish or cheap thrills. She's the real deal. Agent, Esther Newberg. (Jan.) Copyright 2004 Reed Business Information.
Library Journal
With a rapist wandering about and the skeleton of a recently dispatched young woman found upright behind the wall of the brownstone where Edgar Allan Poe once lived, sex crimes prosecutor Alexandra Cooper must seek help from the Raven Society (Poe fanatics, of course). With a 12-city author tour. Copyright 2004 Reed Business Information.
Kirkus Reviews
A pair of hot cases carry Alexandra Cooper from her bailiwick as head of Manhattan's Sex Crimes Prosecution unit back to a past series of crimes-and the distant past of an American literary giant. According to DNA samples recovered from the scene of a brand-new assault on a Swedish student, the Silk Stocking Rapist, who's been quiet for five years, is at it again. But the strangling of freelance writer Emily Upshaw with an actual silk stocking, decides Alex, must be the work of a copycat. Even before she's begun the fight to persuade her boss to file an indictment of John Doe as the Silk Stocking Rapist lest the statute of limitations wipe his slate clean, Alex is faced with a Jane Doe: a skeletal corpse immured alive in a downtown tenement that NYU is bulldozing. The victim was evidently walled up alive in the Poe House some 25 years ago, in a manner strongly reminiscent of its one-time tenant's horror classic "The Cask of Amontillado." Readers asking what John and Jane Doe have to do with each other haven't been paying attention to Alex's six earlier adventures (The Kills, 2004, etc.). Instead of stooping to the easy task of picking holes in the logic or plausibility of a pair of boldly plotted investigations that entangle Poe's memory and methods in unnerving new chapters of violence, they're advised to sit back, buckle up, and enjoy the torrent of crime scene detail, Poe allusions large and small, and anecdotes about sundry lesser crimes before the two headline cases go their separate ways. Avoiding both the surfeit of personal chitchat and the whispers of international intrigue that have marred several of Alex's earlier cases, Fairstein delivers half a great suspense novel and anhonorable attempt at a second half for her best outing since Alex's strong debut in Final Jeopardy (1996). Agent: Esther Newberg/ICM
From the Publisher
"Entombed [Will] make your heart get caught in your throat.... Don't miss this one."
Newsday (New York)

"A champion teller of detective tales."
USA Today

"Original, chilling, and brilliant."
— Nelson DeMille

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Product Details

  • ISBN-13: 9781416503323
  • Publisher: Pocket Books
  • Publication date: 6/28/2005
  • Series: Alexandra Cooper Series , #7
  • Format: Mass Market Paperback
  • Pages: 416
  • Product dimensions: 4.24 (w) x 6.88 (h) x 1.13 (d)

Meet the Author

Linda Fairstein
LINDA FAIRSTEIN, America's foremost legal expert on crimes of sexual assault and domestic violence, led the Sex Crimes Unit of the District Attorney's Office in Manhattan for twenty-five years. A Fellow of the American College of Trial Lawyers, she is a graduate of Vassar College and the University of Virginia School of Law. Her first novel, Final Jeopardy, introduced the critically acclaimed character of Alexandra Cooper and was made into an ABC Movie of the Week starring Dana Delaney. The celebrated series has gone on to include the New York Times bestsellers Likely to Die, Cold Hit, The Deadhouse (winner of the Nero Wolfe Award for Best Crime Novel of 2001, and chosen as a "Best Book of 2001" by both The Washington Post and the Los Angeles Times), The Bone Vault, The Kills, Entombed, Death Dance, and Bad Blood. Her novels have been translated into more than a dozen languages. Her nonfiction book, Sexual Violence, was a New York Times Notable Book of the Year. She lives with her husband in Manhattan and on Martha's Vineyard.

Visit her website at www.lindafairstein.com.

Blair Brown appeared on Broadway in Copenhagen (Tony Award) Cabaret, James Joyce's The Dead and Arcadia. Favorite film credits include Dogville, Continental Divide, and Altered States. On television, she starred in The Days and Nights of Molly Dodd and has appeared in countless mini-series and TV movies.

Biography

Linda Fairstein is passionate about putting sex offenders behind bars and had done just that many times, both in real life -- as one of New York City's premier sex crimes prosecutors -- and in her fiction, with her popular series of Alex Cooper mysteries.

Born and raised in Mount Vernon, New York, Fairstein attended Vassar College, where she majored in English literature. She went on to receive a law degree from the prestigious University of Virginia School of Law in 1972. In November of that year, Fairstein was assigned to the staff of the New York County District Attorney's office and was soon heading up the Sex Crimes Prosecution Unit, where she developed a reputation as one of the toughest prosecutors in the office's history. Fairstein spent the next two decades dedicating herself to nailing the worst of the city's sexual offenders, working on such high-profile cases as the Preppy Murder and the Central Park Jogger.

In 1993, Fairstein was named "Woman of the Year" by New Woman and Glamour magazines. A year later, her groundbreaking nonfiction book, Sexual Violence: Our War Against Rape, was named a Notable Book by The New York Times.

Fairstein's first foray into fiction writing was 1994's Final Jeopardy, which introduced the tough, savvy assistant D.A. Alexandra "Alex" Cooper -- a character close to the author's own identity -- who was well received by fans and critics. As Publishers Weekly noted, Alex's "greatest appeal lies in the warmth of her friendships, the humanness of her mistakes and her unswerving devotion to protecting the next female from harm."

Since then, Fairstein has continued to chronicle Alex Cooper's crime-solving adventures in a string of bestsellers that draws on the author's thoroughgoing knowledge of the legal system and longtime affection for the Big Apple. A believer in public service, Fairstein sits on the board of directors of several nonprofit groups, among them the National Center for Victims of Crime, Phoenix House Foundation, and New York Women's Agenda, and has also served on President Clinton's Violence Against Women Advisory Council, New York Women's Agenda Domestic Violence Committee, the American College of Trial Lawyers, The Women's Forum, Mystery Writers of America, and Sisters in Crime.

In an interview on her publisher's web site, Fairstein explains that her career and her life's mission are one in the same: "I think so much more is possible in terms of what we are able to give women who have been victims of violence and how they can triumph in a courtroom," Fairstein reflects. "So to take this -- the professional life I've had over the last 30 years and to mix it with the great pleasure of writing -- is something I never dreamed I'd actually be able to accomplish."

Good To Know

Fairstein is married to Justin Feldman, a lawyer who helped run Robert F. Kennedy's 1964 United States Senate campaign.

Fairstein has admitted to having her eye on the post of United States Attorney General, and in fact interviewed for that position in 1993.

Cold Hit made President Clinton's highly-publicized vacation reading list in 1999.

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    1. Hometown:
      New York, New York and Martha's Vineyard, Massachusetts
    1. Date of Birth:
      May 5, 1947
    2. Place of Birth:
      Mount Vernon, New York
    1. Education:
      B.A., Vassar College, 1969; J.D., University of Virginia School of Law, 1972
    2. Website:

Read an Excerpt

Entombed


By Linda A. Fairstein

Scribner Book Company

Copyright © 2005 Linda A. Fairstein
All right reserved.

ISBN: 0743254880

Chapter 1

I looked at the pool of dried blood that covered the third-floor landing of a brownstone on one of the safest residential blocks in Manhattan and wondered how the young woman who'd been left here to die yesterday, her chest pierced by a steak knife, could still be alive this afternoon.

Mercer Wallace crouched beside the stained flooring, pointing out for me the smaller areas of discoloration. "These smudges, I figure, are partial imprints of the perp's shoe. He must have lost his footing over there."

The blood streaked away from the door of the victim's apartment, as though her attacker had slid in the slippery fluid and stumbled to the top of the staircase.

"So there's likely to be some of this on his clothing?"

"Pants leg and shoes for certain, until he cleans them. Look here," he said, and my eyes followed the tip of the pen he was using as a pointer. Outlined on the light gray paint of the door to 3B was another bloody design. "That's hers, Alex. She must have braced herself with one foot against that panel to push the guy off. She put up a fierce struggle."

I could make out the V-shaped tip of a woman's shoe sole, and inches lower the circular mark that confirmed it was a pump rather than a flat.

"High heels and all, she did prettywell for herself. Just lucky." The uniformed cop who had been assigned to safeguard the crime scene for the past twenty-four hours spoke to Mercer as he straightened up.

"That's what we're calling it now when someone resists a rapist and ends up in the intensive care unit with a few holes in her chest and a collapsed lung?"

"Sorry, Ms. Cooper. I mean the girl is fortunate to be alive. You know she went DOA when they pulled up to the docking bay at the emergency room?"

Mercer had told me that. Annika Jelt had stopped breathing on the short ride to New York Hospital. The cops who were dispatched to a neighbor's 911 call reporting screams in the stairwell knew there was no time to wait for an ambulance. The young officer who carried the victim down to the patrol car had served in the army reserves as a medic during the war in Iraq. Annika owed her life to the fact that he revived her in the backseat of the RMP, on the way to the ER, before she was rushed into surgery to inflate her lung and stanch the bleeding.

Mercer led the way down the staircase. The traces of black fingerprint dust on the banister and walls reminded me that the Crime Scene Unit had done a thorough workup of the building when they were summoned by Mercer, shortly after the 3 a.m. attack on a frigid morning in late January.

"He never got her inside the apartment?"

"Nope. She fought like hell to keep him out."

"Did he take anything?" I asked.

"Keys. He took the ring with the keys to both the vestibule door and the apartment. The super's changed both locks already."

"But money? Jewelry?"

"Her pocketbook was lying on the ground next to her. Cash and credit cards were inside and she still had on her earrings and bracelet. He wasn't there for the money."

Mercer had double-parked outside the five-story walk-up on East Sixty-sixth Street. He had awakened me yesterday at six o'clock to tell me about the case. We had worked together for the better part of the decade that I had run the sex crimes prosecution unit of the Manhattan District Attorney's Office, while he had been assigned to the police department's Special Victims Squad. He knew I'd want the first heads-up about the crime, before it was reported on the local network news and before the DA, Paul Battaglia, hunted me down to get enough details so that he could answer the flood of calls from local politicians, concerned citizens, and the ever-curious media. Violent crime, especially sexual assault, was always fodder for headlines when it happened in the high-rent district of the Upper East Side.

I left my desk in the criminal courthouse this afternoon to join Mercer at the victim's apartment. It always helped me begin to frame an investigation and prosecution if I could see exactly where the attack had occurred and what evidence there was of a struggle, or any clues to the perpetrator's method of operation. What the lighting conditions were, the size of the area involved and distances between the beginning of the attack and its conclusion, as well as potential evidence that might be cleaned up or altered in the days to follow -- I liked to see those things with my own eyes. The cops had still been too busy processing the scene themselves to allow me access when Mercer called me yesterday morning, but now they had given the green light to let him walk me through it.

In addition, my years of work on these cases often added another experienced perspective to that of the police team -- and sometimes it resulted in recalling a distinctive detail or trait that would lead the investigators to a repeat offender in this category of crimes in which the recidivist rate was so extraordinarily high.

Mercer started the engine and turned up the heat in the old department Crown Vic that had responded to more sexual assaults than most officers ever would in a lifetime. "So, did anything there speak to you?" Mercer said, smiling at me.

I rubbed my gloved hands together against the harsh winter chill that had seeped through the cracks around the car windows. Lots of veteran cops got vibes at crime scenes, claiming to be able to figure out something about the assailant by being in the same space. I shook my head. "Nothing you don't already know. Yet one more sick puppy who was somehow aroused by forcing a woman he'd never seen before to engage in a sexual act."

"There are buildings with doormen on both corners of the block. This is a fully occupied brownstone on a well-lighted street. He's a cool case, this guy. He got her at the front door on top of the stoop, as she was unlocking it -- "

"She told you that?"

Mercer had been waiting at the hospital when the young woman emerged from the anesthetic late last evening. "Too many tubes coming out of the kid to speak, and the docs only gave me fifteen minutes with her. I asked some basics until she ran out of steam. She squeezed my hand like I told her for some yes-and-no kind of questions."

We were driving to the hospital, just a few blocks away on York Avenue at Sixty-eighth Street. Mercer stopped in to check on his victim on the way to his office this morning, and insisted on seeing her again, as he would every day until she recovered. He wanted to tell the young exchange student that he had telephoned her parents, in Sweden, and that they were flying here tomorrow. Until they arrived, he would be the closest thing to family she would have at her side.

"Did Annika know he had the knife when he accosted her?"

"She never even heard him coming. I figure the first thing she felt was his arm yoking her neck and the blade of the knife scratching the side of her throat."

"Not a particularly distinctive MO," I said.

"You looking for creative, too, Alex?"

I shook my head.

"It's all in the details, as you know. Exactly what words he said, how he touched her, what he smelled like. It may be a couple of days until we can get all that from her."

"And hope in the meantime that he doesn't feel it necessary to finish the job with another victim tonight or tomorrow."

Mercer flashed his badge at the security guard in front of the hospital driveway, who motioned him to leave the car right at the curb.

Sophisticated monitors beeped their familiar noises as we pushed open the doors into the surgical ICU. Nurses were engaged in every one of the eight cubicles, tending to patients in the most critical phase of care.

Mercer walked to the glass-enclosed area where Annika Jelt lay in bed.

"She's awake, Detective. You can come in," the nurse said.

I remained in the doorway as Mercer took a step to the bedside. He reached out his large hand and placed it on Annika's arm, above the intravenous needle that carried fluids back into her slim body. As she felt his touch, the young woman turned her head toward us and tried to smile, recognizing her new friend and protector.

"Hello," she whispered, barely able to move her mouth because of the tubes coming out of her nostrils.

Mercer leaned his six-foot-six-inch frame over the bed railing and gently stroked Annika's forehead. "Don't try to talk. I just came back to check on you. Make sure they're treating you right."

The nurse walked to the far side of the bed and adjusted the pillows behind her head. "Detective Wallace told me he'd haul me off to the clink if we don't get you up and out of here as soon as possible."

She twisted her head back toward the nurse and forced another smile.

"I spoke with your mother, Annika. It's okay. She and your dad will be here tomorrow."

At the mention of her parents, the girl's eyes filled with tears and a guttural cry escaped from her mouth. She wanted to speak but couldn't find the strength, or the right words.

"They know you're going to be fine. They want to come over here and be with you."

I couldn't understand what she was mumbling. Her head was moving back and forth, causing all the monitors to go into high gear. It was something about what she wanted.

"I know you want to go home," Mercer said. Her hand was clasped in his and he continued to try to calm her by stroking her hair.

I bit my lip and thought of how isolated and frightened she must be. Alone in a foreign country, victim of a crime that almost took her life, and not even able to speak on the telephone to assure her family that she would survive.

"Remember the lady I told you about, my friend Alex? I've brought her here to meet you," Mercer said, stepping back from the bed that was surrounded with medical equipment so that Annika could see me.

I came in closer and she dropped his hand, gesturing toward mine. I took his place by her side, covering her cold fingers with my own, and let Mercer finish speaking. "Alex and I are going to find this man, Annika. All you have to do is get strong again. That's your only assignment."

"Mercer's right. You need to get all the rest you can. We'll be back to see you every day. We'll get you everything you need."

"Home?" This time I could hear her clearly.

"Of course you can go home as soon as you're well enough to travel," I said.

"She's almost due for her pain medication," the nurse said. "She gets agitated whenever anyone mentions her family. She doesn't want them to see her this way and she worries about how upset they must be. They never wanted her to come to New York for school."

We waited until she had composed herself, and the MorphiDex that the nurse added to the drip began to take effect.

Annika's watery brown eyes blinked repeatedly, like she was fighting sleep, determined to make sure that Mercer stayed by her side. She closed them at last, her small head barely making a dent in the firm pillows behind her, looking pale and sallow against the crisp white hospital linens. The lifesaving machinery that surrounded her outweighed her twofold. Its blinking lights and beeping noises wouldn't disturb her medicated slumber, and I hoped as well that nightmare visions of her attacker couldn't penetrate the veil drawn around her by the strong painkillers.

It was not even five o'clock when we got back into the car for the ride downtown to my office, but it was already pitch-black and the windchill factor had dropped several notches.

Mercer's cell phone vibrated and he unhitched it from his belt to flip it open as he pulled out of the driveway onto York Avenue.

"Sure, Bob. I'll take a preliminary," he said, looking over at me.

It was Bob Thaler, the chief serologist at the medical examiner's office, who had worked up a quick analysis, less than twenty-four hours after getting the evidence found at the scene of Annika's assault. These tentative findings would later be validated with further testing. This first run wouldn't hold up in court, but it would give us an immediate idea if there was evidence of value.

"Yeah, we picked up those four cigarette butts from the stoop in front of the building. You find something?"

Thaler gave him an answer, which caused Mercer to turn and wink at me. Good news, I assumed.

But their conversation went on, and as he listened, Mercer's smile faded to a serious expression, almost an angry one. He hung up the phone, dropped it on the seat between us, and accelerated onto the FDR Drive.

"There's that word 'lucky' again. I was afraid we were hopeless on the serology because there was no semen. Thaler's got Annika's blood on one of the cigarette stubs. That's why he wanted to know where we found them. Looks like the guy stepped on it on his way out of the building, with wet fluid still in the creases of his shoes from where he dropped her on the landing."

"You heard something else you didn't like."

"They were able to work up a profile from the saliva on the same butt, too. I'd say it's our man, without a doubt."

It would be a stretch for Mercer to get excited about a random item that wasn't even found inside the apartment hallway, where the crime occurred. He knew better.

"Didn't you just say there were four -- "

"I'm not talking about a foreign profile, Alex. It's a very familiar one. Three of the cigarettes are useless. The butt with both blood and saliva on it was dropped there -- maybe on his way up the steps when he spotted his prey -- by someone you and I haven't seen in a very long time."

"We know him?" Someone we sent away who got out of jail, I expected Mercer to tell me. Someone we'd put away who was back to haunt us. A paroled convict who would be easy to track down through new sex offender monitoring laws. The surprise chance of something breaking in our favor so early shot through me like a burst of adrenaline.

"If I knew who he was, if I could tell you his name, then I wouldn't be cruising you downtown right now. I'd be knocking on his door and throwing the cuffs on him tonight," he said. "The bastard beat us cold four years ago then disappeared long enough for me to begin to believe he'd come to his own violent end. Now here he is again, obviously more dangerous than before."

"You think you know -- ?"

"I do know, Alex. Thaler just confirmed it for me. The Silk Stocking Rapist is back in business."

Copyright © 2005 by Linda Fairstein

Continues...


Excerpted from Entombed by Linda A. Fairstein Copyright © 2005 by Linda A. Fairstein. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

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Introduction

Questions and Topics for Discussion

1. Premature burial is a recurring theme in Entombed. Alexandra Cooper discovers a body bricked behind a wall and is herself nearly entombed twice. And the murder victim Emily Upshaw, years before her death, worried especially about that particular fate. What makes the prospect of being buried alive so uniquely terrifying? What kind of mood does it lend to the story?

2. Early in the story, Alex, though a prosecutor, explains that she always makes it a point to visit the crime scene herself. What does this insistence on seeing things firsthand say about her approach to her job? What does it also tell us about her personality?

3. Alex convinces the District Attorney to let her prosecute the Silk Stocking Rapist in a new and potentially controversial way. Later, we see how advances in DNA collection are constantly changing how she and her colleagues do their jobs. What other new techniques and advances did you find peppered throughout? What effect do these ripped-from-the-headlines details have on the novel?

4. How has Alex's breakup with her longtime boyfriend, Jake Tyler, affected her? If you've read the previous novels in the series, were you surprised or disappointed to learn that they had split?

5. Edgar Allan Poe's story "The Cask of Amontillado" obviously figures very heavily into this novel. What other Poe stories came to mind? Even though it doesn't technically have being buried alive as its theme, how does Poe's poem "The Raven" also resonate within the novel?

6. On page 91, Mike Chapman jumps to a knee-jerk conclusion about a gay suspect, but just as we're about to condemn him for being narrow minded, hereveals that he's the best man in his cousin's gay wedding. What other contradictions are inherent in Chapman's personality, and what do they add to the story?

7. As usual, Entombed finds Alex juggling a number of different cases at once. How do the story of the entombed woman and the story of the Silk Stocking Rapist fit together and enhance each other? What other stories are layered in — and what kind of color and detail do they add?

8. This case takes Alex, Chapman, and Mercer Wallace to the Botanical Gardens and deep into parts of the Bronx that most New Yorkers don't even know exist — a waterfall in Bronx River Park, for instance. What is the significance of setting this strand of the story in a sort of alternate New York? What does it add to the novel's atmosphere?

9. How did you feel when you learned about Val's death? How do you think that this loss will affect Chapman — and his relationship with Alex? Alex's friend Joan tells her that if Chapman had married Val, everything between he and Alex would have changed: "the way you work together, the way he protects you, the joking" (p. 294). Do you agree with her?

10. How does Poe's life story — from his humble beginnings to the places he lived — prove connected to the events the novel?

11. A judge tries to convince Alex that it would be better to let the Silk Stocking Rapist go back to his home country, where he might be prosecuted even more harshly — and wouldn't be a drain on American taxpayers. Alex soundly rejects his reasoning. Which side of the argument do you fall on?

12. The story ends with Alex desperately needing to reach out to Chapman — both for his sake and her own — but him walking away. Why do you think that the novel ends on this note? What do you think will happen to their relationship in the next book?

LINDA FAIRSTEIN, America's foremost legal expert on crimes of sexual assault and domestic violence, led the Sex Crimes Unit of the District Attorney's Office in Manhattan for twenty-five years. A Fellow of the American College of Trial Lawyers, she is a graduate of Vassar College and the University of Virginia School of Law. Her first novel, Final Jeopardy, introduced the critically acclaimed character of Alexandra Cooper and was made into an ABC Movie of the Week starring Dana Delaney. The celebrated series has gone on to include the New York Times bestsellers Likely to Die, Cold Hit, The Deadhouse (winner of the Nero Wolfe Award for Best Crime Novel of 2001, and chosen as a "Best Book of 2001" by both The Washington Post and the Los Angeles Times), The Bone Vault, The Kills, Entombed, Death Dance, and Bad Blood. Her novels have been translated into more than a dozen languages. Her nonfiction book, Sexual Violence, was a New York Times Notable Book of the Year. She lives with her husband in Manhattan and on Martha's Vineyard.

Visit her website at www.lindafairstein.com.

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Reading Group Guide

Questions and Topics for Discussion

1. Premature burial is a recurring theme in Entombed. Alexandra Cooper discovers a body bricked behind a wall and is herself nearly entombed twice. And the murder victim Emily Upshaw, years before her death, worried especially about that particular fate. What makes the prospect of being buried alive so uniquely terrifying? What kind of mood does it lend to the story?

2. Early in the story, Alex, though a prosecutor, explains that she always makes it a point to visit the crime scene herself. What does this insistence on seeing things firsthand say about her approach to her job? What does it also tell us about her personality?

3. Alex convinces the District Attorney to let her prosecute the Silk Stocking Rapist in a new and potentially controversial way. Later, we see how advances in DNA collection are constantly changing how she and her colleagues do their jobs. What other new techniques and advances did you find peppered throughout? What effect do these ripped-from-the-headlines details have on the novel?

4. How has Alex's breakup with her longtime boyfriend, Jake Tyler, affected her? If you've read the previous novels in the series, were you surprised or disappointed to learn that they had split?

5. Edgar Allan Poe's story "The Cask of Amontillado" obviously figures very heavily into this novel. What other Poe stories came to mind? Even though it doesn't technically have being buried alive as its theme, how does Poe's poem "The Raven" also resonate within the novel?

6. On page 91, Mike Chapman jumps to a knee-jerk conclusion about a gay suspect, but just as we're about to condemn him for being narrow minded, he reveals that he's the best man in his cousin's gay wedding. What other contradictions are inherent in Chapman's personality, and what do they add to the story?

7. As usual, Entombed finds Alex juggling a number of different cases at once. How do the story of the entombed woman and the story of the Silk Stocking Rapist fit together and enhance each other? What other stories are layered in — and what kind of color and detail do they add?

8. This case takes Alex, Chapman, and Mercer Wallace to the Botanical Gardens and deep into parts of the Bronx that most New Yorkers don't even know exist — a waterfall in Bronx River Park, for instance. What is the significance of setting this strand of the story in a sort of alternate New York? What does it add to the novel's atmosphere?

9. How did you feel when you learned about Val's death? How do you think that this loss will affect Chapman — and his relationship with Alex? Alex's friend Joan tells her that if Chapman had married Val, everything between he and Alex would have changed: "the way you work together, the way he protects you, the joking" (p. 294). Do you agree with her?

10. How does Poe's life story — from his humble beginnings to the places he lived — prove connected to the events the novel?

11. A judge tries to convince Alex that it would be better to let the Silk Stocking Rapist go back to his home country, where he might be prosecuted even more harshly — and wouldn't be a drain on American taxpayers. Alex soundly rejects his reasoning. Which side of the argument do you fall on?

12. The story ends with Alex desperately needing to reach out to Chapman — both for his sake and her own — but him walking away. Why do you think that the novel ends on this note? What do you think will happen to their relationship in the next book?

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Customer Reviews

Average Rating 4.5
( 31 )
Rating Distribution

5 Star

(18)

4 Star

(11)

3 Star

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See All Sort by: Showing 1 – 20 of 31 Customer Reviews
  • Anonymous

    Posted September 26, 2011

    Throughly enjoyed!

    The interaction between Coop, Mercer and especially Chapman are very real. Having been a detective, I can just hear the conversations and they make me chuckle. All of the books are quick reads that you really don't want to put down. While I'm sure that Fairsten took some leeway with some of the forensic facts the books are truly enjoyable.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 5, 2012

    Good book

    I have read all the books in this series so far. This one was good. It was a little creepy with all the talk of being buried alive, but it was a good story and moved along quickly. So far I've enjoyed reading all the books in this series.

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  • Posted June 26, 2012

    more from this reviewer

    Manhattan sex crimes prosecutor Alexandra Cooper and her detect


    Manhattan sex crimes prosecutor Alexandra Cooper and her detective partners, Mike Chapman and Mercer Wallace, are involved in the case of the Silk Stocking serial rapist. At the same time, workers have uncovered a body entombed behind a wall of a brownstone being torn down and Alex is drawn into the dark world of Edgar Allan Poe, who once lived in the house. This particular body, that of a young woman, has apparently been behind the wall for 25 years but seems to have a connection to a more recent murder. During their investigation, the team begins to think these two murders might have some relationship to the Silk Stocking rapist, who has reappeared after four years of inactivity.Entombed

    Rich in atmosphere, this novel takes us to the Bronx Botanical Gardens. A wild landscape, it’s the perfect place for a deadly chase and the author writes about it in such a way as to make me want to see it someday. The descriptions of this and other less-than-famous New York City landmarks are the heart of this entry in the Alex Cooper series and they overshadow a bit the actual mysteries but not too much. Ms. Fairstein also offers a great deal of history of Poe which I thoroughly enjoyed.

    A particular episode of the investigation involving Alex is particularly Poe-worthy and chilling (although an inexplicably dumb move on her part helps put her in the situation) but it is a tragic event at the end that elevates Ms. Fairstein. Many mystery writers would never have the nerve to take such a step.

    I listened to an abridged version but never felt there were scenes missing that were needed to carry the story. Actress Blair Brown is a good narrator with enough intensity as well as restraint to seem as though she really is Alex Cooper. I will be glad to try more books read by her.

    Great cover, too!

    Highly recommended.

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  • Anonymous

    Posted January 26, 2012

    Too many iterations of her same basic plot.

    Please let me not know what's coming by seeing the page number just once. Then it'll be a really great read that accommodates your wonderful imagination in your NY settings.

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  • Anonymous

    Posted August 31, 2010

    ****Great reading (4 stars)

    Enjoyed the book ... Linda Fairstein is at her best.

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  • Anonymous

    Posted February 11, 2007

    Another fine work of writing by Linda Fairstein

    There is only one problem with reading Linda Fairstein's novels. I am up so late at night because I cannot put them down and 'Entombed' is no exception! The plot and characters along with the combination of history and the eerie unknown makes this one an enjoyable novel to read.

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  • Anonymous

    Posted March 24, 2006

    A Bit Much

    I don't mind a little history to back up some interesting turn of events but I found myself yawning and wondering when the action was going to justify all the education. I kept losing the characters, the plots disconnected. I found I enjoyed the few pages at the end of book about her next novel. I liked the format, however. Bigger book, easier on the eyes...not my favorite LF novel.

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  • Anonymous

    Posted August 20, 2005

    Interesting Plot Line

    A very good story from Linda Fairstein. I have read all her novels and really enjoy her writing style..enjoy the banter between the major characters and their personal lives. Fairstein does good job of keeping me engaged with the plot...

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  • Anonymous

    Posted May 18, 2005

    What a ride!

    I was able to read all of Fairstein's book in quick succession. I love it when I find an established author and I can sit and read several books in a row! I loved each of these books. I teach high school English, and I have gotten several of my students hooked as well!

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  • Anonymous

    Posted May 7, 2005

    wonderful

    I had a hard time putting this book down.I hope The Kills will be just as good. I will start this one tonight.

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  • Anonymous

    Posted February 15, 2005

    Excellent

    Highly recommend. Being a fan of Poe's, I like how he and his work are involved in the story.

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  • Anonymous

    Posted February 7, 2005

    Fast Read

    Fast paced, doesn't slow down a bit. May even go out and read the works of Edgar Allan Poe after learning about his work while reading this fast paced, doesn't slow down for a minute novel. Look forward to more from Linda Fairstein in the future.

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  • Anonymous

    Posted January 20, 2005

    Ms.Fairstein Never Fails To Satisfy !

    I absolutely loved this latest book of Ms. Fairstein's. Could barely wait to get my hands on it and now that I've read it,I can hardly wait for her next outstanding book. I've read every novel and must say she not only maintains her great writing about Alex Cooper,but gives more. The details brought up in the author's books about NYC are both sites I have heard of and some I have not. So I will have my own investigation of Poe's Cottage and more. Thank you for writing.

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  • Anonymous

    Posted January 9, 2005

    Great plot, wonderful read!

    Another great legal thriller from Linda Fairstein. I do have one issue with this book: Alex Cooper definitely has it all - a great job, a healthy bank account thanks to her Dad's invention, a great circle of friends. Why can't this sexy, smart, savvy, successful ADA find a soulmate? I mean, is Alex's friend, Joan Stafford, the only one who sees that Alex Cooper and Mike Chapman are meant for each other? Why is it that Alex doesn't have a clue - for all her streetsmarts. I know Fairstein's books isn't meant to be a romance but after reading all her books and obviously, getting to know all the characters, it's amazing that Alex and Mike still haven't resolved their relationship. I do hope Fairstein's next book will finally address this issue. I think Alex's personal life is just as important as her very successful professional life. Well, I can only hope for the best for Alex and Mike.

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  • Anonymous

    Posted January 8, 2005

    SO GREAT!

    THIS IS A GREAT READ. ENTOMBED IS SUCH A GREAT BOOK. I LOVE A GOOD MYSTERY AS MUCH AS I LOVE A GOOD ROMANCE.

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  • Posted December 9, 2008

    more from this reviewer

    Exciting-on a par with Patricia Cornwell

    Manhattan District Attorney¿s Office Sex Crimes Chief Prosecutor Alexandra ¿Alex¿ Cooper and NYPD Special Victims Squad police detectives Mercer Wallace and Mike Chapman believe they finally have a break in the Silk Stocking rape murder cases. The apparent latest victim Annika Jelt still lived thanks to a cop providing emergency first aid. The case has gone nowhere for several years, but with a potential eye witness and semen enabling DNA testing, hopes rise until the law enforcement officials conclude that a copycat killer is more likely on the prowl.................... As Alex, with pressure from her boss works the serial rapist-killer case, NYU begins renovating the area surrounding the school. At an NYU law school gala workers tear down a wall in a townhouse where Edgar Allan Poe once resided and the remains of a woman is uncovered. Forensics concludes that the woman was walled in alive back in the late 1970s. As clues surface that begin to link her cases, Alex turns to the Raven Society for assistance fearing that one of its scholars might prove to be the one behind the nevermore rape homicides....................... Linda Fairstein¿s latest sex crimes thriller is an intriguing New York romp as Alex and her cohorts travel the city hitting popular and not so known Poe locations in an effort to uncover the killer(s). The story line is action-packed, as the heroine and her two detectives know that they race against time to prevent another rape-homicide from happening. Alex remains a strong central figure to admire who holds the tale together, but the plot hums because using Poe provides a freshness to this strong combo legal thriller-police procedural urban series (see THE DEAD-HOUSE, FINAL JEOPARDY, and THE KILLS, etc.)............................ Harriet Klausner

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  • Anonymous

    Posted November 29, 2009

    No text was provided for this review.

  • Anonymous

    Posted October 26, 2008

    No text was provided for this review.

  • Anonymous

    Posted March 10, 2011

    No text was provided for this review.

  • Anonymous

    Posted August 9, 2010

    No text was provided for this review.

See All Sort by: Showing 1 – 20 of 31 Customer Reviews

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