Envisioning Dance: On Film and Video / Edition 1

Paperback (Print)
Rent
Rent from BN.com
$30.56
(Save 54%)
Est. Return Date: 09/20/2014
Buy New
Buy New from BN.com
$60.10
Buy Used
Buy Used from BN.com
$48.70
(Save 27%)
Item is in good condition but packaging may have signs of shelf wear/aging or torn packaging.
Condition: Used – Good details
Used and New from Other Sellers
Used and New from Other Sellers
from $31.75
Usually ships in 1-2 business days
(Save 52%)
Other sellers (Paperback)
  • All (11) from $31.75   
  • New (4) from $64.59   
  • Used (7) from $31.75   

Overview

Virtually everyone working in dance today uses electronic media technology. Envisioning Dance on Film and Video chronicles this 100-year history and gives readers new insight on how dance creatively exploits the art and craft of film and video. In fifty-three essays, choreographers, filmmakers, critics and collaborating artists explore all aspects of the process of rendering a three-dimensional art form in two-dimensional electronic media. Many of these essays are illustrated by ninety-three photographs and a two-hour DVD (40 video excerpts).

A project of UCLA – Center for Intercultural Performance, made possible through The Pew Charitable Trusts (www.wac.ucla.edu/cip).

Read More Show Less

Product Details

  • ISBN-13: 9780415941716
  • Publisher: Taylor & Francis
  • Publication date: 7/3/2003
  • Edition description: Book & CD
  • Edition number: 1
  • Pages: 368
  • Product dimensions: 8.40 (w) x 10.90 (h) x 0.90 (d)

Meet the Author

Judy Mitoma is Director of the UCLA Center for Intercultural Performances. She has taught dance and world arts for over 2 decades at UCLA, and is one of the leaders in the study of dance on film. The text editor is Elizabeth Zimmer, a dance writer and editor for the Village Voice, and the DVD editor is Dale Ann Stieber of UCLA.

Read More Show Less

Table of Contents

Foreword
Words from the Text Editor
Guide to the DVD
Timeline: A Century of Dance and Media
Introduction
Pt. I Setting the Record
1 Dance as Television: A Continuing Challenge 2
2 Music Video as Short Form Dance Film 12
3 The Kinesthetics of Avant-Garde Dance Film: Deren and Harris 21
4 The Master and the Movies: Barbara Horgan on George Balanchine's Work with Television and Film 27
5 Merce Cunningham's Choreography for the Camera 34
6 Program Lists of Dance In America, A Time to Dance, and Arts USA 39
7 Dance Program List of Alive TV, aka Alive from Off Center 48
Pt. II Looking Back
8 From Melies to Streaming Video: A Century of Moving Dance Images 54
9 Ted Shawn's Moving Images 61
10 Doris Humphrey's Air for the G String 66
11 Optic Nerve: Busby Berkeley and the American Cinema 68
12 Dancin' in the Rain: Gene Kelly's Musical Films 71
13 No Maps on My Taps: An Appreciation 78
Pt. III Screen Testing
14 A Dancer behind the Lens 82
15 Wearing Three Hats: Process Notes from a Polymath 89
16 Forsythe and Film: Habits of Seeing 96
17 Dancing and Cameras 103
18 Frequently Pondered Questions 108
Pt. IV Recasting the Dance
19 AIDS and the Videotape Fetish: The Estate Project for Artists with AIDS 114
20 Archiving Dance on Video: The First Generation 118
21 Capturing Dances from the Past 123
22 Two Worlds of Balanchine: The George Balanchine Foundation Video Archives 126
23 The Etudes Project: Using Video to Create a Canon for Contemporary Dance Educators 136
24 The Rainbow Etude 139
25 Alan Lomax and Choreometrics 141
26 Dance Division of the Performing Arts Library at Lincoln Center: A Day in the Life 144
Pt. V Seeding the Field
27 Dancing Matters 150
28 A New Place for Dancing 156
29 Europeans Filming New Narrative Dance 163
30 Northern Exposures: Canadian Dance Film and Video 168
31 NHK: A Model for Performing Arts in the Media 176
32 Taking Tools into My Own Hands: An Argentine Choreographer Finds Her Way to Film 180
33 The Musical Formula: Song and Dance in Popular Indian Cinema 185
34 Fast Forward 189
Pt. VI Taking Directions
35 Watching Dance with a Remote in Your Hand 194
36 Editing Dancemaker: Interview with Pam Wise, Editor, A.C.E. 199
37 Accompanying Choreography: A Director's Journey 202
38 Portraits in Celluloid 207
39 Making Dance Films with Victoria Marks 211
40 Dancing with the Camera: The Dance Cinematographer 218
41 The Right Place at the Right Time: The Invisible Art of Editing 224
42 Fishing for Humans: Dance and the Story of Story 228
43 Breaking the Box: Dancing the Camera with Anna Halprin 232
44 The Neophyte's Tale: A Choreographer Works on Alive from Off Center 236
45 Seeing It Differently: Restaging The Black Dress for Alive from Off Center 241
Pt. VII Frames and Interpretations
46 The Camera as Choreographer in Documentary and Ethnographic Film 246
47 Basing a Dance Film on India's Cultural Heritage 251
48 About the Making of Circles - Cycles Kathak Dance 253
49 Ancestral Memory 256
50 When My Hair Was Brown: The Making of a Dance Documentary 259
51 Lines from a Filmmaker's Journal 263
Pt. VIII Resources
52 Video Preservation 272
53 Whose Rights Are Right? 276
54 Resource and Preservation Guide 279
55 Filmography 287
Editors and Contributors 307
Selected Bibliography 319
Index 325
Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)