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Essay on Man and Other Poems [NOOK Book]

Overview


Considered the preeminent verse satirist in English, Alexander Pope (1688-1744) brought wide learning, devastating wit and masterly technique to his poems. Models of clarity and control, they exemplified the classical poetics of the Augustan age.
This volume contains a rich selection of Pope's work, including such well-known poems as the title selection-a philosophical meditation on the nature of the universe and man's place in it-and "The Rape of the Lock," a mock-epic of rare...
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Essay on Man and Other Poems

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Overview


Considered the preeminent verse satirist in English, Alexander Pope (1688-1744) brought wide learning, devastating wit and masterly technique to his poems. Models of clarity and control, they exemplified the classical poetics of the Augustan age.
This volume contains a rich selection of Pope's work, including such well-known poems as the title selection-a philosophical meditation on the nature of the universe and man's place in it-and "The Rape of the Lock," a mock-epic of rare charm and skill. Also included are "Ode on Solitude," "The Dying Christian to His Soul," "Elegy to the Memory of an Unfortunate Lady," "An Essay on Criticism," "Epigram Engraved on the Collar of a Dog," "Epistle [IV] to Richard Boyle, Earl of Burlington: Of the Use of Riches," "Epistle to Dr. Arbuthnot; or, Prologue to the Satires" and more.
Taken together, these poems offer an excellent sampling of Pope's imaginative genius and the felicitous blending of word, idea and image that earned him a place among the leading lights of 18th-century literature.
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Product Details

  • ISBN-13: 9780486125909
  • Publisher: Dover Publications
  • Publication date: 3/30/2012
  • Series: Dover Thrift Editions
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 128
  • Sales rank: 632,523
  • File size: 386 KB

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Essay on Man and Other Poems


By Alexander Pope

Dover Publications, Inc.

Copyright © 1994 Dover Publications, Inc.
All rights reserved.
ISBN: 978-0-486-12590-9



CHAPTER 1

    Ode on Solitude

    Happy the man, whose wish and care
    A few paternal acres bound,
    Content to breathe his native air
    In his own ground.

    Whose herds with milk, whose fields with bread,
    Whose flocks supply him with attire,
    Whose trees in summer yield him shade,
    In winter fire.

    Blest, who can unconcern'dly find
    Hours, days, and years slide soft away,
    In health of body, peace of mind,
    Quiet by day.

    Sound sleep by night; study and ease,
    Together mixt; sweet recreation:
    And innocence, which most does please
    With meditation.

    Thus let me live, unseen, unknown,
    Thus unlamented let me die,
    Steal from the world, and not a stone
    Tell where I lie.


    The Dying Christian to His Soul

    Ode


    I

    Vital spark of heavenly flame!
    Quit, oh quit this mortal frame!
    Trembling, hoping, lingering, flying,
    Oh the pain, the bliss of dying!
    Cease, fond Nature, cease thy strife,
    And let me languish into life!


    II

    Hark! they whisper; angels say,
    "Sister Spirit, come away!"
    What is this absorbs me quite?
    Steals my senses, shuts my sight,
    Drowns my spirits, draws my breath?
    Tell me, my Soul, can this be death?


    III

    The world recedes; it disappears!
    Heaven opens on my eyes! my ears
    With sounds seraphic ring:
    Lend, lend your wings! I mount! I fly!
    O Grave! where is thy victory?
    O Death! where is thy sting?


    Elegy

    TO THE MEMORY OF AN UNFORTUNATE LADY

    What beckoning ghost along the moonlight shade
    Invites my steps, and points to yonder glade?
    'Tis she! — but why that bleeding bosom gored,
    Why dimly gleams the visionary sword?
    Oh, ever beauteous, ever friendly! tell,
    Is it, in heaven, a crime to love too well?
    To bear too tender or too firm a heart,
    To act a lover's or a Roman's part?
    Is there no bright reversion in the sky
    For those who greatly think, or bravely die?
    Why bade ye else, ye powers! her soul aspire
    Above the vulgar flight of low desire?
    Ambition first sprung from your blest abodes,
    The glorious fault of angels and of gods:
    Thence to their images on earth it flows,
    And in the breast of kings and heroes glows.
    Most souls, 'tis true, but peep out once an age,
    Dull, sullen prisoners in the body's cage:
    Dim lights of life, that burn a length of years,
    Useless, unseen, as lamps in sepulchres;
    Like Eastern kings a lazy state they keep,
    And, close confined to their own palace, sleep.

    From these perhaps (ere Nature bade her die)
    Fate snatched her early to the pitying sky.
    As into air the purer spirits flow,
    And separate from their kindred dregs below;
    So flew the soul to its congenial place,
    Nor left one virtue to redeem her race,

    But thou, false guardian of a charge too good,
    Thou, mean deserter of thy brother's blood!
    See on these ruby lips the trembling breath,
    These cheeks now fading at the blast of death;
    Cold is that breast which warm'd the world before,
    And those love-darting eyes must roll no more.
    Thus, if eternal justice rules the ball,

    Thus shall your wives, and thus your children fall:
    On all the line a sudden vengeance waits,
    And frequent hearses shall besiege your gates;
    There passengers shall stand, and pointing say,
    (While the long funerals blacken all the way,)
    "Lo! these were they, whose souls the Furies steel'd,
    And cursed with hearts unknowing how to yield."

    Thus unlamented pass the proud away,
    The gaze of fools, and pageant of a day!
    So perish all, whose breast ne'er learn'd to glow
    For others' good, or melt at others' woe.

    What can atone (oh ever-injured shade!)
    Thy fate unpitied, and thy rites unpaid?
    No friend's complaint, no kind domestic tear
    Pleased thy pale ghost, or graced thy mournful bier.
    By foreign hands thy dying eyes were closed,

    By foreign hands thy decent limbs composed,
    By foreign hands thy humble grave adorn'd,
    By strangers honour'd, and by strangers mourn'd!
    What, though no friends in sable weeds appear,
    Grieve for an hour, perhaps then mourn a year,
    And bear about the mockery of woe
    To midnight dances, and the public show?
    What, though no weeping loves thy ashes grace,
    Nor polish'd marble emulate thy face?

    What, though no sacred earth allow thee room,
    Nor hallow'd dirge be mutter'd o'er thy tomb?
    Yet shall thy grave with rising flowers be dress'd
    And the green turf lie lightly on thy breast:
    There shall the morn her earliest tears bestow,
    There the first roses of the year shall blow;
    While angels with their silver wings o'ershade
    The ground now sacred by thy reliques made.

    So peaceful rests, without a stone, a name,
    What once had beauty, titles, wealth, and fame.
    How loved, how honour'd once, avails thee not,
    To whom related, or by whom begot;
    A heap of dust alone remains of thee,
    'Tis all thou art, and all the proud shall be!

    Poets themselves must fall, like those they sung,
    Deaf the praised ear, and mute the tuneful tongue.
    Even he, whose soul now melts in mournful lays,
    Shall shortly want the generous tear he pays;
    Then from his closing eyes thy form shall part,
    And the last pang shall tear thee from his heart,
    Life's idle business at one gasp be o'er,
    The Muse forgot, and thou beloved no more!


    An Essay on Criticism


    I


    'Tis hard to say, if greater want of skill
    Appear in writing or in judging ill;
    But, of the two, less dangerous is the offence
    To tire our patience, than mislead our sense.
    Some few in that, but numbers err in this,
    Ten censure wrong for one who writes amiss;
    A fool might once himself alone expose,
    Now one in verse makes many more in prose.

    'Tis with our judgments as our watches, none
    Go just alike, yet each believes his own.
    In poets as true genius is but rare,
    True taste as seldom is the critic's share,
    Both must alike from Heaven derive their light,
    These born to judge, as well as those to write.
    Let such teach others who themselves excel,
    And censure freely who have written well.
    Authors are partial to their wit, 'tis true,
    But are not critics to their judgment too?

    Yet, if we look more closely, we shall find
    Most have the seeds of judgment in their mind:
    Nature affords at least a glimmering light;
    The lines, though touch'd but faintly, are drawn right.
    But as the slightest sketch, if justly traced,
    Is by ill colouring but the more disgraced,
    So by false learning is good sense defaced;
    Some are bewilder'd in the maze of schools,
    And some made coxcombs Nature meant but fools.

    In search of wit these lose their common sense,
    And then turn critics in their own defence:
    Each burns alike, who can, or cannot write,
    Or with a rival's, or an eunuch's spite.
    All fools have still an itching to deride,
    And fain would be upon the laughing side.
    If Mævius scribble in Apollo's spite,
    There are who judge still worse than he can write.

    Some have at first for wits, then poets pass'd,
    Turn'd critics next, and proved plain fools at last.
    Some neither can for wits nor critics pass,
    As heavy mules are neither horse nor ass.
    Those half-learn'd witlings, numerous in our isle,
    As half-form'd insects on the banks of Nile;
    Unfinish'd things, one knows not what to call,
    Their generation's so equivocal:
    To tell them would a hundred tongues require,
    Or one vain wit's, that might a hundred tire.

    But you who seek to give and merit fame,
    And justly bear a critic's noble name,
    Be sure yourself and your own reach to know,
    How far your genius, taste, and learning go;
    Launch not beyond your depth, but be discreet,
    And mark that point where sense and dulness meet.

    Nature to all things fix'd the limits fit,
    And wisely curb'd proud man's pretending wit.
    As on the land while here the ocean gains,
    In other parts it leaves wide sandy plains;
    Thus in the soul while memory prevails,
    The solid power of understanding fails;
    Where beams of warm imagination play,
    The memory's soft figures melt away.
    One science only will one genius fit:
    So vast is art, so narrow human wit:

    Not only bounded to peculiar arts,
    But oft in those confined to single parts.
    Like kings we lose the conquests gain'd before,
    By vain ambition still to make them more:
    Each might his servile province well command,
    Would all but stoop to what they understand.

    First follow Nature, and your judgment frame
    By her just standard, which is still the same:
    Unerring Nature, still divinely bright,
    One clear, unchanged, and universal light,
    Life, force, and beauty, must to all impart,
    At once the source, and end, and test of Art.
    Art from that fund each just supply provides;
    Works without show, and without pomp presides:
    In some fair body thus th' informing soul
    With spirits feeds, with vigour fills the whole,
    Each motion guides, and every nerve sustains;

    Itself unseen, but in th' effects remains.
    Some, to whom Heaven in wit has been profuse,
    Want as much more to turn it to its use;
    For wit and judgment often are at strife,
    Though meant each other's aid, like man and wife.
    'Tis more to guide, than spur the Muse's steed;
    Restrain his fury, than provoke his speed:
    The winged courser, like a generous horse,
    Shows most true mettle when you check his course.

    Those rules of old discover'd, not devised,
    Are Nature still, but Nature methodised:
    Nature, like liberty, is but restrain'd
    By the same laws which first herself ordain'd.

    Hear how learn'd Greece her useful rules indites,
    When to repress, and when indulge our flights:
    High on Parnassus' top her sons she show'd,
    And pointed out those arduous paths they trod;
    Held from afar, aloft, the immortal prize,
    And urged the rest by equal steps to rise.
    Just precepts thus from great examples given,
    She drew from them what they derive from Heaven.
    The generous critic fann'd the poet's fire,
    And taught the world with reason to admire.
    Then criticism the Muse's handmaid proved,
    To dress her charms, and make her more beloved:
    But following wits from that intention stray'd,

    Who could not win the mistress, woo'd the maid;
    Against the poets their own arms they turn'd,
    Sure to hate most the men from whom they learn'd.
    So modern 'pothecaries, taught the art
    By doctor's bills to play the doctor's part,
    Bold in the practice of mistaken rules,
    Prescribe, apply, and call their masters fools.
    Some on the leaves of ancient authors prey,
    Nor time nor moths e'er spoil'd so much as they:
    Some drily plain, without invention's aid,
    Write dull receipts how poems may be made.
    These leave the sense, their learning to display,
    And those explain the meaning quite away.

    You then whose judgment the right course would steer,
    Know well each Ancient's proper character:
    His fable, subject, scope in every page;
    Religion, country, genius of his age:
    Without all these at once before your eyes,
    Cavil you may, but never criticise.
    Be Homer's works your study and delight,
    Read them by day, and meditate by night;
    Thence form your judgment, thence your maxims bring,
    And trace the Muses upward to their spring.
    Still with itself compared, his text peruse;
    And let your comment be the Mantuan Muse.

    When first young Maro in his boundless mind
    A work to outlast immortal Rome design'd,
    Perhaps he seem'd above the critic's law,
    And but from Nature's fountains scorn'd to draw:
    But when to examine every part he came,
    Nature and Homer were, he found, the same.
    Convinced, amazed, he checks the bold design;
    And rules as strict his labour'd work confine,
    As if the Stagyrite o'erlook'd each line.
    Learn hence for ancient rules a just esteem;
    To copy Nature is to copy them.

    Some beauties yet no precepts can declare,
    For there's a happiness as well as care.
    Music resembles poetry, in each
    Are nameless graces which no methods teach,
    And which a master-hand alone can reach.
    If, where the rules not far enough extend,
    (Since rules were made but to promote their end)
    Some lucky licence answer to the full
    The intent proposed, that licence is a rule.
    Thus Pegasus, a nearer way to take,
    May boldly deviate from the common track.
    Great wits sometimes may gloriously offend,
    And rise to faults true critics dare not mend;
    From vulgar bounds with brave disorder part,
    And snatch a grace beyond the reach of art,
    Which, without passing through the judgment, gains
    The heart, and all its end at once attains.
    In prospects thus, some objects please our eyes,
    Which out of Nature's common order rise,
    The shapeless rock, or hanging precipice.
    But though the ancients thus their rules invade,     (As kings dispense with laws themselves have made)
    Moderns, beware! or if you must offend
    Against the precept, ne'er transgress its end;
    Let it be seldom, and compell'd by need;
    And have, at least, their precedent to plead.
    The critic else proceeds without remorse,
    Seizes your fame, and puts his laws in force.

    I know there are, to whose presumptuous thoughts
    Those freer beauties, even in them, seem faults.
    Some figures monstrous and misshaped appear,
    Consider'd singly, or beheld too near,
    Which, but proportion'd to their light, or place,
    Due distance reconciles to form and grace.
    A prudent chief not always must display
    His powers, in equal ranks, and fair array,
    But with the occasion and the place comply,
    Conceal his force, nay seem sometimes to fly.
    Those oft are stratagems which errors seem,
    Nor is it Homer nods, but we that dream.

    Still green with bays each ancient altar stands,
    Above the reach of sacrilegious hands;
    Secure from flames, from envy's fiercer rage,
    Destructive war, and all-involving age.
    See from each clime the learn'd their incense bring!
    Hear in all tongues consenting pæans ring!
    In praise so just let every voice be join'd,
    And fill the general chorus of mankind.
    Hail, bards triumphant! born in happier days;

    Immortal heirs of universal praise!
    Whose honours with increase of ages grow,
    As streams roll down, enlarging as they flow;
    Nations unborn your mighty names shall sound,
    And worlds applaud that must not yet be found!
    O may some spark of your celestial fire,
    The last, the meanest of your sons inspire,
    (That on weak wings, from far, pursues your flights;
    Glows while he reads, but trembles as he writes)
    To teach vain wits a science little known,
    To admire superior sense, and doubt their own!


(Continues...)

Excerpted from Essay on Man and Other Poems by Alexander Pope. Copyright © 1994 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

Ode on Solitude (1717)
The Dying Christian to His Soul (1736)
Elegy to the Memory of an Unfortunate Lady (1717)
An Essay on Criticism (1711)
The Rape of the Lock (1712 / 1714)
Essay on Man (1733 / 1734)
Epistle IV: To Richard Boyle, Earl of Burlington (1731)
Epistle to Dr. Arbuthnot (1735)
Epigram: Engraved on the Collar of a Dog...
Alphabetical Lists of Titles and First Lines
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