Ethics and Poetry in Sixth-Century Arabia
The poetry of pre-Islamic Arabia is a neglected tessera in the mosaic of Late Antiquity. It is the only literary corpus of that time that embodies the voices of the Arabs, and is, thus, a critical complementary resource for understanding the history not only of Arabian poetry, but also of Arabian ethos and ideology. Yet, as such, it remains little exploited for reasons large among which loom the ‘question of authenticity’, belief in the myth of ‘the empty Hijaz’, and indefensible assumptions of a primitivity that precludes self-awareness and abstract thought, let alone anything truly ethical or religious.
By adopting a transparent approach that addresses these negative assumptions and more, this study demonstrates what is implicit in its title: that the ethics and poetry of sixth-century Arabia are an inseparable equation. Offering, first, a critical overview of key figures from the last hundred years – from Goldziher to Izutsu – who have substantially exploited this corpus to advance views on early Arabian ethos and religion, and, then, an analytic survey of recent major approaches to interpreting its meanings and forms, the study proceeds to a graded semantic analysis of select poems to build a ‘vocabulary’ that elucidates both the mechanisms of the poetry’s content and structure, and its profoundly psychological character.
The poetry emerges as a stylized, common discourse, based in an organicist system of ethics that exploits concepts of gender, health and commerce, to reflect a distinct cosmology: one where the heart and body of the individual man is the micro-universe of a greater macrocosm. Weighed against the revolutionary vision of the Qurʾan, the language and figures of this world-view allow us to observe seminal details of a transformation that recasts a universe governed by chance, where virtue is to ‘gamble’ communal resources to ‘purchase’ life for generations to come, as a quasi-commercial investment of belief and striving, which may ‘purchase’ life in a world hereafter.

1125983821
Ethics and Poetry in Sixth-Century Arabia
The poetry of pre-Islamic Arabia is a neglected tessera in the mosaic of Late Antiquity. It is the only literary corpus of that time that embodies the voices of the Arabs, and is, thus, a critical complementary resource for understanding the history not only of Arabian poetry, but also of Arabian ethos and ideology. Yet, as such, it remains little exploited for reasons large among which loom the ‘question of authenticity’, belief in the myth of ‘the empty Hijaz’, and indefensible assumptions of a primitivity that precludes self-awareness and abstract thought, let alone anything truly ethical or religious.
By adopting a transparent approach that addresses these negative assumptions and more, this study demonstrates what is implicit in its title: that the ethics and poetry of sixth-century Arabia are an inseparable equation. Offering, first, a critical overview of key figures from the last hundred years – from Goldziher to Izutsu – who have substantially exploited this corpus to advance views on early Arabian ethos and religion, and, then, an analytic survey of recent major approaches to interpreting its meanings and forms, the study proceeds to a graded semantic analysis of select poems to build a ‘vocabulary’ that elucidates both the mechanisms of the poetry’s content and structure, and its profoundly psychological character.
The poetry emerges as a stylized, common discourse, based in an organicist system of ethics that exploits concepts of gender, health and commerce, to reflect a distinct cosmology: one where the heart and body of the individual man is the micro-universe of a greater macrocosm. Weighed against the revolutionary vision of the Qurʾan, the language and figures of this world-view allow us to observe seminal details of a transformation that recasts a universe governed by chance, where virtue is to ‘gamble’ communal resources to ‘purchase’ life for generations to come, as a quasi-commercial investment of belief and striving, which may ‘purchase’ life in a world hereafter.

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Ethics and Poetry in Sixth-Century Arabia

Ethics and Poetry in Sixth-Century Arabia

by Nadia Jamil
Ethics and Poetry in Sixth-Century Arabia

Ethics and Poetry in Sixth-Century Arabia

by Nadia Jamil

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Overview

The poetry of pre-Islamic Arabia is a neglected tessera in the mosaic of Late Antiquity. It is the only literary corpus of that time that embodies the voices of the Arabs, and is, thus, a critical complementary resource for understanding the history not only of Arabian poetry, but also of Arabian ethos and ideology. Yet, as such, it remains little exploited for reasons large among which loom the ‘question of authenticity’, belief in the myth of ‘the empty Hijaz’, and indefensible assumptions of a primitivity that precludes self-awareness and abstract thought, let alone anything truly ethical or religious.
By adopting a transparent approach that addresses these negative assumptions and more, this study demonstrates what is implicit in its title: that the ethics and poetry of sixth-century Arabia are an inseparable equation. Offering, first, a critical overview of key figures from the last hundred years – from Goldziher to Izutsu – who have substantially exploited this corpus to advance views on early Arabian ethos and religion, and, then, an analytic survey of recent major approaches to interpreting its meanings and forms, the study proceeds to a graded semantic analysis of select poems to build a ‘vocabulary’ that elucidates both the mechanisms of the poetry’s content and structure, and its profoundly psychological character.
The poetry emerges as a stylized, common discourse, based in an organicist system of ethics that exploits concepts of gender, health and commerce, to reflect a distinct cosmology: one where the heart and body of the individual man is the micro-universe of a greater macrocosm. Weighed against the revolutionary vision of the Qurʾan, the language and figures of this world-view allow us to observe seminal details of a transformation that recasts a universe governed by chance, where virtue is to ‘gamble’ communal resources to ‘purchase’ life for generations to come, as a quasi-commercial investment of belief and striving, which may ‘purchase’ life in a world hereafter.


Product Details

ISBN-13: 9781909724969
Publisher: Edinburgh University Press
Publication date: 11/30/2017
Series: Gibb Memorial Trust
Pages: 412
Product dimensions: 6.69(w) x 9.45(h) x (d)

About the Author

Nadia Jamil is a Senior Researcher for the ERC funded Documenting Multiculturalism project, Research Associate of the Khalili Research Centre, and Supernumerary Fellow of Wolfson College, Oxford.

Table of Contents

Part 1 Ethics and Poetry: The Story to Date 1

1:1 Hilm and Jahl, Muruwa and Din: Once More unto the Breach 3

Goldziher 3

Farès 7

Izutsu 8

Bravmann 18

Islam: The Commercial Connection 24

1:2 Return to the Jahiliya: How Does a Poem Work? 31

Fragmentations 33

The Primitive Link 33

Perambulation around Parataxis, True Love and Sin 37

The Art of the Poet Unconscious 46

The Conversely Conscious Homer 50

The Poet Resuscitated 52

The Purpose-free and the Purposeful 56

The Jumbled Mind and the Rhetoric of Vision 57

Cohesions 59

The Unifying Tension of Doubt versus Ethos 59

Unities of Structural Typology 60

Unities of Functional Idiosyncrasy 62

Matrices and Metanarratives 63

Generative Cross-nets of Association 64

Art of the Ternary Archetype 67

Plasticity of the Poetic Discourse and the Mechanics of the Saddle 69

Ritual Triad 74

1:3 Approach and Trajectory of the Study 77

Method 77

Izutsu's Semantic Analysis 77

Izutsu's Semantic Analysis Adapted 81

On Treatment of 'Authenticity', Poet Identities, and Printed Editions 81

Reconstructing a Pre-Islamic Conceptual Language 83

Organisation of the Study 84

Note on the Use of Dictionaries 85

Direction of the Chapters and the General Conclusion 85

Part 2 Ethics and Poetry: The Inseparable Equation 91

Chapter 1 Time 93

Chapter 2 Camps 115

Chapter 3 Principles of Kinship and Alliance 147

'Aql, Ba'th, Shades and Phantoms 171

Chapter 4 'Women' in the Context of Kinship and Alliance 183

Chapter 5 The Mount 211

5:1 The Wheel and the Storm 211

Astral Light and Water 215

Groundwater: Well-pulley, Rope and Bucket 216

Horse, Hair, Sun and Rain 234

5:2 The Gambler and the Storm 239

The Universal Paradigm of Maysir 266

5:3 Intoxicated Excursions 277

Honour and the Protected Grove 306

The Arterial Vein of Faith and Sin 311

Part 3 General Conclusion 323

Conception of the Ethic 326

Flexibility of Gender and the Nasib 327

Muruwa and Din 329

Projecting Microcosm and Macrocosm 331

God and Man 335

Poetry and Din 338

Transformation of the Covenant and the Meaning of Redemption 339

I Ransom 339

II Rope and Bucket 342

III Wine and the Enduring Abode 343

Lenses of Theory 344

Jung's Paradigm of Psychological Growth: The Fluxes and Transitions of Being 347

I The Transcendent Function 347

II Transcendent Function, Narrow and Expansive, Mediator of the Archetypes 349

III Transcendent Function and the Drama of the Alchemical Process 351

IV Chemical Flux: Transcendent Function as Mercurius 353

V The 'Opus' of Individuation in Sum 353

Transcendent Function, Hilm, Jahl and Wasl: The Gendered Alchemy of the Jahili Qasida 354

Final: What Implications for Poetic Structure? 356

Bibliography & Abbreviations 359

General Index 369

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