- Yekermo Sew
- Metche Dershe
- Kasalefkut Hulu
- Tezeta
- Yegelle Tezeta
- Munaye
- Gubelye
- Asmarina
- Yekatit
- Netsanet
- Tezetaye Antchi Lidj
- Sabye
- Ene Alantchi Alnorem
- Dewel
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0723723382528
Ethiopiques Primary Artist
Temare Haregu Drums
Girma Beyene Keyboards,Piano (Upright)
Felleque Kidane Trumpet
Andrew Wilson Guitar,Guitar (Electric)
Hailu "Zehon" Kebbede Guitar (Bass)
Moges Habte Sax (Tenor)
The Police Orchestra Strings
Feqadu Amde-Mesqel Flute,Sax (Tenor)
Girma Zemaryam Drums
Yohannes Tekolla Trumpet
Tewodros Meteku Sax (Tenor)
Tesfaye "Hodo" Mekonnen Drums
Haylu "Zehon" Kebbede Bass
Tekle "Huket" Adhanom Guitar,Guitar (Electric)
Tesfa Maryam Kidane Sax (Tenor),Saxophone
Ivo Guitar (Bass)
Antonio Sax (Alto)
Giovanni Rico Bass,Guitar (Bass)
Wilfrid Harpaille Restoration,Tape Transfer
Karen Albrecht Translation,English Translations
Mulatu Astatke Arranger,Composer,Performer
Traditional Composer
Jack Garnier Artwork,Graphic Design
Addis Abada Photography
Girma Hadgu Composer


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Overview
To some, the term "Ethiopian jazz" might seem impossible; after all, it's a very American form. But what's truly surprising isn't the fact that these musicians play jazz so well, but the range of jazz they manage, from the George Benson-ish guitar workout of "Munaye" to the twisting sax of "Tezeta." Really, though, it's more Jimmy Smith than Duke Ellington in its aim (although Ellington is on the cover, on stage with Mulatu Astatke, the bandleader behind all these selections). The grooves often smoke rather than swing, with some fiery drumming, most notably on "Yekermo Sew," and throughout the guitar is very much to the fore as a rhythm instrument. Perhaps the most interesting cut, however, is "Yekatit," from 1974, which is Astatke's tribute to the burgeoning revolution which would oust Emperor Haile Sellassie. Some of these pieces, certainly "Dewel," has seen U.S. release before; the track appeared in 1972 on Mulatu of Ethiopia, which was Astatke's third American LP, showing that jazz aficionados, at least, had an appreciation for what he was achieving in the horn of Africa. Given that many of his musicians had graduated from police and military bands, they knew their instruments well, and had plenty of practice time, which shows in the often inventive solos that dot the tracks. Varied, occasionally lyrical, but interesting throughout, this shines a fabulous spotlight on a hidden corner of jazz. ~ Chris Nickson
Product Details
Release Date: | 10/06/1998 |
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Label: | Buda Musique |
UPC: | 0723723382528 |
Tracks
Album Credits
Performance Credits
Mulatu Astatke Primary Artist,Organ,Congas,Keyboards,Vibraphone,Fender RhodesEthiopiques Primary Artist
Temare Haregu Drums
Girma Beyene Keyboards,Piano (Upright)
Felleque Kidane Trumpet
Andrew Wilson Guitar,Guitar (Electric)
Hailu "Zehon" Kebbede Guitar (Bass)
Moges Habte Sax (Tenor)
The Police Orchestra Strings
Feqadu Amde-Mesqel Flute,Sax (Tenor)
Girma Zemaryam Drums
Yohannes Tekolla Trumpet
Tewodros Meteku Sax (Tenor)
Tesfaye "Hodo" Mekonnen Drums
Haylu "Zehon" Kebbede Bass
Tekle "Huket" Adhanom Guitar,Guitar (Electric)
Tesfa Maryam Kidane Sax (Tenor),Saxophone
Ivo Guitar (Bass)
Antonio Sax (Alto)
Giovanni Rico Bass,Guitar (Bass)
Technical Credits
Francis Falceto Editing,Collection,Liner Notes,Series Editor,Executive Producer,Production ExecutiveWilfrid Harpaille Restoration,Tape Transfer
Karen Albrecht Translation,English Translations
Mulatu Astatke Arranger,Composer,Performer
Traditional Composer
Jack Garnier Artwork,Graphic Design
Addis Abada Photography
Girma Hadgu Composer
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