Euripides: ''Medea''

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This is an English translation of Euripides' tragedy Medea based upon the myth of Jason and Medea and her revenge against her husband Jason. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.
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Jaffrey, New Hampshire, U.S.A. 1991 Paperback New 0941051102. FLAWLESS COPY, PRISTINE, NEVER OPENED--88 pages; clean and crisp, tight and bright pages, with no writing or ... markings to the text. --DESCRIPTION: English translation. Includes essays on the play's mythical background and the work of Euripides, an introduction to Greek drama and the dramatic tradition. --AUTHOR: Anthony Podlecki is professor emeritus at the University of British Columbia where he has authored many texts and translations. Read more Show Less

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Overview


This is an English translation of Euripides' tragedy Medea based upon the myth of Jason and Medea and her revenge against her husband Jason. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.
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Product Details

  • ISBN-13: 9780941051101
  • Publisher: Focus Publishing/R. Pullins Company, Incorporated
  • Publication date: 1/28/1991
  • Series: Focus Classical Library
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 94
  • Product dimensions: 5.40 (w) x 8.30 (h) x 0.30 (d)

Meet the Author


Anthony Podlecki is professor emeritus at the University of British Columbia where he has authored many texts and translations, including Euripides' Medea for the Focus Classical Library.
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Read an Excerpt


EURIPIDES' MEDEACharacters
Nurse
Creon, King of Corinth
Children of Medea
Tutor
Jason
Chorus of Corinthian Women
Aigeus, King of Athens
Medea
Messenger
(The scene is a street in Corinth. Medea’s house is in the background. An elderly
female, Medea’s “Nurse”—that is, personal maid—steps out of the front door and
addresses the audience.)

NURSE
I wish that the ship Argo had never flown
Through the dark, Clashing rocks to the land of Colchis,
That in the forest glens of Mt. Pelion the pine
Had never been cut for her, had never been made
Into oars for the hands of excellent sailors who hunted      5
The Golden Fleece for Pelias. My lady,
Medea, would never have sailed to Iolkos’ towers,
Her spirit struck senseless with love of Jason.
She wouldn’t have persuaded Pelias’ daughters to kill
Their father; she wouldn’t have settled here in Corinth, 10
With her husband and children. She tried to please
The people to whose land she had come, an exile,
And for her part to fit in with Jason in everything.
This, to my mind, is a woman’s greatest safety:
Not to take the opposite side from her husband.           15
But now—everything’s hateful, her love is sick.
Jason betrayed his children and my mistress
For the marriage-bed of a royal bride; he’s married
The daughter of Creon, the ruler of the country.
And Medea – poor woman! – treated with dishonor,       20
Shouts “Where are the oaths? Your right hand given
In trust?” She calls upon the gods to witness
What kind of return she has received from Jason.
She doesn’t eat, surrenders to her sorrows;
Her life has been turned into a river of tears      25
Since realizing the wrong her husband does her;
She keeps her gaze fixed on the ground, never
Looking up. She listens to friends’ advice
No more than a rock or wave of the sea.
Oh, sometimes she’ll turn her white cheek away       30
To herself, and let out a wail for her dear father,
Her country, her home, which she betrayed to come
With her husband, who has now so dishonored her.
She understands, poor woman, from what has happened
How important it is not to leave one’s homeland.            35
She hates her children, does not enjoy seeing them.
I’m afraid she may be planning something rash.
Her mind is dangerous. She will not endure
Mistreatment. I know this woman and fear her;           39
She’s a frightening woman: not easily will someone     44
Engage with her in hatred and win the prize.              45
(Medea’s two young sons rush in, accompanied by their “tutor,” or attendant slave.)
But here come the boys who have just finished
Their running. They’re not thinking about their mother’s
Troubles. For young minds aren’t used to suffering.

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Table of Contents


Introduction p1
The Mythical Background p1
Medea in the Work of Euripides p6
The Design of the Ancient Greek Theater p9
Euripides’ Medea p13
Appendices p79
Plot Summaries p79
Suggestions For Further Reading p82
Additional Bibliographical Note (2005) p89
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