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Eva Luna

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Overview

Las aventuras picarescas de una Sherezade latinoamericana, relatando su nacimiento ilegítimo, su orfandad, su adolescencia sin rumbo, sus actividades contra el gobierno, y su romance con un problemático director de películas documentales. Por medio de su don narrativo, Eva Luna inventa una realidad personal determinada por la magia y el destino.

Author Biography:

Nacida en Perú, Isabel Allende se crió en Chile. Algunos de sus libros, La casa de...

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Overview

Las aventuras picarescas de una Sherezade latinoamericana, relatando su nacimiento ilegítimo, su orfandad, su adolescencia sin rumbo, sus actividades contra el gobierno, y su romance con un problemático director de películas documentales. Por medio de su don narrativo, Eva Luna inventa una realidad personal determinada por la magia y el destino.

Author Biography:

Nacida en Perú, Isabel Allende se crió en Chile. Algunos de sus libros, La casa de los espíritus, De amor y sombra, Eva Luna, Cuentos de Eva Luna, El plan infinito, y más recientemente, Paula, raducidos a más de 25 lenguas, encabezan la lista de bestsellers en varios paises de America y Europa. Isabel Allende reside actualmente en California.LANGUAGE: Spanish

Niece of the assassinated Chilean president Salvador Allende, Isabel Allende has written a luminous literary novel that traces the life of an orphan from her impoverished beginnings to her rise to fame and fortune.

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Editorial Reviews

From the Publisher

“An exotic dance that beguiles and entices.”—San Francisco Chronicle

“Remarkable . . . [Isabel] Allende seems to draw characters and tales from a bottomless well as Eva Luna narrates the story of her life. . . . Vivid and passionate and human.”—The Washington Post Book World
 
“With vivid imagery, Eva Luna transports the reader to an almost mythic continent where magical happenings are everyday events.”—The Christian Science Monitor
 
“Sumptuous . . . Allende’s canvas is large, busy, full of feeling, incident and rich detail.”—Chicago Tribune
 
“There is a richness of language, image, and adventure that flows effortlessly.”—The Philadelphia Inquirer

Publishers Weekly - Publisher's Weekly
A woman makes love to an Indian dying of snakebite, miraculously restoring him to life and engendering a daughter named Eva``so she will love life.'' Thus begins Allende's latest novel, a magnificent successor to The House of the Spirits and Of Love & Shadows. Set in a Latin American country, it relates Eva's picaresque adventures. Brought up in the house of an eccentric doctor devoted to mummifying corpses, where her mother is a servant, Eva is left an orphan at six. Her black godmother, or madrina , leases her as a servant to a series of bizarre households of metaphorical significance, the last of which she leaves in grand style upon emptying a government Minister's chamberpot over his head. Interleaved with Eva's story is her account of a certain Rolf Carle, with whom her life will become linkedshe tells of his youth in Nazi Austria and young manhood as a filmmaker in South America. Through a series of improbable and felicitous coincidences, Eva is taken under the wing of such exotic benefactors as a street urchin who becomes a guerrilla leader, a colorful whorehouse Madam, a kindly Turkish merchant and a stunningly beautiful transsexual. Like the author, Eva is a prodigious fabulist, weaving extraordinary tales that change reality at will, making it, as she says, easier to bear. Although the fabulist's art is seen as dangerously escapist, Allende's wonderful novel, crammed with the strange and fantastical, the sensuous and the erotic, also speaks powerfully in the cause of freedom. 40,000 first printing; BOMC and QPBC alternate. October
Library Journal
Born in the back room of the mansion where her mother toils, and herself in service from an early age, the enchanting and ever-enchanted Eva Luna escapes oppression through story telling. Rolf Carle flees Germany for South America, and ultimately works as a documentary film maker, to escape childhood memories of burying the concentration camp dead. The two are brought together by guerrilla Huberto NaranjoEva's lover and a subject for Rolf's camerain this dense, opulent novel that serves as a metaphor for redemption through creative effort. In her earlier works The House of the Spirits, LJ 4/15/85; Of Love and Shadows, LJ 5/1/87, Allende's rich language occasionally shaded into overripeness; but here the prose is more tightly controlled, the characterizations defter. Her best work yet. BOMC alternate. Barbara Hoffert, ``Library Journal''
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Product Details

  • ISBN-13: 9780553383829
  • Publisher: Random House Publishing Group
  • Publication date: 8/28/2005
  • Pages: 320
  • Sales rank: 175,690
  • Product dimensions: 5.17 (w) x 8.24 (h) x 0.65 (d)

Meet the Author

Isabel Allende is the author of twelve works of fiction, including the New York Times bestsellers Maya’s Notebook, Island Beneath the Sea, Inés of My Soul, Daughter of Fortune, and a novel that has become a world-renowned classic, The House of the Spirits. Born in Peru and raised in Chile, she lives in California.

Biography

In Isabel Allende's books, human beings do not exist merely in the three-dimensional sense. They can exert themselves as memory, as destiny, as spirits without form, as fairy tales. Just as the more mystical elements of Allende's past have shaped her work, so has the hard-bitten reality. Working as a journalist in Chile, Allende was forced to flee the country with her family after her uncle, President Salvador Allende, was killed in a coup in 1973.

Out of letters to family back in Chile came the manuscript that was to become Allende's first novel. Her arrival on the publishing scene in 1985 with The House of the Spirits was instantly recognized as a literary event. The New York Times called it "a unique achievement, both personal witness and possible allegory of the past, present and future of Latin America."

To read a book by Allende is to believe in (or be persuaded of) the power of transcendence, spiritual and otherwise. Her characters are often what she calls "marginal," those who strive to live on the fringes of society. It may be someone like Of Love and Shadows 's Hipolito Ranquileo, who makes his living as a circus clown; or Eva Luna, a poor orphan who is the center of two Allende books (Eva Luna and The Stories of Eva Luna).

Allende's characters have in common an inner fortitude that proves stronger than their adversity, and a sense of lineage that propels them both forward and backward. When you meet a central character in an Allende novel, be prepared to meet a few generations of his or her family. This multigenerational thread drives The House of the Spirits, the tale of the South American Trueba family. Not only did the novel draw Allende critical accolades (with such breathless raves as "spectacular," "astonishing" and "mesmerizing" from major reviewers), it landed her firmly in the magic realist tradition of predecessor (and acknowledged influence) Gabriel García Márquez. Some of its characters also reappeared in the historical novels Portrait in Sepia and Daughter of Fortune.

"It's strange that my work has been classified as magic realism," Allende has said, "because I see my novels as just being realistic literature." Indeed, much of what might be considered "magic" to others is real to Allende, who based the character Clara del Valle in The House of the Spirits on her own reputedly clairvoyant grandmother. And she has drawn as well upon the political violence that visited her life: Of Love and Shadows (1987) centers on a political crime in Chile, and other Allende books allude to the ideological divisions that affected the author so critically.

But all of her other work was "rehearsal," says Allende, for what she considers her most difficult and personal book. Paula is written for Allende's daughter, who died in 1992 after several months in a coma. Like Allende's fiction, it tells Paula's story through that of Allende's own and of her relatives. Allende again departed from fiction in Aphrodite, a book that pays homage to the romantic powers of food (complete with recipes for two such as "Reconciliation Soup"). The book's lighthearted subject matter had to have been a necessity for Allende, who could not write for nearly three years after the draining experience of writing Paula.

Whichever side of reality she is on, Allende's voice is unfailingly romantic and life-affirming, creating mystery even as she uncloaks it. Like a character in Of Love and Shadows, Allende tells "stories of her own invention whose aim [is] to ease suffering and make time pass more quickly," and she succeeds.

Good To Know

Allende has said that the character of Gregory Reeves in The Infinite Plan is based on her husband, Willie Gordon.

Allende begins all of her books on January 8, which she considers lucky because it was the day she began writing a letter to her dying grandfather that later became The House of the Spirits.

She began her career as a journalist, editing the magazine Paula and later contributing to the Venezuelan paper El Nacional.

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Read an Excerpt

Chapter One

My name is Eva, which means "life," according to a book of names my mother consulted. I was born in the back room of a shadowy house, and grew up amidst ancient furniture, books in Latin, and human mummies, but none of those things made me melancholy, because I came into the world with a breath of the jungle in my memory. My father, an Indian with yellow eyes, came from the place where the hundred rivers meet; he smelled of lush growing things and he never looked directly at the sky, because he had grown up beneath a canopy of trees, and light seemed indecent to him. Consuelo, my mother, spent her childhood in an enchanted region where for centuries adventurers have searched for the city of pure gold the conquistadors saw when they peered into the abyss of their own ambitions. She was marked forever by that landscape, and in some way she managed to pass that sign on to me.

Missionaries took Consuelo in before she learned to walk; she appeared one day, a naked cub caked with mud and excrement, crawling across the footbridge from the dock like a tiny Jonah vomited up by some freshwater whale. When they bathed her, it was clear beyond a shadow of doubt that she was a girl, which must have caused no little consternation among them; but she was already there and it would not do to throw her into the river, so they draped her in a diaper to cover her shame, squeezed a few drops of lemon into her eyes to heal the infection that had prevented her from opening them, and baptized her with the first female name that came to mind. They then proceeded to bring her up, without fuss or effort to find out where she came from; they were sure that if Divine Providence had kept her alive until they found her, it would also watch over her physical and spiritual well-being, or, in the worst of cases, would bear her off to heaven along with the other innocents. Consuelo grew up without any fixed niche in the strict hierarchy of the Mission. She was not exactly a servant, but neither did she have the status of the Indian boys in the school, and when she asked which of the priests was her father, she was cuffed for her insolence. She told me that a Dutch sailor had set her adrift in a rowboat, but that was likely a story that she had invented to protect herself from the onslaught of my questions. I think the truth is that she knew nothing about her origins or how she had come to be where the missionaries found her.

The Mission was a small oasis in the heart of an expanse of voluptuous vegetation writhing and twisting from the banks of the river to the feet of the monumental geologic towers that rose toward the firmament like one of God's mistakes. There time is bent and distances deceive the human eye, persuading the traveler to wander in circles. The humid, heavy air smells of flowers, herbs, man's sweat and animal breath. The heat is oppressive, unalleviated by any breeze; the stones steam and blood boils in the veins. At dusk the sky is filled with phosphorescent mosquitoes whose bites produce endless nightmares, and the still night air carries the distinct cries of birds, the chattering of monkeys, and the distant roar of the waterfalls born high in the mountains to crash far below like the thunder of warfare. The modest mud-and-wattle Mission building, with its tower of woven stakes and a bell to toll for Mass, balanced, like all the huts, on piles driven into the mud of a river of opalescent waters whose banks evaporated in the reverberating light. The dwellings seemed to drift amid silent canoes, garbage, carcasses of dogs and rats, and inexplicable white blossoms.

Consuelo was easy to distinguish even from a distance, her long red hair like a whip of fire against the eternal green of that landscape. Her playmates were young Indians with swollen bellies, an impudent parrot that recited an "Our Father" salted with curses, and a monkey chained to a table leg; from time to time she would let the monkey loose to look for a sweetheart in the jungle, but he always returned to the same spot to scratch his fleas. Even in those days Protestants were everywhere, distributing their Bibles, preaching against the Vatican, and hauling their pianos through heat and rain so their converts could celebrate salvation in public song. Such competition demanded the total dedication of the Catholic priests, and they paid little attention to Consuelo, who was growing up scorched by the sun, poorly nourished on yucca and fish, infested with parasites, bitten by mosquitoes, free as a bird. Aside from helping with domestic chores, attending religious services and a few classes in reading, arithmetic, and catechism, she had no obligations; she roamed outdoors, sniffing the flora and chasing the fauna, her mind filled with images, smells, colors, and myths borne on the river current.

She was twelve when she met the man with the prospecting chickens, a weathered Portuguese who was dry and hard outside and bubbling with laughter inside. His birds pillaged the countryside, devouring anything that glittered, and after a certain amount of time their owner would slit open their craw and harvest his grains of gold--not enough to make him rich, but enough to nourish his dreams. One morning, El Portugués glimpsed a white-skinned girl with a blaze of hair, knee-deep in the swamp with her skirt tucked up around her legs, and thought he had suffered another of his periodic attacks of fever. His whistle of surprise would have set off a mule train. The sound reached the girl's ears; she looked up, their eyes met, and both smiled the same smile. After that day they met frequently: he, bedazzled, to gaze at her and she to learn to sing Portuguese songs.

"Let's go harvest gold," El Portugués said one day.

They set off into the jungle and soon were out of earshot of the Mission bell, deeper and deeper into the tangled growth along paths visible only to him. All day, crowing like roosters, they looked for the hens, catching them on the wing once they spied them through the dense foliage. She clamped them between her knees, and with one surgical slash he slit open the craw and stuck in his fingers to pull out the seeds of gold. If the hen survived, they stitched it up with needle and thread to continue to serve its owner; the others they put in a sack to sell in the village or use as bait. They burned the feathers because chicken feathers bring bad luck and spread the pip. Tangle-haired, Consuelo returned at dusk, content and spattered with blood. As she climbed the ladder from the rowboat to the terraced riverbank, her nose bumped into four filthy sandals belonging to two friars from Extremadura who were waiting for her with crossed arms and fearsome expressions of repudiation.

"It is time for you to go to the city," they said.

Nothing was gained by begging. Nor was she allowed to take the monkey or the parrot, two companions judged inappropriate for the new life awaiting her. She made the trip along with five native girls, all tied by the ankle to prevent their jumping from the pirogue and disappearing into the river. As he bid her farewell, El Portugués took one long last look at Consuelo; he did not touch her, but as a remembrance he gave her a tooth-shaped gold nugget strung on a cord. She would wear it around her neck most of her life, until she met someone she would give it to as a gift of love. El Portugués saw her for the last time dressed in a stained cotton jumper, a straw hat pulled down to her ears, barefoot and dejected, waving goodbye with one hand.

The journey began by canoe, down tributaries that wound through a landscape to derange the senses, then on muleback over rugged mesas where the cold freezes night thoughts, and finally in a truck, across humid plains through groves of wild bananas and dwarf pineapple and down roads of sand and salt; but none of it surprised the girl, for any person who first opens her eyes in the most hallucinatory land on earth loses the ability to be amazed. On that long journey she wept all the tears stored in her soul, leaving none in reserve for later sorrows. Once her tears were exhausted, she closed her lips, resolving from that moment forward to open them only when it could not be avoided. Several days later, when they reached the capital, the priests took the terrified girls to the Convent of the Little Sisters of Charity, where a nun with a jailer's key opened an iron door and led them to a large shady patio with cloistered corridors on four sides; in the center, doves, thrushes, and hummingbirds were drinking from a fountain of colored tiles. Several young girls in gray uniforms sat in a circle; some were stitching mattresses with curved needles while others wove wicker baskets.

The nun, hands hidden beneath the folds of her habit, recited something that sounded like "Through prayer and toil shall you atone for your sins. I have come not to heal those of you who are whole, but to minister unto those who are suffering and afflicted. The shepherd rejoices more when he finds the lost sheep than in all the ninety and nine. Word of God, praise be His Holy Name, amen."

Consuelo did not understand the meaning of that peroration; she did not even listen to it, she was too exhausted and too assailed by claustrophobia. She had never before been inside a walled enclosure, and when she looked up and saw the sky reduced to a rectangle, she felt that she was suffocating. When they separated her from her traveling companions and took her to the office of the Mother Superior, she had no inkling that it was because of her light skin and eyes. The Little Sisters had not received anyone like her in many years, only girls of mixed blood from the barrios, or Indian girls dragged there bodily by the missionaries.

"Who are your parents?"

"I don't know."

"When were you born?"

"The year of the comet."

Even at that age, Consuelo supplanted with poetic flourishes what she lacked in information. The moment she heard of the comet she decided to adopt it as the year of her birth. During her childhood, someone had told her how everyone had awaited the celestial prodigy with fear and trembling. It was supposed to blaze across the sky like a fiery dragon, and when it entered the earth's atmosphere its tail would envelop the planet in poisonous gases, and heat like molten lava would put an end to any form of life. Some people committed suicide to avoid being scorched to death; others preferred to anesthetize themselves with last-minute gluttony, drunkenness, and fornication. Even El Benefactor was impressed when he saw the sky turn green and he learned that under the comet's influence mulattos' hair had unkinked and the hair of Chinese had curled into ringlets, and he freed some political opponents who had been in prison so long they had forgotten what sunlight looked like--although a few had kept alive the germ of rebellion and were prepared to bequeath it to future generations. Consuelo was seduced by the idea of being born in the midst of all that fear, in spite of the rumor that babies born during that period were abominations and would remain so years after the comet had faded from sight as a ball of ice and stellar dust.

"The first thing we must do is get rid of this Satan's tail," declared the Mother Superior, hefting in both hands the burnished copper coil hanging down the back of the new interne. She gave the order that those long locks be cut and the girl's head washed with a mixture of lye and Aureolina Onirem to kill the lice and tone down the insolent color; therewith, half the hair fell, and what was left was dulled to the color of clay--much more suitable to the climate and goals of a religious institution than the original, naturally incandescent mane.

Consuelo spent three years in that place, chilled in body and soul, sullen and solitary, convinced that the pale sun in the patio was not the same as the one that scalded the jungle in the home she had left behind. No profane babel penetrated these walls, nor any of the national prosperity that had begun when someone dug a well and, instead of water, struck a heavy, fetid black substance that gushed out as if from a dinosaur's entrails. The nation was sitting on a sea of petroleum. The consequence stirred ever so slightly the somnolence of the dictatorship, because it raised the fortunes of the tyrant and his family so high that some trickled down to everyone else. There were signs of progress in the cities, and in the oil fields contact with the hearty foremen from the North rocked the old traditions; a breeze of modernity lifted the women's skirts, but in the Convent of the Little Sisters of Charity none of this mattered. Life began at 4 a.m. with the first prayers; the day progressed with unvarying routine, ending at six o'clock when the bells signaled the hour of the Act of Contrition to cleanse the spirit and prepare for the eventuality of death, since night might be a journey of no return. Long silences, cloisters of waxed paving stones, the odor of incense and lilies, the whisper of prayers, the dark wooden benches, white unadorned walls. God's presence was absolute. In addition to the nuns and a pair of servants, only sixteen girls occupied the vast adobe-and-tile building, most of them orphaned or abandoned. They learned to wear shoes, eat with a fork, and master a few elementary domestic skills, so that later they could be employed in humble serving positions, for it was assumed that they were incapable of anything else. Consuelo's appearance set her apart from the others, and the nuns, sure that this was not accidental but a sign of benevolent divine will, spared no effort in cultivating her faith, in the hope she would decide to take her vows and serve the Church; all their efforts, however, came to naught before the girl's instinctive rejection. She made the attempt in good faith, but never succeeded in accepting the tyrannical god the nuns preached to her about; she preferred a more joyful, maternal, and compassionate god.

"That is the Most Holy Virgin Mary," the nuns explained to her.

"She is God?"

"No, she is the Mother of God."

"Yes, but who has the say in heaven, God or his Mama?"

"Quiet, silly girl. Be quiet and pray. Ask the Lord to give you light," they counseled.

Consuelo would sit in the chapel and stare at the altar dominated by a terrifyingly realistic Christ and try to recite the rosary, but soon she would be lost in endless adventures in which her memories of the jungle alternated with the figures of Sacred History, each with his bundle of passions, vengeance, martyrdom, and miracles. She soaked it in greedily, all of it: the ritual words of the Mass, the Sunday sermons, the pious readings, the night noises, the wind in the colonnades, the witless expressions of the saints and anchorites in the niches of the church. She learned to hold her tongue, and prudently suppressed the treasure of her prodigious flow of fables until I gave her the opportunity to unloose the torrent of words stored within her.

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Table of Contents

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Customer Reviews

Average Rating 4.5
( 17 )
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Sort by: Showing all of 17 Customer Reviews
  • Posted August 30, 2011

    more from this reviewer

    LOVE THE BOOK - NEED IT FOR THE NOOK!

    Why aren't all of Isabel Allende's books in Nook form?

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  • Posted December 14, 2010

    Eva Luna by Isabel Allende. Published by "Random House Publishing Group".

    Isabel Allende wrote this book about Eva Luna who narrates her own life. This book is exciting, romantic, sad, and adventurous. It starts off by telling the story of Consuelo, Eva's mother, and about her life. After Eva's born, her mother dies and she has nowhere to go since her father had died as well. Eva lives with multiple people in exchange for working for them. As she grows up, she meets many important people in her life including the men she falls in love with. When she becomes a young adult, she meets with 3 people from her past, a transgender whom she lives with, her "abuela" and one of her lovers. The transgender, Mimi, allows Eva to stay with her and her lover, Huberto Naranjo, whom she's known since she was a child, meets up with her in the most unexpected times in her life. Mimi and Eva find Eva's "abuela" Elvira. Elvira used to live with Eva in the house of her patrona and Elvira came and lives with them. After a time Eva meets with Huberto, Mimi is furious because of the fact that they love each other and she claims she knows who Huberto really is. But when Huberto becomes a Commander and Eva meets Rolf Carle, she feels as if she'd known him for years. Who will she chose; the guerilla fighter or the German immigrant? I didn't love this book but it wasn't torture reading it. The major reason why I didn't enjoy this book was because it confused me. Ever other chapter it went from talking about Eva then about Rolf Carle. And for quite some time, I had no idea what Rolf had to do with the story or with Eva. Thankfully the end cleared up my confusion and the book started to make sense to me. I especially liked the romance in the story, for example, how Mimi didn't want Eva with Huberto but she didn't care because she loved him so much. From reading this book, I learned that no one has a boring life and everyone has an interesting story to tell, just like the stories Eva was known for telling. I overall liked this book but I don't think I'd like to read it again. I would recommend this book to anyone who likes Spanish books or has enjoyed any other books by Isabel Allende. But I would not recommend this book to anyone in my age group because I know that most of them wouldn't enjoy it.

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  • Posted September 12, 2009

    I Also Recommend:

    Imagination

    Eva Luna is an imaginative tale of personalities well developed, and life situations imaginatively described. Her humor, imagination, and ability to spin a yarn are truly remarkable. Her writing is as good as that of Gabriel Garcia Marquez--my favorite author.

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  • Anonymous

    Posted October 31, 2007

    one of my favorites!

    i absolutely LOVED reading this book. i really enjoyed all the characters in Eva Luna. There is a certain feeling you get when reading this, maybe its from the magic realism that Allende sometime embeds. Most of all, the richness of the characters and scenery is what makes this novel so great. I also think The House of the Spirits by Allende was superb!

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  • Anonymous

    Posted February 8, 2007

    great imagination

    Wolds of possibilities

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  • Anonymous

    Posted February 15, 2005

    A book you can't miss!

    This extraordinary book, Eva Luna, by Isabel Allende, is about a girl living in South America and the story of her life. This girl finds herself in this world completely alone after her mom dies, with nowhere to go and with a talent for telling stories that was barely worth anything at that time. She has to go through hard times, tough situations and new experiences to survive. Through out her life she meets and makes friends that later on are really important to her and affect her life in every possible way. She meets all kinds of people, from different nationalities to different lifestyles. She meets a Turkish merchant, a South American guerilla fighter, and a German immigrant that makes this book a definite page-turner. Another thing that makes this book so interesting is the variety of characters and how interesting they make this story. For example, Eva Luna a girl with a passion for telling stories, a writer, and a person with a great heart always who wants to help others in every way possible. Eva Luna meets a German immigrant who during his childhood suffered a lot. Then he decides to move to South America and start a new life as a photographer. Another interesting character is a Turkish merchant who is married to a woman who can¿t stand seeing him because of a birth defect in his lip, but who is the most generous man anyone has ever met. These characters make this story a great story to read. This story is full of rich detail, and feeling. It makes you feel and understand the hard situations that Eva Luna was going through as if it were you living those same experiences. This story is very original and full great adventures and various situations from romance to revolution to storytelling. Allende narrates this story in such a way that keeps you glued to the book from the very beginning. A book everyone should read.

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  • Anonymous

    Posted June 9, 2003

    loved it

    i enjoyed it a lot. it s simply excellent, unputdownable, incredible and terribly real. i loved reading it!!!

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  • Anonymous

    Posted March 11, 2001

    I thought I discovered this fabulous new author and to my surprise realized she had written a book made into a movie

    I read this book a few years ago, and was completely thrilled and didn't know she did House of Spirits,I enjoyed it very much, rich details, romance and a great story, I would like to read more by this author.

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    Posted October 29, 2008

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    Posted October 25, 2008

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