In a similar vein as Norwegian drummer
Bengt Berger's earlier releases, Danish guitarist
Pierre Dorge marries contemporary
jazz improvisers of a free-ish bent with melodic ideas stemming from West African music, particularly that of Ghana.
Dorge also folds in certain aspects of early
jazz (
Ellington's
"The Mooche" is covered here) and, when everything works, the result can be intoxicating. On
"Suho Ning Samo," an irresistibly infectious melody is buttressed by fine solo work from
Morten Carlsen on tarogato and the leader's clear, singing, immediately recognizable guitar, the sound of which appears to owe something to African kora players. The title track also works well as a strong framework for the soloists, with punchy horn riffs supporting able contributions from altoist
Jesper Zeuthen and deep ruminations from the great South African bassist
Johnny Dyani. When things bog down, it tends to be for lack of rhythmic drive. Unlike
Berger, who utilized a stable of fiery percussionists, the drumming on this record, when uninspired by a great melody, becomes lackluster and dragging. Still, the plusses outweigh the negatives and, overall, this is perhaps
Dorge's finest release with a large ensemble. ~ Brian Olewnick
