Eventide

Editorial Reviews

All Music Guide - Kenneth Bays
How likely was it, at the tail end of the grunge era, that a young band would come along with such an emphasis on musicianship and melody -- not to mention an unabashed fondness for '70s progressive rock? "Pretty" was the touchstone of Grey Eye Glances' first major-label release; from the guitar chime of the mid-tempo "Hard" to the unlisted reprise of the chilling "Passing of the Evening," each song sounded painstakingly thought-out and tastefully performed. Somewhere between the folky pop of 10,000 Maniacs Jennifer Nobel's vocals, in particular, bear a strong resemblance to those of Natalie Merchant and the lightweight side of Peter Gabriel, the music here was ...
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1997-02-11 Audio CD New New Item. Item delivered via UPS in 7-9 business days. Tracking available by request Ships from US. Please allow 1-3 weeks for delivery outside US.

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Brand New. Still Factory Sealed. Audio CD. Ships via USPS Mail. Any questions, please contact me. Thanks for looking and have a great day!!

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AUDIO CD New 731453419827 NEW/SEALED & Perfect 4 Gift Giving-ADD TO CART ~~~ and Make Someone's Day a Special One: -)

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Editorial Reviews

All Music Guide - Kenneth Bays
How likely was it, at the tail end of the grunge era, that a young band would come along with such an emphasis on musicianship and melody -- not to mention an unabashed fondness for '70s progressive rock? "Pretty" was the touchstone of Grey Eye Glances' first major-label release; from the guitar chime of the mid-tempo "Hard" to the unlisted reprise of the chilling "Passing of the Evening," each song sounded painstakingly thought-out and tastefully performed. Somewhere between the folky pop of 10,000 Maniacs Jennifer Nobel's vocals, in particular, bear a strong resemblance to those of Natalie Merchant and the lightweight side of Peter Gabriel, the music here was unrepentantly precious and, above all, slick; the burbling drum program that underpins "There" would have seemed excessive even ten years earlier. When it worked, though, it REALLY worked: "Halfway Back" set sharp lyrics to an exquisite melody before shattering at the end into a chaotic swirl of keyboard ripples, and "In the Company of You" deftly married unpredictable harmonies to a country-ish rhythm. Granted, Eventide completely lacked any sense of spontaneity, which perhaps explains why the band failed to expand its primarily folk audience, despite the presence of a major label. But faulting Grey Eye Glances for overproduction would miss the point, since that sense of craftsmanship was the very thing that set Eventide apart from nearly everything else going on in commercial music at the time.
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Product Details

  • Release Date: 2/11/1997
  • Label: Fontana Island
  • UPC: 731453419827
  • Catalog Number: 534198

Tracks

Disc 1
  1. 1 Hard (4:19)
  2. 2 There (5:52)
  3. 3 Halfway Back (4:43)
  4. 4 Days to Dust (3:33)
  5. 5 In the Company of You (3:06)
  6. 6 Chills (5:12)
  7. 7 Something to Live For (3:46)
  8. 8 Eventide (1:07)
  9. 9 The Passing of the Evening (5:32)
  10. 10 Snow (4:35)
  11. 11 These Walls (4:38)
  12. 12 The Me You See (5:55)
  13. 13 Angel (7:37)
  14. 14 [Untitled Track] (2:16)
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Album Credits

Performance Credits
Grey Eye Glances Primary Artist, Primary Artist
David Davidson Violin
Connie Ellisor Violin
Carl Gorodetzky Violin
Jim Grosjean Viola
Anthony LaMarchina Cello
Lee Larrison Violin
Bob Mason Cello
Paul Ramsey Percussion, Drums
Glenn Rosenstein Acoustic Guitar
Pamela Sixfin Violin
Alan Umstead Violin
Gary VanOsdale Viola
John Avarese Piano, Accordion, Keyboards, Hammond Organ
Brett Kull Acoustic Guitar, Electric Guitar, Lap Steel Guitar
Bill Belcher Acoustic Guitar
Jennifer Nobel Vocals, 12-string Guitar
Monisa Angell Viola
Julie Tanner Cello
Glenn Wanner Bass
Dwayne Keith Piano, Keyboards, Vocals
Eric O'Dell Bass Guitar, Vocals
Technical Credits
Steve Boyer Engineer
Greg Calbi Mastering
Connie Ellisor String Arrangements
Pete Martinez Engineer
Glenn Rosenstein Producer, Engineer
Chris Albert Engineer, Vocal Engineer
John Avarese Programming
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