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Everfair
     

Everfair

by Nisi Shawl
 

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Everfair is a wonderful Neo-Victorian alternate history novel that explores the question of what might have come of Belgium's disastrous colonization of the Congo if the native populations had learned about steam technology a bit earlier. Fabian Socialists from Great Britian join forces with African-American missionaries to purchase land from the Belgian

Overview

Everfair is a wonderful Neo-Victorian alternate history novel that explores the question of what might have come of Belgium's disastrous colonization of the Congo if the native populations had learned about steam technology a bit earlier. Fabian Socialists from Great Britian join forces with African-American missionaries to purchase land from the Belgian Congo's "owner," King Leopold II. This land, named Everfair, is set aside as a safe haven, an imaginary Utopia for native populations of the Congo as well as escaped slaves returning from America and other places where African natives were being mistreated.

Nisi Shawl's speculative masterpiece manages to turn one of the worst human rights disasters on record into a marvelous and exciting exploration of the possibilities inherent in a turn of history. Everfair is told from a multiplicity of voices: Africans, Europeans, East Asians, and African Americans in complex relationships with one another, in a compelling range of voices that have historically been silenced. Everfair is not only a beautiful book but an educational and inspiring one that will give the reader new insight into an often ignored period of history.

Editorial Reviews

The New York Times Book Review - N. K. Jemisin
…soaring, high-minded stuff, and Shawl does a marvelous job of demonstrating the capabilities of the steampunk subgenre, which too often sacrifices the richness of actual, global history in favor of Victorian fetishization and racial exclusion…It has the feel of a travelogue…of a long, dangerous and fascinating journey through what might have been, and as such it will delight most readers.
Publishers Weekly
★ 08/01/2016
In this deeply compelling debut novel, Shawl, who’s well known for her short fiction (Filter House) and teaching (Writing the Other, with Cynthia Ward), takes readers to an alternate Earth where the inhumane history of the Belgian Congo is brilliantly rewritten when Africa’s indigenous populations learn about steam power. Determined to help former slaves return to Africa, African-American missionary and Civil War veteran Rev. Lt. Thomas Jefferson Wilson forms an alliance in 1889 with Great Britain’s Fabian Society, an organization interested in creating a model Socialist utopia. Together, they buy land in the Congo from Belgian’s King Leopold II and create Everfair, a homeland for returning former slaves, foreigners searching for a better life, and Congolese natives desperate to escape Belgium’s brutal grasp. Everfair draws in a variety of characters, including adventurers, broken families, poets, and inventors. Cultures clash as ancient traditions, old prejudices, and innovative technology feed fresh, new intrigues. Shawl deftly wields a diverse cast of characters to impressive effect, taking readers from the Victorian era to WWI and its aftermath. This highly original story blends steampunk and political intrigue in a compelling new view of a dark piece of human history. (Sept.)
Library Journal
08/01/2016
In the late 19th century, the African colony of the Congo was Belgium's stronghold on the continent—one ruled with a cruel grip as native peoples were tortured and enslaved to produce the rubber valued in Europe. This first novel reimagines a refuge carved out of the Belgian Congo through the efforts of a group of Fabian Society reformers. The Fabians, alongside missionaries and local tribal leaders, build the community Everfair and invent steam-powered tools and airships that help them remain independent. As the world marches on and Europe's African colonies get drawn into World War I, Everfair will find it harder than ever to survive. VERDICT Fitting loosely under the banner of steampunk, this captivating look at a lesser-known corner of history includes a large cast of characters, which might make it harder for readers to form an emotional bond with any one protagonist in particular, but this is an important addition to the alternate history canon from the James A. Tiptree Award-winning Shawl, best known for her short stories. [See Eric Norton's "Genre Spotlight" feature, p. 24ff.—Ed.]—MM
From the Publisher
"This highly original story blends steampunk and political intrigue in a compelling new view of a dark piece of human history." ---Publishers Weekly Starred Review

Product Details

ISBN-13:
9780765338051
Publisher:
Tom Doherty Associates
Publication date:
09/06/2016
Pages:
384
Sales rank:
106,670
Product dimensions:
5.60(w) x 8.30(h) x 1.40(d)

Read an Excerpt

Everfair


By Nisi Shawl

Tom Doherty Associates

Copyright © 2016 Nisi Shawl
All rights reserved.
ISBN: 978-0-7653-3805-1



CHAPTER 1

Burgundy, France, July 1889


Lisette Toutournier sighed. She breathed in again, out, in, the marvelous air smelling of crushed stems, green blood bruised and roused by her progress along this narrow forest path. Her progress, and that of her new mechanical friend. Commencing to walk again, she pushed it along through underbrush and creepers, woodbine and fern giving way before its wheels. Oh, how the insects buzzed about her exposed skin, her face and hands and wrists and ankles, waiting to bite. And the vexing heat bid fair to stifle her as she climbed the hillside slowly — but the scent — intoxicating! And soon, so soon, all this effort would be repaid.

There! The crest came in sight, the washed-out summer sky showing itself through the beech trees' old silver trunks. Now her path connected with the road, stony, rutted, but still better suited for riding. She stood a moment admiring the view: the valley, the blurred rows of cultivation curving away smaller and smaller in the bluing distance, the sky pale overhead, the perfect foil for the dark-leaved woods behind her and by her sides. Not far off a redwing sang, cold water trickling uphill.

She had the way of it now: gripping the rubber molded around the machine's metal handlebars, she leaned it toward her and swung one skirted leg over the drop frame. Upright again, she walked it a few more steps forward, aiming straight along the lane, the yellow-brown dust bright in the sun. The machine's glossy paint shone. Within the wheel's front rim its spokes were a revolving web of intricacy, shadows and light chasing one another. Tiny puffs of dust spurted from beneath the black rubber tires.

She raised her eyes. The vista opened wider, wider. The road laid itself down before her.

Up on the creaking leather seat. Legs drawn high, boots searching, scraping, finding their places ... and pedal! Push! Feet turning circles like her machine's wheels, with those wheels. It was, at first, work. She pedaled and steered, wobbling just once and catching herself. Then going faster, faster! Flying! Freedom!

Saplings, walls, and vines whipped by, flashes of greenbrowngreengrey as Lisette on her machine sped down the road, down the hill. Wind rushed into her face, whistled in her ears, filled her nose, her lungs, tore her hair loose of its pins to stream behind her. She was a wild thing, laughing, jouncing over dry watercourses, hanging on for dear, dear life. Lower, now, and some few trees arched above, alternately blocking the hot glare and exposing her to it coolwarmcoolwarm, currents of sun and shade splashing over her as she careened by. Coasting, at last, spilling all velocity till she and the machine came to rest beside the river.

The river. The comforting smell and sound of it rushing away. Out on the Yonne's broad darkness a barge sailed, bound perhaps for Paris, the Seine, the sea beyond, carrying casks of wine and other valuables. Flushed from her ride, Lisette blushed yet more deeply, suddenly conscious of the curious stares of those around her: Mademoiselle Carduner, the schoolmistress; and Monsieur Lutterayne, the chemist, out for a promenade during his dinner hour or on some errand, seizing a chance to vacate his stuffy shop. Flustered, she attempted to restrain her hair into a proper chignon, but at only sixteen and with many pins missing, this was beyond her skill. She began furiously to plait her thick blond curls, and the others moved away.

At last she was alone on the riverbank with her mechanical friend. She tied her plaits together, though she knew that momentarily they would slither apart. She stroked the machine's still-gleaming handlebars, then leaned to fit her forehead at their center, so. "Dear one," whispered Lisette. "How can you ever know how much you mean to me? Who would not give all they could, everything they had, in exchange for such happiness as I have found with you?" Sans words, the front tire's black arc responded to her whispers with visions. It preached to her of motion, of travel, of the mysteries dwelling beyond this sleepy, provincial village.

"Ah, yes, and one day, my dear, one day ..." She raised her head and gazed out again at the river, at the barge now nearly gone from view. "One day we shall venture out and see for ourselves what it is the world holds for us."

CHAPTER 2

Boma, Congo, December 1889


Horror.

The Reverend Lieutenant Thomas Jefferson Wilson could think of no other word to sum up what he had experienced on this trip. Even now, alone in the quiet, white-walled room provided him by his host, he heard their cries, he saw their wasted bodies, their eyes bulging large in their thin faces, pulsing with defeat, hopeless as marine creatures stranded on a desolate beach. He smelled them, their sores running with blood and infected matter where chafed by their chains at neck and wrist and waist and ankle. Smelled the sweat of their fear, the fear that made them lift up and carry burdens half their malnourished weight till released by death. Smelled their abundant corpses rotting by the trail in the tropic heat.

This land was to have been Heaven.

Restless as ever, he abandoned his seat on the narrow cot to unshutter the room's one window. A breeze brought some relief from the day's fierce temperatures. Even up here, on the capital's plateau, a Pennsylvanian such as himself found the Congo "Free" State's equatorial climate hard to withstand. But he should not complain.

Or not on his own behalf.

A tapping at the door. He opened it on a child of eleven, the household's primary servant — a boy named Mola, he recalled. "'Soir," the boy slurred in French. He entered, bearing with him a tray, the meal his master offered in lieu of the repast shared by Boma's white residents at the hotel near the river below.

The Reverend Lieutenant Thomas Jefferson Wilson would not be welcome at that hotel, for he was not white.

The dishes on the tray held vegetables, the ever-present manioc, and stewed meat of some sort — probably from a fowl or goat. No doubt this was what Mola himself would sup upon, and Thomas made sure to tender the boy his thanks as effusively as his limited French allowed. When he was alone again he placed the tray beneath his cot, the food untouched. His journey upriver to Stanley Falls and then back here to the port of Boma had entirely wrecked his appetite.

The wine he also set aside, to aid him later in seeking sleep. He drank instead a gobletful of water from a crystal decanter, then set that on the sill to cool and turned again to his work.

To the horror.

At forty a veteran of three wars, Thomas had seen and survived much. Though no more than a child at the American Civil War's onset, as soon as blacks were allowed to fight he had enlisted and seen action. That must be why his sojourn here in the Congo was affecting him so adversely, he told himself sternly. His reaction was not illness, not pain and anguish, but anger: righteous indignation that the evils of slavery, which he had staked his life to eradicate from the face of the Earth, had sprung up once again. Unprotested and, what was worse, unremarked, they had met him everywhere he journeyed in this supposed Utopia.

A pair of thin pillows lay over his traveling desk, incompletely concealing it. He retrieved it and drew forth the manuscript of his open letter to King Leopold, monarch of this realm and soi-disant benefactor of its benighted native population.

"Good and great friend," the salutation read. "I have the honor to submit for your Majesty's consideration some reflections respecting the Independent State of Congo, based upon a careful study and inspection of the country...." So far, he had written five pages and not yet named a third of the atrocities he had been forced to witness. The whippings, the murders committed so casually as if a form of sport, innocents dismembered — Thomas's gorge rose, but he settled nonetheless to his self-appointed task.

Keeping his intended audience in mind, he aimed for a tone of forthrightness that yet maintained discreet silence on the more repulsive details of what he had discovered. The open letter would be published in his paper, The Commoner, and also as a stand-alone pamphlet; perhaps in boards as a small book, on the Continent. There he would find support for such an enterprise, translators ...

The light dimmed rapidly, but not till he heard the clattering ratchet of the steam-driven trolley climbing Boma's cliffs did Thomas cease his efforts. That noise, he knew, presaged the arrival of his host, the Anglo-Flemish trader Roger Morel. Thomas didn't trust him, didn't trust anyone who profited from Leopold's reign. He packed away his open letter and went to meet the trolley at the platform mere yards from Morel's villa.

Four cars comprised the steam train's entire length. Their iron fuselages had been painted a brilliant yellow with gaudy red, blue, and green trim. This jaunty coloring and the fortuitous semblance of a face in the alignment of their doors and windows lent the cars a charming air much like the illustration in a children's book. Thomas at first had succumbed to this charm and to the undeniable romance of such a small machine so beautifully built — until his peregrinations brought home to him the human cost involved.

Beneath the leafy serrations of a grove of palms the cars disgorged themselves of their riders, black-clad white men replacing their hats and stepping carefully down the platform's wooden stairway. Morel bared his head again in salute to his visitor. Exchanging meaningless pleasantries, the two returned to Morel's home.

Mola took his master's hat and gloves at the door, handing him a glass half-filled with a greenish liquid. Thomas made as if to return to his room, considering his social obligations for the evening met, but Morel would have none of it. "No, no, my friend, I insist," he said, indicating with his drink the sitting room's best chair.

Ensconced perforce on its cushioned mahogany, Thomas accepted from Mola a second glass. He sipped the unknown beverage with his customary suspicion as the boy slipped from the room. It was faintly bitter and contained no alcohol he could detect.

"So." His host had assumed a seat on the divan, crossing his legs and clasping his hands over one knee. "You leave the day after the morrow?"

"Yes." There were other colonies to explore, perhaps more truly paradisiacal, more suited to providing his colored brethren a new home. The ship would stop for Accra and Dakar, and he intended to travel from there to Tunis, Cairo — "That is my plan."

"I advise you to change it."

Thomas looked at Morel inquiringly. His eyes held a warning gleam that overrode Thomas's mistrust of him. Thomas set the harmless glass down on the side table with a steady enough hand and spoke: "I fail to take your meaning, sir."

"Ah. You have no confidence in me. That is well." Morel nodded as if confirming a pet theory to himself, his chin doubling. "You are being watched. You must leave tonight and go — elsewhere. A different route, more direct."

A different route? "To where?" No use attempting any further to dissemble.

"To England."

Not home. "Not to America?"

"In England you will be safe — enough. But this continent — there are large stakes, and the holders of those stakes are at every hand. During supper this evening I overheard enough, my English being supposed more imperfect than it is, to warrant giving you this warning."

Morel stood. "As well, I have a — a commission of sorts — If you will allow me to retrieve certain papers I wish you to convey —" He left and returned with a sheaf of documents — bills of lading, figures in long columns, maps. Thomas read them in growing dismay. Here was proof, if such would be needed, of what he had witnessed. Proof and beyond proof ... The scope of the problem far exceeded what he had seen with his own eyes. Not thousands but tens of thousands were doomed unless the abominations practiced so freely in the Congo Free State were to cease, and cease now.

CHAPTER 3

Liverpool, England, October 1890


Grim brick walls, dark with dead smoke, crowded Jackie Owen's path. They huddled over him, blocking the grey clouds but not the icy rain. A drop ran beneath his collar. Another followed it. He shrugged irritably in his mackintosh but hurried on, pressing through a small group of workmen just freed from some nearby dock or warehouse.

It wasn't the buildings' fault. The narrowness of the ways between them, mere corridors, was what annoyed. So obviously outmoded. No room for machinery of any sort. Here was Victoria Street, a modern thoroughfare at last. Four lanes for carriages, business facades well set back but of more or less uniform height, meaning electric tramlines could easily be strung overhead between them. Striding rapidly along, an unconscious smile of contentment lurking behind his beard, Jackie saw only enough of his surroundings to avoid crashing into obstacles. He was lost, though continuing automatically on his course to St. George's Hall. Lost in time, rapt in visions of things to come.

In Jackie Owen's spectral Liverpool, the many layers of garments hampering females he passed gave way to sensible clothes allowing their limbs liberty of movement, their blood hygienic circulation. Prices disappeared from shop windows, beggars from corners and alley entrances, rendered obsolete by the benignities of the surprisingly successful Fabian movement's socialism. And though the sun broke suddenly through the storm he took no note. Its brilliance was quite eclipsed by the eminence argent of an immense dirigible filling his mind's sky.

Reaching the confluence of several broad avenues, Jackie entered St. John's Gardens, still dreaming. These verdant acres had but lately been reclaimed from a church building, a hundred-year-old edifice that had been overdue for destruction — much like, in Jackie's opinion, the institution it represented. In his imagination, the gardens' new statue of reformer William Rathbone would be joined by monuments to others more radical — to himself? Why not? If he, John Herbert Owen, should make such a mark on the world as he expected, it would naturally be acknowledged.

Perhaps, also, there would be a likeness of tonight's speaker. A black, yes, but by all reports a most distinguished man.

As he approached the steps climbing to the hall's northmost entry, that closest to the Small Concert Room, Jackie let his visions recede. He was interested in who else saw fit to attend this evening's performance.

The number surprised him. One or two damp placards held up by defenders of the regime confirmed that his opinions were not universally held. Yet dozens of people sharing them streamed ahead of him and fell behind — scores, hundreds. Wilson had appeared in Liverpool many times over the last few weeks, as attested by journalists here and in London. Of course his earlier venue had been a Baptist church. The church was abolitionist, but Jackie Owen, like other members of the dissident, socialist Fabian Society he had helped found, avoided such places. Perhaps they were not the only ones; perhaps more people were coming to their political senses.

Inside, only a faint odor assailed his nose. Kept in check by the hall's amazing draughtless ventilation system (Jackie had made an earlier visit simply to tour this innovation), the smell of wet wool and feathers and inexpensive parfumerie increased only a little as he entered the confines of the room itself.

The audience looked to include a fair number of his countrymen. By no means restricted to manual labor here, they engaged in every form of trade and had infiltrated all classes. Liverpool was home to one of the largest concentrations of Irishmen off the Emerald Isle. And Irishwomen, too. He heard their low, lovely accents as he took his seat, wives admonishing their men to have a care, that broadcloth cost more than a penny the yard, sure, and was never meant to be soaking up so much of the world's blessed moisture.

How he missed such talk in London, in the parlors, conservatories, and withdrawing rooms he frequented there.

A hush descended as the Reverend Lieutenant Thomas Jefferson Wilson took the podium. A dark, slim, upright man in dark dress, he stood out in the Small Concert Room's gleaming brightness like a wick in a brass lamp. His words were fire.

"I come before you on this evening to tell of an evil in a far-off land which is yet nonetheless present here in this room, in our very midst," the man began. Evidently a practiced orator, he nourished the flame he had lit without vain expenditure of air, without ever seeming to raise his voice. And still it filled that room, and the ears of his audience, at least eight hundred by Jackie's best estimate. Their ears, and their hearts as well. He accused none of them of committing this crime, as he termed it, against humanity. Accused none but implicated all.


(Continues...)

Excerpted from Everfair by Nisi Shawl. Copyright © 2016 Nisi Shawl. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Nisi Shawl is a writer of science fiction and fantasy short stories and a journalist. She is the co-author (with Cynthia Ward) of Writing the Other: Bridging Cultural Differences for Successful Fiction. Her short stories have appeared in Asimov's SF Magazine, Strange Horizons, and numerous other magazines and anthologies.

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