- Generation Genocide
- Let It Slide
- Good Enough
- Something So Clear
- Thorn
- Into the Drink
- Broken Hands
- Who You Drivin' Now?
- Move Out
- Shoot the Moon
- Fuzzgun '91
- Pokin' Around
- Don't Fade IV
- Check-Out Time
- March to Fuzz
- Ounce of Deception
- Paperback Life [Alternate Version]
- Fuzzbuster
- Bushpusher Man
- Flowers for Industry
- Thorn (1st Attempt)
- Overblown
- March From Fuzz
- You're Gone
- Something So Clear [24-Track Demo]
- Bushpusher Man [24-Track demo]
- Pokin' Around [24-Track Demo]
- Check-Out Time [24-Track Demo]
- Generation Genocide [24-Track Demo]
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0098787141412
Mark Arm Organ,Guitar,Vocals
Steve Turner Harmonica,Vocals,Guitar
Dan Peters Drums,Vocals,Trap Kit,Sound Effects
Matt Lukin Bass,Vocals,Guitar (Bass)
Mark Arm Composer,Lyricist,Librettist
Mudhoney Composer,Lyricist
Conrad Uno Producer,Engineer
Steven Tyler Composer
Michael Lavine Photography
Steve Turner Lyricist,Composer
Mah Lukin Composer
Dan Peters Composer
Emitt Rhodes Composer
Joe Perry Composer
Johnny Sangster Producer
Matt Lukin Composer
Kent Steedman Producer


Vinyl LP(Long Playing Record)
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Overview
In mid-1991, grunge was poised to make its entrance into the spotlight of global popular culture as Nirvana's Nevermind was being readied for release. But Mudhoney didn't know that as they began work on their second album, and they were starting to tire of the monolithic hard rock/metal side of their sound. Taking a detour back into the garage rock and early punk influences that meant as much to them as Blue Cheer, they booked time in Conrad Uno's cozy eight-track recording facility Egg Studio, and soon emerged with Every Good Boy Deserves Fudge, a proudly stripped-down and wiry effort that appeared two months before Nevermind. If 1989's Mudhoney seemed a bit short of inspiration as the band figured out where to go after the Superfuzz Bigmuff EP, EGBDF was leaner, meaner, and a great deal more enthusiastic, and "Let It Slide," "Into the Drink," and "Who You Drivin' Now" took the noisy report of "Touch Me, I'm Sick" and gave it a good bit more snarl and rattle, which worked strongly in their favor. EGBDF also sounded like Mudhoney were having more fun than on their first long-player; the lo-fi organ accents fit this music just right, Mark Arm's vocal howlings are gleeful snottiness personified, Steve Turner's gloriously dirty guitar solos were paeans of scuzziness from deep inside the soul, and Matt Lukin and Dan Peters were the perfect rhythm section for this music. The songwriting was also considerably stronger than on their previous LP, and just as the rockers at once stomped harder and seemed lighter on their feet, slower tunes like "Broken Hands" and "Check Out Time" dug deeper into their bluesy side and revealed how strong their ominous alter ego could be. Every Good Boy Deserves Fudge was Mudhoney's declaration that they didn't need grunge to survive, and if their timing proved to be a bit off, their musical instincts were faultless, and it's one of their very best albums. ~ Mark Deming
Product Details
Release Date: | 08/25/2023 |
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Label: | SUB POP |
UPC: | 0098787141412 |
Tracks
Album Credits
Performance Credits
Mudhoney Primary ArtistMark Arm Organ,Guitar,Vocals
Steve Turner Harmonica,Vocals,Guitar
Dan Peters Drums,Vocals,Trap Kit,Sound Effects
Matt Lukin Bass,Vocals,Guitar (Bass)
Technical Credits
Jack Endino Producer,EngineerMark Arm Composer,Lyricist,Librettist
Mudhoney Composer,Lyricist
Conrad Uno Producer,Engineer
Steven Tyler Composer
Michael Lavine Photography
Steve Turner Lyricist,Composer
Mah Lukin Composer
Dan Peters Composer
Emitt Rhodes Composer
Joe Perry Composer
Johnny Sangster Producer
Matt Lukin Composer
Kent Steedman Producer
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