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In this fascinatingly flawed fourth episode in the bloody horror-noir chronicles of New York vampire PI Joe Pitt (after 2007's Half the Blood Of Brooklyn), relations between the city's vampire clans are unraveling. The Cure is researching antidotes to the ravenous vampire-creating Vyrus, while the better-nourished Coalition seeks the Cure's downfall and the Society plays both sides. Dodging death threats and brokering shaky deals, Pitt shuttles among all three until he learns the Coalition's secret, a revelation so volatile that it may lead to all-out war. Huston supplies terse dialogue and convincing gore in expertly pitched prose, but the beautifully cinematic nastiness doesn't quite mask a key difficulty: Pitt's enemies set their hate aside too easily at his appearance, and their rational behavior is at odds with the emotional intensity (and sheer implausibility) of the climax. Newcomers may find the relationships difficult to parse, but those familiar with the series should be enthralled. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Like all the books in this series, the author's use of dialogue in describing characters is dead on and immensely entertaining. The plot revolves around Joe playing all sides against the middle when he's brought back to Manhattan by boss Dexter Predo to infiltrate a new vampire organization named "The Cure." There's plenty of gore throughout the story; however, it lacks the dynamic action sequences featured in the earlier books. Further, Joe's primary enemies, Predo of the 'Coalition' and Terry Bird of 'The Society", have entirely mislaid their machiavellian moxy. They too easily forgive Pitt and too readily accept the bull he's obviously shoveling. Although the plot is fast-paced and taunt, there are no delightfully unexpected revelations or twists. Also, the conclusion is a tad anti-climatic. I truly enjoyed this book and recommend it to other Joe Pitt fans, but if you haven't read the earlier four books I suggest you start with "Already Dead".
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Overview
“[Charlie Huston’s] action scenes are unparalleled in crime fiction and his dialogue is so hip and dead-on that Elmore Leonard should be getting nervous.”–Publishers Weekly (starred review), on Half the Blood of Brooklyn
It’s like this: a series of bullet-riddled bad breaks has seen rogue Vampyre and terminal tough guy Joe Pitt go from PI for hire to Clan-connected enforcer to dead man walking in a New York minute. And after burning all his bridges, the only one left to cross leads to the Bronx, where Joe’s brass knuckles and straight razor can’t keep him from running afoul of a sadistic old bloodsucker with a bad ...