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Everybody Kills Somebody Sometime (Rat Pack Series #1)

Everybody Kills Somebody Sometime (Rat Pack Series #1)

4.2 4
by Robert J. Randisi

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Las Vegas, 1960.

Frank Sinatra, Dean Martin, Sammy Davis Jr., Joey Bishop, and Peter Lawford are the Kings of Cool---the Rat Pack. Ocean's 11 is their first movie together and they have taken Sin City by storm---filming during the day and cavorting onstage at the Sands Casino at night. It's clear not everyone is charmed, however, when Dean begins receiving


Las Vegas, 1960.

Frank Sinatra, Dean Martin, Sammy Davis Jr., Joey Bishop, and Peter Lawford are the Kings of Cool---the Rat Pack. Ocean's 11 is their first movie together and they have taken Sin City by storm---filming during the day and cavorting onstage at the Sands Casino at night. It's clear not everyone is charmed, however, when Dean begins receiving anonymous threatening letters.

Eddie Gianelli, also called Eddie G., is a pit boss at the Sands. After twelve years, he's got the whole town wired. But he's still surprised when Joey Bishop drops by his table and invites him to meet with Frank in the Rat Pack's private steam room. Frank asks Eddie to find out who's been sending the threats, as a favor to him and Dean.

Eddie wants to politely decline, but caught between his boss, Jack Entratter's, not-so-subtle nudging and being utterly starstruck by Dino, he agrees to look into it. He gets help from his P.I. best friend and a Jewish torpedo from Brooklyn. A few dead bodies and bruised ribs later, he remembers why he was reluctant. In a city of gamblers, Eddie has become the highest roller of all. The game is murder, and the stakes just may be his own life.

Robert J. Randisi, the man Booklist claims "may be the last of the true pulp writers," takes his readers on a vivid, neon-lit tour of back rooms, bars, and famed gambling dens of the desert mirage that was---and still is---Las Vegas. Broads, blackjack, and bourbon flow. Celebrities, from John F. Kennedy to Angie Dickinson, strut in and out of this amazing first in a series that Rat Pack fans and crime fiction lovers will not want to miss.

Editorial Reviews

Kevin Allman
…a rat-a-tat whodunit whose microscopic chapters hark back to drugstore pulp fiction…Randisi conjures up a sharkskin-suited man's world, awash in booze, broads and brio; Angie Dickinson and Judith Campbell Exner show up briefly, but only as arm candy for the boys. Realism isn't Somebody's strong suit, but it's a quick romp…
—The Washington Post
Publishers Weekly
Randisi (Arch Angels) provides a snazzy snapshot of a mythic 1960 Las Vegas in this enjoyable first of a new series. When Eddie Gianelli, former Brooklyn CPA turned Vegas pit boss, is asked to do a favor for Frank Sinatra, what's he gonna do, say no? Of course not. He wants to please his boss at the Sands casino, Jack Entratter, as well as the fabled blue-eyed Chairman of the Board, by catching the bozo who's sending Dean Martin threatening notes that have put the filming of Ocean's 11 in jeopardy. After two thugs break into Eddie's house and smack him around, though, things get complicated with further investigation turning up two dead dancers. Randisi's hilarious, pitch-perfect time capsule captures the swaggering era when the Rat Packers reigned in a city glittering with celebrities, gamblers, showgirls, gangsters and crimes that had to be solved without annoyingly clever CSI techs. (Nov.) Copyright 2006 Reed Business Information.
Kirkus Reviews
Las Vegas, 1960: Some lowlife's out to trap one of the Rat Pack. Dean Martin's been getting hate mail, half a dozen variants of "If you're not careful you could get real hurt" in the usual block capitals. It's proving worrisome to Frank Sinatra, in town with the Rat Pack for a three-week shoot on Ocean's Eleven. He calls on Eddie Gianelli, the Sands Casino's hip pit boss, for help. Why me? Eddie wonders. Well, Frank has asked around, and the word is that when smart money needs something done in Vegas, it gets Eddie G. So the reluctant contractor, who's certainly wired, goes to work, asking questions among the gamblers and showgirls of his vast, eclectic acquaintanceship. But someone's not at all happy with the waves he's making, and before long, bad things begin to happen: three murders, two adjunctive shootings and the painful pummeling of Eddie himself, capped by a serious attempt to take him out permanently. Finally, however, Eddie sees the light in time to earn the gratitude of Frank, Dean, Sammy, Joey, Peter and, yes, even Jack Kennedy. The plot's feeble, and the prose limps. If Sinatra et al. were really as colorless as Randisi (Same Time, Same Murder, 2005, etc.) renders them, they'd be known as the Snore Pack.

Product Details

Gale Group
Publication date:
Rat Pack Series , #1
Edition description:
Large Print Edition
Product dimensions:
5.80(w) x 8.50(h) x 1.20(d)

Read an Excerpt

Everybody Kills Somebody Sometime


Las Vegas January 25, 1960




WHEN I SPOTTED JOEY BISHOP walking toward me across the Sands casino floor, I figured he wasn't heading for a blackjack table. Although a member of Sinatra's Rat Pack—he called himself a "mascot" while Sinatra called him "The Hub of the Wheel"—Joey didn't drink or gamble, and he didn't party much. Even after the shows in the Copa Room—which Sinatra had started calling "The Summit"—while the others went out and partied the night away, Joey usually went back to his room. I'd heard him refer to himself more than once as a "Go-Home" guy.

So, to see him walking toward the blackjack tables meant one of two things: either he had a friend playing, or he was coming to see me.

I'm Eddie Gianelli. In Brooklyn they used to call me Eddie G, and I guess it was only natural the moniker would follow me to Vegas. For years I had come to Las Vegas like everybody else, to see some shows and play a little blackjack, but eventually I learned that it was Vegas itself I loved. It was the smell and the feel, the limitless food and sex and opportunities, the pulse of the place, not just the action, so twelve years ago I came and stayed. I got some jobs in casinos, working my way up to blackjack dealer in places like the Flamingo, the Desert Inn and the Sahara, but when the Sands opened its doors in 1952, I hustled my ass to put in my application for a job.The call did not come for a year, but once I got in I used five of the last seven years to work myself up to pit boss, where I am now—and pretty damned happy about it, too.

When Joey reached the tables he waved at me. We met over a covered table that had not yet been opened. It was still early in the evening, and all of the tables weren't in use yet. The slot machines, lining the walls all around us, were likewise only about half in use, with only the occasional sound of coins hitting the tray or bells going off. The slot machines were traditionally played by women—wives, girlfriends, both—who were trying to win a few bucks while their men dropped real money at the tables. Some Vegas insiders were predicting bigger things for the slots in the future, but I had my doubts about that. To me, the real money was always going to be at the table.

As usual, Joey was decked out in a suit that would have cost me a week's salary, maybe more.

"Eddie G, my buddy," Joey said, extending his hand.

"Buddy" was stretching a point. I knew Joey, of course—knew who he was, and who he hung around with, and had seen him in the casino, though never gambling. We'd had conversations and coffee together once or twice. I knew Joey like I knew a lot of people because a total of twelve years working on the strip had put me in the know.

"Joey," I said. "What can I do for you, pal?" What the hell? If he could lay it on thick with "buddy" I could do the same with "pal."

"Well, it's not exactly what you can do for me, Eddie, but for a friend of mine."

"A friend?" I knew who Joey's friends were. "Uh, just who are we talkin' about here, Joey?"

He shrugged. "I'm talkin' about Frank."

"I don't understand," I said. "What the hell would Frank Sinatra want with me?"

"Well ... can we go someplace for a cup of coffee?" Joey asked.

I checked my watch.

"I can meet you in the coffee shop in about twenty minutes. Can Mr. Sinatra wait that long?"

"Hey," Joey said, with another shrug, "if he has to wait, he has to wait. I'll see you in half an hour."

I knew that Joey Bishop was probably one of two people in Las Vegas who wasn't afraid of Frank Sinatra and his perceived connections to organized crime.

I also knew that I wasn't the second person.



I found Joey sitting alone in a booth in the back of the coffee shop. I was willing to bet that he had signed more than a few autographs while sitting there, but at the moment he was alone.

"Joey," I said, sitting opposite him.

"Thanks for coming."

The pretty waitress came over and I said, "Just coffee, Bev."

"Comin' up, Eddie."

Joey and I watched her walk away, firm ass twitching with every step. When it came right down to it, all the waitresses in the Sands were knockouts. It was something the owner, Jack Entratter, made damn sure of. Jack was a confirmed tits-and-ass man and, since I shared the same appreciation for a great set of knockers and a firm, round butt, it made working there even better, especially since most of them were single and available—and some of the married ones were, too.

As we watched Beverly walk away, the look on Joey's face never changed. He looked perpetually bored with life, even when he was performing. He was looking at her appreciatively, but one of the other things I knew about Joey Bishop was that he didn't cheat. It made him an even odder member of the Rat Pack, since those guys attracted babes like nobody's business.

"Okay, Joey," I said, "you've got my attention and nobody else can hear us. What's up?"

"Frank wants to talk to you."

"To me? Yeah, sure. What's the gag?"

"No gag, kiddo."

"What's it about?"

"That'll be between you and him."


"Now." Joey looked at his watch. "He's in the steam room."

"The steam room?"

Sinatra had had the steam room built especially for him and his pals so they'd have something to do between shooting their new movie, Ocean's 11, and their Summit show in the Copa Room. Very few people beyond those five—Frank, Dino, Sammy, Peter Lawford and Joey—were ever allowed in there.

"Yep. We can go there right now, if you want." Joey made as if to rise.

"Hold your horses, Joe." I put my hand out to stop him.

"What? You wanna finish your coffee?"

"No," I said, "I'm just not sure I wanna go and meet Frank Sinatra."

Joey got comfortable again.

"Why not?"

"I don't know ... what could he possibly want with me?" I asked.

"Eddie," he said, leaning forward, "you're not lettin' all those stories get to you, are you?"

"What stories?"

"You know," Joey said, touching his nose, "the Mafia, Giancana, all that stuff?"

The rumors about Frank Sinatra's connection to the mob had been around for years, even before they were supposed to have gotten him the part in From Here to Eternity that won him the Oscar and revived his career. There were many stories about that, but the one I'd heard the most was that Johnny Roselli had gone to studio head Harry Cohn's office and simply said, "Frank gets this part or we'll have you killed."

Did I believe it?

"No ... well, maybe ... I'm not all that sure ... Joey, I just don't see what Frank—Mr. Sinatra—would want with me."

"I can't tell you that, Ed," Joey said. "Only Frank can."

"Well ... I think I'm gonna have to pass, Joe," I said. "I mean ... if that's all right?"

"Sure, it's all right," Joey said, with another characteristic shrug. "You don't wanna see him, don't see him. It's no skin off my nose."

"Okay," I said, "okay."

Bev came with my coffee and put it down, then walked away. Neither Joey nor I watched her, this time.

I dug into my pocket. "Lemme get the Java—"

"Hey, I got it," Joey said, waving his hand. "Don't worry about it."

"I gotta get back to work."

"Sure," Joey said, "go."

I stood up, but didn't leave.

"You'll tell him I was, uh, flattered, but ... I'm kinda busy—"

"Hey, Eddie," Joey said, spreading his hands, "forget about it, okay?"

"Okay ... then I'll go back to work."


I started to walk away, then turned to look back at him. He was still sitting in the booth. He smiled and waved.

EVERYBODY KILLS SOMEBODY SOMETIME. Copyright © 2006 by Robert J. Randisi. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin's Press, 175 Fifth Avenue, New York, N.Y. 10010.

Meet the Author

Robert J. Randisi is the author of the Nick Delvecchio and the Miles Jacoby series. He is the founder and executive director of the Private Eye Writers of America, creator of the Shamus Award, and the cofounder of Mystery Scene magazine.

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Everybody Kills Somebody Sometime (Rat Pack Series #1) 4.3 out of 5 based on 0 ratings. 4 reviews.
Anonymous More than 1 year ago
Cant wait to read the others in the series
Anonymous More than 1 year ago
Guest More than 1 year ago
Any mystery set in the 20s'-60s' catches my attention. The promise of celebrities from those time periods certainly seals the deal. Randisi does not dissapoint in this novel, bringing back the glamour and excitement of Vegas. He gives an interesting perspective of the Rat Pack members, especially Dean Martin. Despite all of the legendary names, Randisi does not forget the cardinal rule of a mystery novel-stick to the mystery itself. This is definitely a mystery novel, not a biography of movie stars. Let's hope an 'Eddie G.' series is on its' way!
harstan More than 1 year ago
In 1960 Vegas at the Sands Hotel and Casino, Joey ¿Mascot¿ Bishop tells pit boss Eddie Gianelli that the Chairman of the Board Frank needs a favor from him. Eddie G, being from Brooklyn, fears Frank¿s reported connections back in Jersey so he declines. However, Eddie G¿s boss Jack Entratter suggests quite strongly he takes care of whatever Frank Sinatra wants. --- Eddie G meets Frank in the special Rat Pack steam room at the Sands. Frank says that who ever he talked to on the street, in any casino, or during the filming of Ocean¿s 11, everyone agrees if you need something in Vegas see Eddie G. Franks is concerned that his pal Dino is receiving death threats. With waitress Beverly as his date, Eddie G goes back stage after a Rat Pack performance where he meets Dean Martin and learns about the death threat messages. Eddie G asks his friend from New York private investigator Danny Bardini to help him uncover who is threatening Dino. A beating, several adulations, and a homicide has Eddie G reeling as someone wants to harm him for interfering with the Dean Martin affair. --- Targeting the baby boomers who will recognize the original Rat Pack, Robert J. Randisi pays homage to Frank, Dino, Sammy, and Joey other card carrying members like Peter Lawford are treated as minor hanger-ons. The mystery takes a back seat to the celebrities as Mr. Randisi and Eddie G don¿t hide their fan reverence especially towards Frank and Dino. Fans will enjoy seeing a different perspective on Frank and Dino in this lighthearted homage to a bygone era (Sands was torn down in 1996). --- Harriet Klausner