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| Count Basie & His Orchestra | Primary Artist |
| Count Basie | Piano, Indexed Contributor |
| Freddie Green | Guitar |
| Thad Jones | Trumpet |
| Joe Newman | Trumpet |
| Marshall Royal | Alto Saxophone |
| Henry Coker | Trombone |
| Eddie "Lockjaw" Davis | Tenor Saxophone |
| Frank Foster | Tenor Saxophone |
| Charlie Fowlkes | Flute, Baritone Saxophone |
| Sonny Payne | Drums |
| Benny Powell | Trombone |
| Frank Wess | Flute, Alto Saxophone |
| Snooky Young | Trumpet |
| Eddie Jones | Bass |
| Big Bill Broonzy | Composer |
| Memphis Slim | Composer |
| Thad Jones | Arranger |
| Joe Williams | Composer |
| Malcolm Addey | Mastering |
| Michael Cuscuna | Producer, Audio Production |
| Ernie Wilkins | Arranger |
| Frank Foster | Arranger |
| Teddy Reig | Producer, Audio Production |
| Jesse Stone | Composer |
| James Gavin | Liner Notes |
| Ollie Shepard | Composer |
Editorial Reviews
All Music Guide - John Bush
Joe Williams had enlivened the Count Basie band for so long that it was natural for Basie and company to return the favor on his 1959 solo LP for Roulette. And with a trio of Basie arrangers -- Frank Foster, Ernie Wilkins, Thad Jones -- providing charts for a rather small group here, the results are excellent. Williams focuses in by opening with his two most famous Basie-era songs, "Every Day I Have the Blues" and "Baby, Won't You Please Come Home." From there, though, he stretches out slightly by singing all manner of songs from the blues and R&B repertoire that work well with his talents, best of all on a pair of Big Joe Turner classics -- "Shake, Rattle and Roll" and ...