Everyman News: The Changing American Front Pageby Michele Weldon
Pub. Date: 12/23/2007
Publisher: University of Missouri Press
One need only look at the front pages of newspapers over the past few years to see that something has changed. Stories are more personal, more inclusive, less distant from readers’ experiences. Once called the first draft of history, news has become more of an anecdotal companion. The evidence is telling: stories use more
One need only look at the front pages of newspapers over the past few years to see that something has changed. Stories are more personal, more inclusive, less distant from readers’ experiences. Once called the first draft of history, news has become more of an anecdotal companion. The evidence is telling: stories use more unofficial sources than ever before; the “inverted pyramid” form of news writing is barely practiced; and, especially after 9/11, tragedy has become more humanized.
Scanning the crowded media landscape, Michele Weldona journalist passionate about her professiontakes a fresh look at how newspapers have carved out a narrative niche that reflects society’s fascination with personal stories and readers’ demands for diversity in content. Comparing some 850 stories, story approaches, and unofficial sourcing in twenty American newspapers for eight dates in 2001 and 2004a total of 160 front pagesshe shows a shift toward features over hard news, along with an increase in anecdotal or humanistic approaches to all stories.
Everyman News offers a provocative look at why American newspapers have become story papers, with their content and style saying as much about our culture as they do about the journalists and the readers. Weldon shows that a variety of forces both inside and outside journalismblogs, citizen journalism, newsroom diversity, and other factorshave converged to remake the front page, and she unveils the content of “everyman news” as a commodity apart from the mode of delivery. Her assessment also incorporates more than fifty interviews with people connected to journalism about what these changes meanrevealing that not everyone in the industry believes they are for the better.
Is everyman news perhaps right for its time, or is it merely a symptom of what Weldon calls “Chicken Little journalism”? Weighing in on such matters as the New York Times’s “Portraits of Grief” series and the dangers of the blogosphere, she invites readers to make their own calls in this original and important contribution to the study of media. Everyman News is a book that will contribute to our understanding of newspapers in the new centurymust reading for professionals and an eye-opener for anyone trying to comprehend the significant shifts in today’s front pages.
- University of Missouri Press
- Publication date:
- Edition description:
- bibliography, index, charts, tables, appendix
- Product dimensions:
- 6.00(w) x 9.00(h) x 1.00(d)
Table of ContentsAcknowledgments ix
Introduction: Everyman and Everywoman on the Front Page 1
Should the Personal Become Universal? 16
The Results: An Anecdotal Companion to History 30
Content as Commodity: Giving Readers What They Want 45
Citizen Journalism and Chicken Little 60
What's Blogging Got to Do with It? 77
Humanizing the News after 9/11 87
The Old, the New, the Good, the Bad, and the Long and the Short of Narrative 99
Diversity of Thought Shifts Content 116
The Therapeutic Story Flow Model 132
Fifteen Seconds of Fame: A Cultural Reverence for Story 144
Emergence Journalism: Where We Go from Here 151
Data from Twenty Newspapers Measuring Features, Feature Leads, and Unofficial Sources 165
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