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Everything Is Everything
     

Everything Is Everything

3.0 2
by Donny Hathaway
 
Already a respected arranger and pianist who'd contributed to dozens of records (by artists ranging from the Impressions to Carla Thomas to Woody Herman), with this debut LP Donny Hathaway revealed yet another facet of his genius -- his smoky, pleading voice, one of the best

Overview

Already a respected arranger and pianist who'd contributed to dozens of records (by artists ranging from the Impressions to Carla Thomas to Woody Herman), with this debut LP Donny Hathaway revealed yet another facet of his genius -- his smoky, pleading voice, one of the best to ever grace a soul record. Everything Is Everything sounded like nothing before it, based in smooth uptown soul but boasting a set of excellent, open-ended arrangements gained from Hathaway's background in classical and gospel music. (Before going to Howard University in 1964, his knowledge of popular music was practically non-existent.) After gaining a contract with Atco through King Curtis, Hathaway wrote and recorded during 1969 and 1970 with friends including drummer Ric Powell and guitarist Phil Upchurch, both of whom lent a grooving feel to the album that Hathaway may not have been able to summon on his own (check out Upchurch's unforgettable bassline on the opener, "Voices Inside (Everything Is Everything)"). All of the musical brilliance on display, though, is merely the framework for Hathaway's rich, emotive voice, testifying to the power of love and religion with few, if any, concessions to pop music. Like none other, he gets to the raw, churchy emotion underlying Ray Charles' "I Believe to My Soul" and Nina Simone's "To Be Young, Gifted and Black," the former with a call-and-response horn chart and his own glorious vocal, the latter with his own organ lines. "Thank You Master (For My Soul)" brings the Stax horns onto sanctified ground, while Hathaway praises God and sneaks in an excellent piano solo. Everything Is Everything was one of the first soul records to comment directly on an unstable period; "Tryin' Times" speaks to the importance of peace and community with an earthy groove, while the most familiar track here, a swinging jam known as "The Ghetto," places listeners right in the middle of urban America. Donny Hathaway's debut introduced a brilliant talent into the world of soul, one who promised to take R&B farther than it had been taken since Ray Charles debuted on Atlantic.

Product Details

Release Date:
12/12/1995
Label:
Imports
UPC:
0081227221621
catalogNumber:
1050282
Rank:
1818

Related Subjects

Tracks

Album Credits

Performance Credits

Donny Hathaway   Primary Artist,Organ,Bass,Piano,Conductor,Electric Piano,Vocals
Master Henry Gibson   Conga
King Curtis   Guitar
Phil Upchurch   Bass,Guitar
John Littlejohn   Guitar,Vocals
John Avant   Trombone
Johnny Board   Tenor Saxophone
Oscar Brashear   Trumpet
Clifford Davis   Alto Saxophone
Aaron Dodd   Tuba
Morris Ellis   Trombone
Marshall Hawkins   Bass
Willie Henderson   Baritone Saxophone
John Howell   Trumpet
Morris Jennings   Drums
Robert A. Lewis   Trumpet
John Lounsberry   French Horn
Ethel Merker   French Horn
Don Myrick   Alto Saxophone
Richard Powell   Percussion,Drums
Louis Satterfield   Bass
Gary Slavo   Trumpet

Technical Credits

Donny Hathaway   Arranger,Producer
Erroll Garner   Composer
Murray Allen   Engineer
Roger Anfinsen   Engineer
Johnny Burke   Composer
Richard Powell   Producer
A. Scott Galloway   Liner Notes
Coco Shinomiya   Art Direction
Roger S. Anfinsen   Engineer
Ric Powell   Producer
Weldon Irving   Composer

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Everything Is Everything 3 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago