Everything Matters!

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More About This Book

Overview

"Startlingly talented . . . he survives the inevitable, apt comparisons to Kurt Vonnegut and writes in a tenderly mordant voice all his own." -Janet Maslin, The New York Times

In this novel rich in character, Junior Thibodeau grows up in rural Maine in a time of Atari, baseball cards, pop Catholicism, and cocaine. He also knows something no one else knows-neither his exalted parents, nor his baseball-savant brother, nor the love of his life (she doesn't believe him anyway): The world will end when he is thirty-six. While Junior searches for meaning in a doomed world, his loved ones tell an all-American family saga of fathers and sons, blinding romance, lost love, and reconciliation-culminating in one final triumph that reconfigures the universe. A tour de force of storytelling, Everything Matters! is a genre-bending potpourri of alternative history, sci-fi, and the great American tale in the tradition of John Irving and Margaret Atwood.

Editorial Reviews

Janet Maslin
Mr. Currie is a startlingly talented writer…His thoughts on cosmic doom somehow take the form of a joyride. He survives the inevitable, apt comparisons to Kurt Vonnegut and writes in a tenderly mordant voice of his own…Everything Matters! radiates writerly confidence. The excitement that drives the reader from page to page is not about the characters. It's about seeing what Mr. Currie will try next.
—The New York Times
More Reviews (2) Fewer Reviews
From The Critics

In Curie's curious second novel (after NYPL Young Lion Award-winning God Is Dead), a young man nearly succeeds in his attempt to inject meaning into a doomed world. A mysterious voice has accompanied Junior Thibodeax all his life, having chosen the moment after Junior's birth to tell him that a meteor will destroy Earth in 36 years. The voice also tells him secrets about his father, his girlfriend and his brother, as well as providing a cure for cancer and sage advice against bombing a federal building. From modest beginnings, Junior descends into violent insanity before finding himself lifted to a position of supreme importance. But even with his foreknowledge, the prophet cannot win every battle, and the ones he loses are more than sufficient to break his heart. Curie shows an appreciation for whimsical storytelling, leaning on unlikely chains of events and multiple perspectives to tell what could otherwise be a very dark tale, and though the omnisciently narrated portions come off as heavy-handed, the big decision he makes toward the end recasts the story in a strangely hopeful light and lends a pile of emotional currency to the book's title. (July)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The Barnes & Noble Review
Ron Currie, Jr. has published two books of fiction: The first, God Is Dead, began with the premise that God, having visited earth as an African woman, had been eaten by a pack of wild dogs, leaving the rest of humanity to figure out life without a reigning deity. The second, Everything Matters!, presumes that a young man born, like Currie, in the '70s, is the "fourth smartest person in the history of the world" (Jesus, Muhammad, and Buddha may -- or may not -- fit in there somewhere) and the sole human who knows that the earth will be destroyed by a comet on June 15, 2010, thus leaving him with the awesome responsibility of saving -- or not saving -- the inhabitants his home planet by his 36th birthday. Currie has not yet turned 33 (the "Christ year," according to some of those who, like the author, were raised Catholic.) You might call him an ambitious novelist. That might be an understatement.

Fittingly enough for a novel that will attempt to explain human life, we start off the first page in the womb. "Enjoy this time!" exhort the unnamed omniscient narrators who speak to us and our hero in the first person plural (much to the discomfort of his high school girlfriend, who will briefly suspect that her lover is not a messiah but rather a paranoid schizophrenic), and who seem to be in the position to offer a guidance and much later a few, rare bargaining chips to ensure that the world ends in a satisfactory manner. "You will need to flex your arms and legs, loll your head to strengthen the neck, crawl, stagger to your feet, then walk," they tell him. "Soon after, you must learn to run, share, swing a bat and hold a pencil, love, weep, read, tie your shoelaces, bathe and die."

It is, perhaps, ironic that the person entrusted with the fate of the earth, once he emerges from the womb into a working-class household in rural Maine, is known by the patriarchal diminutive, Junior, though this certainly fits nicely with the father-son theme in certain world religions (Currie, it might be pointed out, is also a Junior, a Ron to his character's John; his own father died a year before publication). And what a patriarch! Junior's father embodies an archetypal American masculinity: a man so silent he is "nearly mute" (the voices advise: "Know this and accept it, so that you don't waste energy, in later years, trying in vain to elicit words like 'love' and 'proud' from him") with a ferocious devotion to family and duty that comes out of what he sacrifices (booze, a baseball career thwarted by service in Vietnam) and what he defends (his aforementioned country and his wife and sons). This is the kind of guy who, when forced to borrow five dollars from a bus driver to buy his son a sandwich, actually mails the five dollars back with interest. His drive to be useful is so strong that he even asks for extra shifts at the bakery and warehouse after he wins the lottery (the latter luck attributed to another bizarre wrinkle in his son's story).

Like many gifted children, Junior feels set apart from his peers, though in his case, he knows his "gift," such as it is, makes him literally a spectacularly singular person. At school, "the other kids think he is a Jedi knight or something" while the teachers resent him, rightly recognizing that he is "eight times as smart, exponentially, than the smartest among them." When his moodiness provokes the attention of the administration, he thinks to himself: "You have no idea, sirs. I am not your routinely disturbed adolescent, pissed off about some generic bullying or lack of attention from my daddy. I see visions that make Hiroshima look like a cherry bomb. Visions you would find terrifying, even if you did not know, as I do, that they were true." The one person who does offer a kind of solace is his equally geeky girlfriend, Amy, who, in archetypal fashion, will be the only woman he loves or even considers loving throughout his life, though he often bums her out -- what to do when one's boyfriend is the kind of guy who "sits around brooding about road kill"?

Leaving him is one option, and Amy chooses a normal life at Stanford University while the traumatized Junior decides to drink away his early young adulthood at the local bars in their hometown. But his is no ordinary misery; soon enough, mysterious men show up to remind him of his mission, should he choose to accept it, and he goes underground.

Once we leave Maine, the novel careens into action, with stop-offs at government bunkers, clandestine meetings at the Econo-Lodge, and a university lab where Junior just might find a cure for cancer. Reading some scenes -- including a hilarious mishap involving tampering with an airline smoke detector that accelerates into an encounter with a duplicitous government agent, a grisly torture scene, and a just-in-the-knick of time rescue by our romantic hero -- one feels as if one is reading a treatment for some future summer blockbuster.

This is not a sly way to say that it is a poorly written novel. It is, in fact, a masterfully executed work of fiction, with a kind of thrumming prose that lifts off on every page. But it also has a fast-paced, allusive ease that marks a writer synthesizing elements from every corner -- world religion, pop culture, George Lucas, Gene Roddenberry, '80s big-budget action movies, romantic comedies. One might say it is not merely literature. Call it extra-literary.

When we reach the point that the end of the story seems certain, the narrative folds back on itself and offers us other possible versions (one can't help but wonder if this neat trick found its inspiration in the Choose Your Own Adventure Books familiar to those who were children in the '80s). Unlike, say, those condemned to a hundred years of solitude in the work of Gabriel García Márquez, will Currie's characters have a second opportunity on earth?

I won't spoil it, save to say that the final page has the quality of beautiful inevitability. In telling the story of a boy who tries to save the world, Currie comes back to the primal domestic drama that concerns each one of us: How do we live with the certainty that we will lose, in one way or another, those who matter to us most -- who may as well be the world? --Amy Benfer

Amy Benfer has worked as an editor and staff writer at Salon, Legal Affairs, and Paper magazine. Her reviews and features on books have appeared in Salon, The San Francisco Chronicle Book Review, The Believer, Kirkus, and The New York Times Book Review.

Product Details

  • ISBN-13: 9780670020928
  • Publisher: Penguin Group (USA)
  • Publication date: 6/25/2009
  • Pages: 320
  • Sales rank: 445,494
  • Product dimensions: 5.90 (w) x 9.10 (h) x 1.20 (d)

Meet the Author

Ron Currie, Jr., took his place as one of America's freshest young literary voices with his acclaimed debut collection, God Is Dead, which won the New York Public Library Young Lions Fiction Award.
Customer Reviews
Average Rating 3.5
( 44 )

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  • Anonymous

    Posted May 23, 2010

    I Also Recommend:

    Unique and Compelling

    A child is born with the knowledge of the day and time of the end of the world. This is the unique premise at the center of this cleverly plotted novel. I did not know what to expect when I began reading it, and now that I have finished it, I am still intrigued.

    The setting is rural Maine. The author displays a thorough knowledge of New England, and scenes that take place in several other locales ring true as well. The details of daily life and culture spanning 36 years, ending in the very near future are authentic and realistic.

    The narrative flow focuses on Junior Thibodeau's relationships with his family and loved ones. Particularly how his foreknowledge effects these relationships and his life choices. There are gaps and variations in tone that would be disruptive in most novels. Somehow, they only seemed to draw me further into the story. If you are looking for a real change of literary pace, give it a try.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 1, 2010

    Slow start, but well worth continuing.

    The beginning of the book, until Junior is almost a teenager is quite boring. I actually stopped reading the book and didn't pick it up again until two months later and once I started I couldn't stop until I finished at 1am when I had to be up at 6am. It's extreme;y well written and worth the slow start. Please read!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 31, 2010

    A very good read

    I burned through this book, and I bought Everything Matters! for several people on my Christmas list. It was a great read, and I look forward to reading more by this author.

    1 out of 1 people found this review helpful.

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  • Posted August 22, 2009

    ...

    Boring at times but overall very good book.

    1 out of 1 people found this review helpful.

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    Posted December 14, 2010

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