Evolveby Ani DiFranco
The name of this Buffalo-bred singer-songwriter/one-woman-industry's 15th album is as much a statement of purpose as a mere title. Over the years, Ani DiFranco has moved from straight-ahead folk to funkified politco -- with plenty of stops in between. She splits the difference on Evolve, assiduously deploying horns and keyboards, even pushing the edges of the musical envelope she'd previously left unexplored, like the Crescent City swing of "Oh My My," on which she shelves her guitar in favor of a seat behind the ivories. "Second Intermission," on the other hand, drifts in more stealthily, substituting ethereal woodwinds for the funky horns she's been known to use in recent years. The brass kicks in, however, on a passel of tunes, most notably the chugging "In the Way," one of DiFranco's patented blends of lashing emotion and soothing melody. Evolve also has its share of intimate, acoustic-rooted interludes, highlighted by the wistful "Phase" and the appropriately titled ten-minute "Serpentine." Ani DiFranco's still got a lot to say, and that's not so unusual; she's still finding new ways to say it, which, after nearly a decade and a half, most assuredly is.
- Release Date:
- Righteous Babe
Performance CreditsAni DiFranco Primary Artist,Guitar,Piano,Voices
Hans Teuber Clarinet,Flute,Saxophone,Voices
Julie Wolf Organ,Piano,Voices,Clavinet,Melodica,fender rhodes
Jason Mercer Bass
Daren Hahn Percussion,Drums
Todd Horton Trumpet,Flugelhorn
Shane Endsley Trumpet
Ravi Best Trumpet,Voices
Technical CreditsAni DiFranco Producer
Mark Hallman Engineer
Marty Lester Engineer
Andrew Gilchrist Engineer
Brian Grunert Art Direction
Most Helpful Customer Reviews
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This most recent album discusses some political views and her view on modern sociey. She recognizes the importance of nature and explores honesty aswell as scarcasm! How much more real can you get than that!
A few years ago a San Fran friend gave me Living in a Cup and Dilate. I throw them every once in awhile. Difranco is an incredible lyricist and crazy-good guitar player. But sometimes I was just not in the mood for her male bashing. I like a little softer, more ballad sound and recently heard Evolve and it is BY FAR, her best yet!
This one is her best, by far! Collaborating with such guest stars as Jay-Z, Rob Thomas, John Mayer and Busta Rhymes was a great idea to move her music into a broader spotlight. Some of the tracks on this cd are delightfully danceable, such as "Turd Pattie in my Drawls", "I ordered a grilled cheese sandwich, but apparently you have brought me a cup of french onion soup", and the rave-tastic "Pink Boots with an Orange Dress." The one song that I don't like is with the guest appearance by Kylie Minogue, "If I could grow a beard like Redd Foxx, I'd quit my job and do the hustle all the way to Frisco." Some of Ani's hardcore fans from the older years might be a little disappointed in this release, but I think it will be quite successful on AM radio this summer.
I used to think Ani was something. Now I know she is, unfortunately the rules prohibit me from going into detail. Needless to say, Ani is no more an artist than i am. Anyone can yell, throw in some discordant music and you've got an album. Repeat endlessly and you have several and she does. Ani please stop and and save our oil supply.
honestly, i don't see how ani lost so many fans here. the title of the record says it all. this album is much like revelling/reckoning, but really, it has a much cleaner, more mature approach to this type of songwriting. okay, so it's not my favorite, but the fact is that she is... *gasp* EVOLVING! she still writes personal songs that are honest. yes, you've heard that before because it's true. and honestly, some of her best work has come from this disk, just listen to "slide" or "here for now." god forbid you should open your mind and stop expecting another not a pretty girl, 'cause i've got news for you: she's a woman now, and this is concrete evidence.
As usual, this Ani album is a little different from most of the others. This one has a little bit of a jazzy feel on some of the songs ("in the way", for example). "Serpentine" is one of her best political commentaries in a while. Great album!