An Expert in Murder (Josephine Tey Series #1)

( 30 )

Overview

March 1934. Revered mystery writer Josephine Tey is traveling from Scotland to London for the final week of her play Richard of Bordeaux, the surprise hit of the season, with pacifist themes that resonate in a world still haunted by war. But joy turns to horror when her arrival coincides with the murder of a young woman she had befriended on the train ride—and Tey is plunged into a mystery as puzzling as any in her own works.

Detective Inspector Archie Penrose is convinced that ...

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An Expert in Murder (Josephine Tey Series #1)

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Overview

March 1934. Revered mystery writer Josephine Tey is traveling from Scotland to London for the final week of her play Richard of Bordeaux, the surprise hit of the season, with pacifist themes that resonate in a world still haunted by war. But joy turns to horror when her arrival coincides with the murder of a young woman she had befriended on the train ride—and Tey is plunged into a mystery as puzzling as any in her own works.

Detective Inspector Archie Penrose is convinced that the killing is connected to the play, and that Tey herself is in danger of becoming a victim of her own success. In the aftermath of a second murder, the writer and the policeman must join together to stop a ruthless killer who will apparently stop at nothing.

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Editorial Reviews

P.D. James
“Nicola Upson has . . . given us a highly original and elegantly written novel.”
Los Angeles Times
“[A] blithely spirited debut. . . . Upson clearly knows her way around pre-World War II London and the grimy backstages of Covent Garden, and delivers an ending shot through with palpable surprise and emotion.”
Publishers Weekly

Mystery writer Josephine Tey (The Daughter of Time) makes a convincing sleuth in British author Upson's debut, the launch of a new whodunit series. On a train journey from Scotland to London in 1934, Tey meets a fan, Elspeth Simmons, who's traveling to the capital to attend a performance of Tey's hit play about Richard II. When Simmons is found brutally murdered—stabbed with a hatpin, posed with some dolls and partially shaved—after arrival at King's Cross, Tey's Scotland Yard friend, Insp. Archie Penrose, investigates and soon learns that the victim was adopted under irregular circumstances. After another death, the evidence suggests that both crimes are linked to a murder committed amid the devastating trench warfare of WWI. While the heroine falls conventionally into the killer's clutches before a solution many will anticipate, the engaging prose will leave even readers unfamiliar with Tey's fiction eagerly looking forward to the next in the series. (June)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

Some books just grab readers and never let go. Using classic mystery author Josephine Tey (The Daughter of Time; The Franchise Affair) as her detective protagonist, debut novelist Upson has written an original mystery as finely plotted as any of Tey's works. Set in 1934 London, when Tey was enjoying success as a playwright, the novel opens as she is traveling by train from Scotland to London for the final week of her hit play Richard of Bordeaux. But the murder of a young woman Tey meets on the train leads her into danger. Upson changed the names of the cast for her novel but interviewed the actual actors who performed (inclucing the late Sir John Gielgud), which gives her novel an authenticity that allows readers to wander through the streets of London and feel close to those who lived there. We can only hope that the next adventure of Miss Tey will be out soon. Fans of Tey, Dorothy Sayers, Agatha Christie, Ngaio Marsh, and other writers of mystery's "Golden Age" (1919-39) will put this on their reserve lists. Highly recommended for all mystery collections.


—Jo Ann Vicarel
Kirkus Reviews
A detective inspector and a real-life writer team up to solve several murders in 1930s London. Josephine Tey is traveling from Scotland to attend the closing-week celebration of her successful historical drama Richard of Bordeaux. Aboard the train, she befriends Elspeth Simmons, an enthusiastic young devotee of the play. When Elspeth is murdered in the train carriage at King's Cross Station while Tey chats with friends, the writer is drawn into the investigation. Scotland Yard DI Archie Penrose was the best friend of Tey's lover, who died in World War I. Now Penrose, who'll become the model for Tey's policeman hero Alan Grant, has fallen in love with Tey. A second murder strikes closer to home when Tey's mentor, theatrical manager Bernard Aubrey, is found poisoned in his office at the theater. The killings may well be related and the murderer may be among the people involved in the play. Elspeth's boyfriend, who works backstage, some of the leading actors, even members of Elspeth's adopted family, have possible motives, many grounded in the war's bitter past. Penrose and Tey must deal with their own complicated feelings about the war and each other as they mine the past for clues. The actual Josephine Tey, of course, wrote the historical gem The Daughter of Time (1951) and seven other classic murder mysteries. Though not up to Tey's standards, Upson's debut is a most promising valentine. Agent: Karolina Sutton/ICM
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Product Details

  • ISBN-13: 9780061451553
  • Publisher: HarperCollins Publishers
  • Publication date: 6/16/2009
  • Series: Josephine Tey Series , #1
  • Edition description: Reprint
  • Pages: 320
  • Sales rank: 268,065
  • Product dimensions: 5.31 (w) x 8.00 (h) x 0.72 (d)

Meet the Author

Nicola Upson is the author of four previous Josephine Tey mysteries, including An Expert in Murder, and two works of nonfiction. She has worked in theater and as a freelance journalist. A recipient of an Escalator Award from the Arts Council England, she splits her time between Cambridge and Cornwall.

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Read an Excerpt

An Expert in Murder A New Mystery Featuring Josephine Tey
By Nicola Upson
HarperCollins Publishers, Inc. Copyright © 2008 Nicola Upson
All right reserved.

ISBN: 9780061451539


Chapter One

Had she been superstitious, Josephine Tey might have realised the odds were against her when she found that her train, the early- morning express from the Highlands, was running an hour and a half late. At six o'clock, when she walked down the steps to the south-bound platform, she expected to find the air of excitement which always accompanies the muddled loading of people and suitcases onto a departing train. Instead, she was met by a testament to the long wait ahead: the carriages were in darkness; the engine itself gravely silent; and a mountain of luggage built steadily along the cold, grey strand of platform. But like most people of her generation, who had lived through war and loss, Josephine had acquired a sense of perspective, and the train's mechanical failure foretold nothing more sinister to her than a tiresome wait in the station's buffet. In fact, although this was the day of the first murder, nothing would disturb her peace of mind until the following morning.

By the time she had drained three cups of bland coffee, the train appeared to be ready for its journey. She left the buffet's crowded warmth and prepared to board, stopping on the way to buy a copy of yesterday's Times and a bar of Fry's chocolate from the small news kiosk next to the platform. As she took her seat, she could not help but feel a rush of excitement in spite ofthe delay: in a matter of hours, she would be in London.

The ornate station clock declared that it was a quarter past eight when the train finally left the mouth of the station and moved slowly out into the countryside. Josephine settled back into her seat and allowed the gentle thrum of the wheels to soothe away any lingering frustrations of the morning. Removing her gloves and taking out a handkerchief, she cleared a small port-hole in the misted window and watched as the strengthening light took some of the tiredness from the cold March day. On the whole, winter had been kind. There had, thank God, been no repeat of the snow wreaths and roaring winds which had brought the Highland railway to a sudden standstill the year before, leaving her and many others stranded in waiting rooms overnight. Engines with snow ploughs attached had been sent to force a passage through, and she would never forget the sight of them charging the drifts at full speed, shooting huge blocks of snow forty feet into the air.

Shivering at the memory of it, she unfolded her newspaper and turned to the review pages, where she was surprised to find that the Crime Book Society's selection was 'a hair-raising yarn' called Mr Munt Carries On. They couldn't have read the book, she thought, since she had tried it herself and considered Mr Munt to have carried on for far too long to be worth seven and six of anybody's money. When she arrived at the theatre section, which she had purposely saved until last, she smiled to herself at the news that Richard of Bordeaux—her own play and now London's longest run—was about to enter its final week.

As the train moved south, effortlessly eating into four hundred miles or so of open fields and closed communities, she noticed that spring had come early to England—as quick to grace the gentle countryside as it had been to enhance the drama of the hills against a Highland sky. There was something very precious about the way that rail travel allowed you to see the landscape, she thought. It had an expansiveness about it that the close confinement of a motor car simply could not match and she had loved it since, as a young woman, she had spent her holidays travelling every inch of the single-track line that shadowed the turf from Inverness to Tain. Even now, more than twenty years later, she could never leave Scotland by train without remembering the summer of her seventeenth birthday, when she and her lover—in defiance of the terrible weather—had explored the Highlands by rail, taking a different route from Daviot Station every morning. When war broke out, a year later almost to the day, the world changed forever but—for her at least—that particular bond to a different age had stayed the same, and perhaps always would.

This link with the past was becoming harder to hold on to, though, as she found herself unexpectedly in the public eye. She had had thirteen months and four hundred and sixty performances to get used to being the author of the most popular play in London, but fame still tasted strange to her. Richard of Bordeaux had brought success, but success brought a relinquishing of privacy which, though necessary, was not easily or willingly given. Every time she journeyed south, she felt torn between the celebrity that awaited her in London and the ties which kept her in Inverness—and knew she was not truly comfortable with either. But during the miles in between, for a few precious hours, she could still remember how it had felt to be seventeen and sure of what you wanted.

Today, though, anonymity vanished even earlier than expected when a pleasant-looking young woman boarded the train at Berwick-upon-Tweed and slid back the door to Josephine's carriage. She struggled apologetically with her luggage, but a gentleman quickly stood to help her wrestle a large, beautifully embroidered travelling bag into the overhead luggage rack, and she smiled gratefully at him when he offered up his window seat. As the girl settled herself in, Josephine gazed at her in fascination, but it was not so much her features that drew attention as the remarkable hat that framed them—a cloche, made of fine black straw, which was accentuated on one side by a curled white ostrich feather, flecked with beige and brown and attached by a long, black-tipped hatpin. It was hardly the sort of thing that Josephine would ever wear herself, and it made her own plain velvet seem bland in comparison, but she admired its delicate beauty nonetheless.



Continues...

Excerpted from An Expert in Murder by Nicola Upson Copyright © 2008 by Nicola Upson. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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Customer Reviews

Average Rating 3.5
( 30 )
Rating Distribution

5 Star

(6)

4 Star

(12)

3 Star

(6)

2 Star

(2)

1 Star

(4)

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See All Sort by: Showing 1 – 20 of 30 Customer Reviews
  • Posted February 18, 2011

    Absolutely loved it!!

    I've just read four hours straight to finish this book. I just could NOT put it down! That's why I'm so surprised to see the less-than-stellar reviews for it. I love mysteries, and all things English, so give me a mystery set in London, throw in a slightly downtrodden Scotland Yard inspector, a train, and add the theatre to it...I'm THERE! And I must say I found none of the previously mentioned boring conversations, etc. I found it to be an intelligent, very well written story, with an intricately woven plot and cast of characters that would make Elizabeth George or Agatha Christie proud. Granted, I do think you might enjoy this a great deal more than others if you DO happen to love the theatre (and especially if, like me, you've spent time in and around the theatre that serves as a main setting for the book- along with neighboring pubs!) But in summary, if you love the things I mentioned above, I can't imagine you wouldn't love this book. Don't miss it!

    14 out of 15 people found this review helpful.

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  • Posted March 22, 2010

    I love Mysteries but not this one

    I picked this book up at the BN store thought it looked interesting. Boring, long winded and contrived. The book has long and I mean long spouts of unnecessary absolutley boring conversations between boring characters, which does not move the story along but is great for falling asleep at night. I plowed thru to find the most ridiulous ending. If you love mysteries pass this one by.

    5 out of 5 people found this review helpful.

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  • Anonymous

    Posted December 7, 2009

    slow

    I love mysteries, but for some reason I just found this book slow going. None of the characters were particularily likeable.

    4 out of 6 people found this review helpful.

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  • Anonymous

    Posted May 22, 2013

    Excellent

    I bought this, thinking it was BY Josephine Tey, not about her, so I was not inclined to like the book once I had realized my mistake. However, the interesting plot and well-developed characters won me over in the end. T his is a very well written and clever mystery.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted February 8, 2013

    Emotionally-Rich and Complex Mystery

    The first book in Upson's Depression-era series is a rich, complex mystery filled with intriguing characters. Josephine Tey and Archie Penrose make an excellent detective team, and the theatre setting is unusual enough to keep a reader's attention. Unlike many authors, Upson also makes the reader *feel* the loss at each murder; too often, the victim is just a throw-away character.

    Recommended to fans of Josephine Tey, British period mysteries, and Richard III.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted February 9, 2011

    Would not recommend

    I love mysteries, especially mysteries that take place in England. Purchased the book because of the book cover. That was the only good thing about the book. Just could not get into the story or plot. Read it to the end, thinking that it would get better but it didn't. The characters were hard to keep track of, conversations between the characters were long winded and not focused. If you want to read a good English mystery, read Jacqueline Winspear's Massie Dobbs series. Her Massie Dobbs series are very engaging and a good read.

    2 out of 4 people found this review helpful.

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  • Anonymous

    Posted May 28, 2014

    Disappointing doesnt come together

    Muddle mishmash the genre combo attracts but fails to live up to the blurb real authors or their creations dont exception might be B Potter mysteries series with her animals

    1 out of 4 people found this review helpful.

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  • Posted May 1, 2014

    Fun read

    I enjoyed this book very much and plan to read the next in the series. The characters were delightful and the plot inventive, with a few twists along the way. With a word such as "murder" in the title, you wouldn't think "pleasant" would make sense. But it was a pleasant read.

    1 out of 1 people found this review helpful.

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  • Posted April 22, 2014

    Too politcally correct

    This is well-written book that I really wanted to enjoy, but I just couldn't handle all the homosexual relationships - I think the author went overboard on these to make the story modern and relevant. Too bad - I really wanted to like this book.

    1 out of 1 people found this review helpful.

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  • Posted January 11, 2014

    A very good read

    I thoroughly enjoyed this book - complicated, twisted plot, well-written, interesting characters, plus nice to see a writer about whom next to nothing is known shown in historical setting and fleshed-out. The only downside is that I wished to god I'd never started this series as I've read the following books and cannot say that the path the characters take is one I would have chosen, nor does it seem particularly necessary - given what is known about "Josephine Tey" and the point of these being mystery novels, not romance. However, all of the books are well-written, and if you don't mind the unconventional and unnecessary path, worth the read.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 24, 2013

    Have read all in series.

    They did not improve and it was a great disappointment because Tey was my favorite english mystery writer though she did not write many. I bought this first but waited and borrowed the nexr three. Three stars went to two but held my attention and read all pages hoping that the bi sexual theme would even out . Too much about the plays which most of us havent read. Mishmosh or is it mishmash?

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 8, 2013

    Good story complex plot

    You will enjoy this book.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 11, 2014

    Deja vue

    I remember with pleasure the works of the great English mystery writers of the golden age. Ms Upson brings back the setting and the style of Josephine Tey. I am happy to have found this series and anticipate enjoying the ones that follow.

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  • Posted July 18, 2014

    A MUST READ !!!

    great story plot.......very intense right from the start.

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  • Anonymous

    Posted June 21, 2014

    Challenge three:

    Find Fatespeaker's lair. The first two challenges are due on the.. 23rd. You must do this challenge before that. The first person to find her and tell me where she is gets ten points. The second gets nine, the third gets eight, etc.. no duplicate posts, delete yours after two hours. This challenge is not 100% neccesary... but the next one is...

    0 out of 6 people found this review helpful.

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  • Anonymous

    Posted March 21, 2014

    Hush

    .____.

    0 out of 2 people found this review helpful.

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  • Posted July 7, 2011

    more from this reviewer

    Well worth reading

    An entertaining book for traditional cozy enthusiasts. Some passages were a little bit too slow for me which is why I gave it 4 instead of 5 stars. Overall, I found the book to be enjoyable

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  • Anonymous

    Posted February 15, 2013

    No text was provided for this review.

  • Anonymous

    Posted January 23, 2011

    No text was provided for this review.

  • Anonymous

    Posted August 22, 2009

    No text was provided for this review.

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