Exposé

Editorial Reviews

All Music Guide
Exposé had a hard time fitting into the radio trends of the moment with their third album, which came three and a half years after What You Don't Know. The Latin-spiced club/dance sounds that made such an impact on pop radio in the latter half of the '80s had been replaced by grunge and alternative rock, and the "girl group" concept had fizzled. Despite this, the trio managed a Top Ten hit with the Diane Warren-penned ballad "I'll Never Get Over You Getting Over Me," a somewhat formulaic AC number. Arista tried to capitalize on this success by releasing two other Wilson Phillips-esque soft rock numbers, "As Long as I Can Dream" and "In Walked Love." This wasn't to much avail, and the cream of the crop was never ...
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Editorial Reviews

All Music Guide
Exposé had a hard time fitting into the radio trends of the moment with their third album, which came three and a half years after What You Don't Know. The Latin-spiced club/dance sounds that made such an impact on pop radio in the latter half of the '80s had been replaced by grunge and alternative rock, and the "girl group" concept had fizzled. Despite this, the trio managed a Top Ten hit with the Diane Warren-penned ballad "I'll Never Get Over You Getting Over Me," a somewhat formulaic AC number. Arista tried to capitalize on this success by releasing two other Wilson Phillips-esque soft rock numbers, "As Long as I Can Dream" and "In Walked Love." This wasn't to much avail, and the cream of the crop was never tasted. Sure-fire dance numbers like the house-driven "I Think I'm in Trouble," the nostalgic "Angel," and "Give Me All Your Love," a return to the group's freestyle roots, were sorely overlooked. Though the powerful voice of Gioia is missed here she left the group in 1991, replacement Kelly Moneymaker brings added depth to the group's harmony, and Ann Curless shows her flexibility as a lead singer for the first time. Another first is the use of producers besides Lewis Martinee, which results in a more varied sound that is a bit scattered at times, but ultimately disproves the notion of Exposé as studio puppets. ~ Justin M. Kantor
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Product Details

  • Release Date: 10/27/1992
  • Label: Arista
  • UPC: 078221857741
  • Catalog Number: 18577

Album Credits

Performance Credits
Exposé Primary Artist, Primary Artist, Background Vocals
Paul Pesco Guitar
Victor Bailey Bass
Omar Hakim Drums
Michael Thompson Guitar
John Clark French Horn
Lamar Alsop Violin
Seymour Barab Cello
Julien Barber Viola
Elena Barere Violin
Curt Bisquera Drums
Alfred Brown Viola
Ann Curless Vocals
Gerald Tarack Violin
Regis Iandiorio Violin
Jeanette Jurado Vocals
Kenny the Man Rap
Gary King Guitar
Olivia Koppell Viola
Regis Landiorio Violin
Dave Lebolt Keyboards
Charles Libove Violin
Richard Locher Cello
Richard Locker Cello
Bob Magnusson Oboe
Carmel Malin Violin
Lewis A. Martineé Keyboards
Fred McFarlane Keyboards, Multi Instruments
Tim Mitchell Guitar
Kelly Moneymaker Vocals
Eve Nelson Background Vocals
Greg Phillinganes Keyboards
Al Pitrelli Guitar
Tony Posk Violin
Bobby Pruitt Background Vocals
Mark Schulman Cello
Richard Sortomme Violin
Ben Stivers Percussion, Drums, Keyboards
Tom Timko Saxophone
Anthony Posk Violin
Robert Magnuson Oboe
Mark Sehuman Cello
Peter Gordon French Horn
Elliot Rosoff Violin
Technical Credits
Marty Balin Composer
Exposé Vocal Arrangements
Joan Jett Composer
Michael Barbiero Arranger, Producer, Engineer
Ritchie Cordell Composer
Mike Couzzi Engineer
Clive Davis Executive Producer
Lolly Grodner Engineer
Kenny Laguna Composer
Jesse Levey Arranger
Jesse Levy String Arrangements
Lewis A. Martineé Producer, Engineer
Fred McFarlane Programming
Eve Nelson Vocal Arrangements
Sir Arthur Payson Engineer
Guy Roche Producer
Brett Swain Engineer
Steve Thompson Arranger, Producer
Gary Tole Engineer
Richard Travali Engineer
Frank Wolf Engineer
Maude Gilman Art Direction
Harry Collis Composer
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