From the Publisher
Schneider’s subtlety, combined with themes about learning to live life fully, makes this an easy recommendation for those seeking titles similar in premise to John Green’s The Fault in Our Stars.” — School Library Journal
“Balancing the hope of new beginnings against the uncertain fates of victims, it’s a novel that should prompt thoughtful discussions.” — Publishers Weekly
“Clever banter, self-deprecating humor and the distinctive characters ensure that this captivating book about life, death, fear, and second chances will fly off the shelves.” — Voice of Youth Advocates (VOYA)
“The perfect read-next for fans of the sick-lit trend and readers looking for a tear-stained romance. — Bulletin of the Center for Children’s Books
“Fans of John Green’s blockbuster The Fault in Our Stars who are eager for more of that kind of story will likely be satisfied.” — Booklist
Praise for THE BEGINNING OF EVERYTHING: “Smart writing and a compelling narrator raise this book above ordinary depictions of high school drama. Efficient use of language, evocative descriptions and subtle turns of phrase make reading and rereading this novel a delight.” — Kirkus Reviews (starred review)
“This thought-provoking novel about smart kids doing interesting things will resonate with the John Green contingent, as it is tinged with sadness, high jinks, wry humor, and philosophical pondering in equal measures.” — Booklist (starred review)
“Schneider shows remarkable skill at getting inside her narrator’s head as his life swings between disaster and recovery.” — Publishers Weekly (starred review)
“Robyn Schneider can write.” — New York Times Book Review
“This is a wonderfully told story. The dialogue moves the plot along at a fast pace, and Ezra, with all his flaws, is a character to whom readers can relate. Teens won’t want to put this one down.” — School Library Journal
“THE BEGINNING OF EVERYTHING is a tragic romance of the best kind that leaves the reader feeling as though they are part of the story, and wishing there was more.” — Voice of Youth Advocates (VOYA)
Voice of Youth Advocates (VOYA)
Clever banter, self-deprecating humor and the distinctive characters ensure that this captivating book about life, death, fear, and second chances will fly off the shelves.
Booklist (starred review)
This thought-provoking novel about smart kids doing interesting things will resonate with the John Green contingent, as it is tinged with sadness, high jinks, wry humor, and philosophical pondering in equal measures.
Bulletin of the Center for Children’s Books
The perfect read-next for fans of the sick-lit trend and readers looking for a tear-stained romance.
Booklist
Fans of John Green’s blockbuster The Fault in Our Stars who are eager for more of that kind of story will likely be satisfied.
New York Times Book Review
Robyn Schneider can write.
Bulletin of the Center for Children's Books
The perfect read-next for fans of the sick-lit trend and readers looking for a tear-stained romance.
Booklist
Fans of John Green’s blockbuster The Fault in Our Stars who are eager for more of that kind of story will likely be satisfied.
Kirkus Reviews
2015-02-16
When Lane's drug-resistant tuberculosis lands him in a sanatorium, he finds that one of the other residents is a girl he met at summer camp years ago. College-bound Lane is in denial about his illness, assuming that he can keep up with his AP work and go home soon. Sadie's condition is neither improving nor getting worse; she's been at Latham House long enough to have formed a group of friends who go on nighttime excursions to buy contraband in the nearby town. In alternating chapters, Lane and Sadie narrate their gradual interest in and eventual love for each other as they await an upcoming drug trial that could mean an end to their quarantine. The teens' voices are authentic, and there's enough humor to keep this from becoming maudlin, even though the miracle drug doesn't quite make it in time. A lengthy author's note spells out Schneider's intention to write about a nonexistent form of TB to "fix" what she sees as teen literature's lack of medical narratives "that humanize the illness experience." Unfortunately, this approach doesn't necessarily make for good storytelling, as the message takes over, leaving readers to muse on Sadie's philosophy that "living and dying are actually different words for the same thing, if you think about it." Readers will do better to seek out The Fault in Our Stars. (Fiction. 14 & up)
