A daughter of the poets Hettie Jones and Amiri Baraka, Kellie Jones grew up immersed in a world of artists, musicians, and writers in Manhattan’s East Village and absorbed in black nationalist ideas about art, politics, and social justice across the river in Newark. The activist vision of art and culture that she learned in those two communities, and especially from her family, has shaped her life and work as an art critic and curator. Featuring selections of her writings from the past twenty years, EyeMinded reveals Jones’s role in bringing attention to the work of African American, African, Latin American, and women artists who have challenged established art practices. Interviews that she conducted with the painter Howardena Pindell, the installation and performance artist David Hammons, and the Cuban sculptor Kcho appear along with pieces on the photographers Dawoud Bey, Lorna Simpson, and Pat Ward Williams; the sculptor Martin Puryear; the assemblage artist Betye Saar; and the painters Jean-Michel Basquiat, Norman Lewis, and Al Loving. Reflecting Jones’s curatorial sensibility, this collection is structured as a dialogue between her writings and works by her parents, her sister Lisa Jones, and her husband Guthrie P. Ramsey Jr. EyeMinded offers a glimpse into the family conversation that has shaped and sustained Jones, insight into the development of her critical and curatorial vision, and a survey of some of the most important figures in contemporary art.
Kellie Jones is Associate Professor in the Department of Art History and Archaeology at Columbia University. She is the author of several books and exhibition catalogues, including Energy/Experimentation: Black Artists and Abstraction, 1964–1980; Basquiat; and (with Thelma Golden and Chrissie Iles) Lorna Simpson.
Table of Contents
Acknowledgments ix
Introduction. "Art in the Family" 1
Part One. On Diaspora
1. EyeMinded: Commentary / Amiri Baraka 37
2. Preface to a Twenty Volume Suicide Note / Amiri Baraka 41
3. A.K.A. Saartjie: The Hottentot Venus in Context (Some Reflections and a Dialogue) 1998/2004 43
4. Tracey Rose: Postapartheid Playground 69
5. (Un)Seen and Overheard: Pictures by Loran Simpson 81
6. Life's Little Necessities: Installations by Women in the 1990s 125
7. Interview with Kcho 135
8. The Structure of Myth and the Potency of Magic 145
Part Two. In Visioning
9. Seeing Through: Commentary / Hettie Jones 159
10. In the Eye of the Beholder / Hettie Jones 163
11. To/From Los Angeles with Betye Saar 165
12. Crown Jewels 177
13. Dawoud Bey: Portraits in the Theater of Desire 187
14. Pat Ward Williams: Photography and Social/Personal History 207
15. Interview with Howardena Pindell 215
16: Eye-Minded: Martin Puryear 235
17. Large As Life: Contemporary Photography 241
18. An Interview with David Hammons 247
Part Three. Making Multiculturalism
19. Excuse Me While I Kiss the Sky & Then Fly and Touch Down: Commentary / Lisa Jones 263
20. How I Invented Multiculturalism / Lisa Jones 273
21. Lost in Translation: Jean-Michel in the (Re)Mix 277
22. In the Thick of It: David Hammons and Hair Culture in the 1970s 297
23. Domestic Prayer 305
24. Critical Curators: Interview with Kellie Jones 309
25. Poets of a New Style of Speak: Cuban Artists of This Generation 317
26. In Their Own Image 329
27. Tim Rollins and K.O.S.: What's Wrong with This Picture? 341
28. Blues to the Future 343
Part Four. Abstract Truths
29. Them There Eyes: On Connections and the Visual: Commentary / Guthrie P. Ramsey Jr. 349
30. Free Jazz and the Price of Black Musical Abstraction / Guthrie P. Ramsey Jr. 353
31. To the Max: Energy and Experimentation 363
32. It's Not Enough to Say "Black is Beautiful": Abstraction at the Whitney, 1969–1974 397
33. Black West: Thoughts on Art in Los Angeles 427