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In this now classic study, Fredric Jameson proposes a framework in which Lewis’s explosive language practice—utterly unlike any other English or American ...
In this now classic study, Fredric Jameson proposes a framework in which Lewis’s explosive language practice—utterly unlike any other English or American modernism—can be grasped as a political and symbolic act. He does not, however, ask us to admire the energy of Lewis’s style without confronting the inescapable and often scandalous ideological content of Lewis’s works: the aggressivity and sexism, the predilection for racial and national categories, the brief flirtation with fascism, and the inveterate and cranky oppositionalism that informs his powerful polemics against virtually all the political and countercultural tendencies of his time.
Fables of Aggression draws on the methods of narrative analysis and semiotics, psychoanalysis, and ideological analysis to construct a dynamic model of the contradictions from which Lewis’s incomparable narrative corpus is generated, and of which it offers so many varying symbolic resolutions.
“A highly original study on the novels of Wyndham Lewis ... The book is supremely important as a contribution to Marxist criticism especially. It is ironic that it took a critic whose ideological position was so opposed to his subject to offer the best assessment of the ideological and literary bases of Lewis’s creativity ... This is an outstanding contribution to our understanding of postmodernism.”—Hayden White