Faceless Killers (Kurt Wallander Series #1)

( 50 )

Overview

Early one morning, a small-town farmer makes the horrible discovery that his neighbors have been brutally attacked during the night. An old man is dead, and his wife lies dying before the farmer's eyes. The only clue is the single word she utters before she dies: "foreign." In charge of the investigation is Inspector Kurt Wallander, a local cop whose personal life is a shambles. His family is falling apart, he's gaining weight, and he's drinking too much, but he is tenacious and level-headed in his sleuthing. ...
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Faceless Killers (Kurt Wallander Series #1)

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Overview

Early one morning, a small-town farmer makes the horrible discovery that his neighbors have been brutally attacked during the night. An old man is dead, and his wife lies dying before the farmer's eyes. The only clue is the single word she utters before she dies: "foreign." In charge of the investigation is Inspector Kurt Wallander, a local cop whose personal life is a shambles. His family is falling apart, he's gaining weight, and he's drinking too much, but he is tenacious and level-headed in his sleuthing. Still, things get complicated when he has to deal with an eruption of violent antiforeigner sentiment, as well as a tough-minded - and very attractive - female district attorney, as he searches for the killers.
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
In his first appearance in English, Swedish bestselling author Mankell combines thriller-quality entertainment with a depiction of anti-foreigner prejudice in Sweden, painted here as a very chilly place indeed. Since his wife walked out on him, Kurt Wallender, a middle-aged cop in the small town of Lenarp, has drowned his sorrows in opera and far too much liquor. Such consolations can't help him absorb the scene at the Lovgren farm, where elderly Johannes Lovgren has been brutally beaten and stabbed to death and where his wife, Maria, is found barely alive with a noose around her neck. Rydberg, a police force old-timer, says the noose's unusual knot and the word foreigner, which Maria uttered before she died, are important. Wallender puts those clues on the back burner when he learns that Johannes, ostensibly a simple farmer, had a secret life involving wealth and connections unknown to his wife. However, a leak to the press complicates the investigation by arousing anti-immigrant feelings, some of which are expressed in anonymous threats. Mankell is clearly a skilled writer, and his portrait of Wallender (who periodically slides beneath respectability) is effective. But he provides essential information only at the last minute, which makes the solution feel more like an appendix than a conclusion. Also, American readers may find odd Mankell's bundling of his upright anti-racism message with broad notions of what constitutes acceptable social control. (Mar.)
Library Journal
This brilliant U.S. debut is the first book in a Swedish mystery series. An elderly couple is murdered on an isolated farm after being tortured brutally. The woman's last word, "foreign," unleashes an onslaught of antirefugee sentiment that Police Inspector Kurt Wallender tries to quell. Then the cold-blooded murder of a Somali refugee entangles the inspector further as he tries to solve that related crime as well. Meanwhile, he sloshes through the detritus of his own dsyfunctional life, trying to reconnect with his wife, who's left him; his daughter, who refuses to see him; and his father, who is slipping toward senility. The author goes well beyond the narrow police procedural in creating a full-bodied Wallender and in casting light on the refugee problem in contemporary Swedish society. Wallender is reminiscent of Ruth Rendell's Inspector Wexford in his low-key, thoughtful performance.
Kirkus Reviews
Who would so savagely kill an elderly farming couple in the Swedish town of Lenarp—the husband gruesomely tortured, the wife slowly strangled with a noose tied in an unusual knot—and then step out to the couple's barn to feed their horse? Inspector Kurt Wallander, battling midlife crisis—his estranged daughter has rarely called him since she lit out from home; his estranged wife greets him by telling him how much weight he's put on—would love to have the leisure to speculate about the identity of the killers, described only by the dying Maria Lövgren as "foreign." As acting chief of the Ystad police, though, he's got more urgent business on his hands: a series of xenophobic phone calls ("You now have three days to make up for shielding foreign criminals. . . . Or else we'll take over") from somebody who's willing to set fire to a refugee camp barracks and gun down a visiting Somali to show how serious he is. Surprised by the news that Johannes Lövgren was not exactly the colorless chap he appeared, Wallander despairs of finding enough time or energy to kindle a romance with deputy D.A. Anette Brolin, who's married to boot. But how long will it take his plunge into ethnic hatred to give him the answers he needs?

Though "the last thing Kurt Wallander felt like was a laughing policeman," fans of Maj Sjöwall and Per Wahlöö will feel right at home in this first (1991) of Mankell's five Wallander novels, right down to the laconic paragraphing. Readers who think of Sweden as snow-white are in for a surprise.

From the Publisher
“An exquisite novel of mesmerizing depth and suspense.” —Los Angeles Times

“An especially satisfying crime novel, like those of such past masters as Georges Simenon, Nicholas Freeling, and Sweden's own Maj Sjowall and Per Wahloo.” —The Wall Street Journal

“Intelligent, moving and topical, this is a thriller of the very best kind.” —The Times (London)

“A well-crafted police procedural, the story moves along at a brisk pace and comes to an exciting climax.” —St. Louis Post-Dispatch

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Product Details

  • ISBN-13: 9781400031573
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 1/14/2003
  • Series: Kurt Wallander Series , #1
  • Edition description: Reprint
  • Pages: 288
  • Sales rank: 155,039
  • Product dimensions: 5.17 (w) x 8.00 (h) x 0.60 (d)

Meet the Author

Henning Mankell

Internationally acclaimed author Henning Mankell has written eight novels and a collection of short stories featuring Kurt Wallander. The books have been published in thirty-three countries and consistently top the bestseller lists in Europe, receiving major literary prizes (including Great Britain’s Gold Dagger in 2000) and generating numerous international film and television adaptations. He has also published many other novels for children, young people, and adults, and is one of Sweden’s most frequently performed dramatists. He has spent many years in Africa, where a number of his novels are set. Born in 1948, Mankell grew up in the Swedish village of Sveg. He now divides his time between Sweden and Maputo, Mozambique, where he works as a director at Teatro Avenida.

Biography

Henning Mankell was born in Stockholm in 1948. He is the author of many works of fiction, including the nine novels in the Kurt Wallander series. He has worked as an actor, theatre director, and manager in Sweden and in Mozambique -- where he is now head of the Teatro Avenida in Maputo.

Author biography courtesy of The Random House Group.

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    1. Hometown:
      Mozambique, Africa
    1. Date of Birth:
      February 3, 1948
    2. Place of Birth:
      Stockholm, Sweden
    1. Education:
      Folkskolan Elementary Shool, Sveg; Högre Allmäna Läroverket, Borås

Read an Excerpt

Chapter 1

He has forgotten something, he knows that for sure when he wakes up. Something he dreamt during the night. Something he ought to remember. He tries to remember. But sleep is like a black hole. A well that reveals nothing of its contents.

At least I didn’t dream about the bulls, he thinks. Then I would have been hot and sweaty, as if I had suffered through a fever during the night. This time the bulls left me in peace.

He lies still in the darkness and listens. His wife’s breathing at his side is so faint that he can scarcely hear it. One of these mornings she’ll be lying dead beside me and I won’t even notice, he thinks. Or maybe it’ll be me. Daybreak will reveal that one of us has been left all alone. He checks the clock on the table next to the bed. The hands glow and register 4:45 a.m.

Why did I wake up? he asks himself. Usually I sleep till 5:30. I’ve done that for more than forty years. Why did I wake now? He listens to the darkness and suddenly he is wide-awake. Something is different. Something has changed. He stretches out one hand tentatively until he touches his wife’s face. With his fingertips he can feel that she’s warm. So she’s not dead. Neither of them has been left alone yet. He listens intently to the darkness.

The horse, he thinks. She’s not neighing. That’s why I woke up. Normally the mare whinnies at night. I hear it without waking up, and in my subconscious I know that I can keep on sleeping. Carefully he gets up from the creaky bed. For forty years they’ve owned it. It was the only piece of furniture they bought when they got married. It’s also the only bed they’ll ever have. He can feel his left knee aching as he crosses the wooden floor to the window.

I’m old, he thinks. Old and worn out. Every morning when I wake up I’m surprised all over again that I’m seventy years old. He looks out into the winter night. It’s January 7, 1990, and no snow has fallen in Skåne this winter. The lamp outside the kitchen door casts its glow across the yard, the bare chestnut tree, and the fields beyond. He squints towards the neighbouring farm where the Lövgrens live. The long, low, white house is dark. The stable in the corner against the farmhouse has a pale yellow lamp above its black door. That’s where the mare stands in her stall, and that’s where she whinnies uneasily at night when something disturbs her. He listens to the darkness. The bed creaks behind him.

“What are you doing?” mutters his wife.

“Go back to sleep,” he replies. “I’m just stretching my legs.”

“Is your knee hurting again?”

“No.”

“Then come back to bed. Don’t stand there freezing, you’ll catch cold.”

He hears her turn over onto her side. Once we loved each other, he thinks. But he shields himself from his own thought. That’s too noble a word. Love. It’s not for the likes of us. Someone who has been a farmer for more than forty years, who has worked every day bowed over the heavy Scanian clay, does not use the word “love” when he talks about his wife. In our lives, love has always been something totally different.

He looks at the neighbour’s house, peering, trying to penetrate the darkness of the winter night. Whinny, he thinks. Whinny in your stall so I know that everything’s all right. So I can lie down under the quilt for a little while longer. A retired, crippled farmer’s day is long and dreary enough as it is.

He realises that he’s looking at the kitchen window of the neighbour’s house. All these years he has cast an occasional glance at his neighbour’s window. Now something looks different. Or is it just the darkness that’s confusing him? He blinks and counts to twenty to rest his eyes. Then he looks at the window again, and now he’s sure that it’s open. A window that has always been closed at night is open. And the mare hasn’t whinnied at all.

The mare hasn’t whinnied because Lövgren hasn’t taken his usual nightly walk to the stable when his prostate acts up and drives him out of his warm bed.

I’m just imagining things, he says to himself. My eyes are cloudy. Everything is as it always is. After all, what could happen here? In the village of Lunnarp, just north of Kade Lake, on the way to beautiful Krageholm Lake, right in the heart of Skåne? Nothing ever happens here. Time stands still in this village where life flows along like a creek without vigour or intent. The only people who live here are a few old farmers who have sold or leased out their land to someone else. We live here and wait for the inevitable.

He looks at the kitchen window once more, and thinks that neither Maria nor Johannes Lövgren would fail to close it. With age comes a sense of dread; there are more and more locks, and -no one forgets to close a window before nightfall. To grow old is to live in fear. The dread of something menacing that you felt when you were a child returns when you get old.

I could get dressed and go out, he thinks. Hobble through the yard with the winter wind in my face, up to the fence that separates our properties. I could see close to that I’m just imagining things.

But he doesn’t move. Soon Johannes will be getting out of bed to make coffee. First he’ll turn on the light in the bathroom, then the light in the kitchen. Everything will be the way it always is.

He stands by the window and realises that he’s freezing. He thinks about Maria and Johannes. We’ve had a marriage with them too, he thinks, as neighbours and as farmers. We’ve helped each other, shared the hardships and the bad years. But we’ve shared the good times too. Together we’ve celebrated Midsummer and eaten Christmas dinner. Our children ran back and forth between the two farms as if they belonged to both. And now we’re sharing the -long—drawn—out years of old age.

Without knowing why, he opens the window, carefully so as not to wake Hanna. He holds on tight to the latch so that the gusty winter wind won’t tear it out of his hand. But the night is completely calm, and he recalls that the weather report on the radio had said nothing about a storm approaching over the Scanian plain.

The starry sky is clear, and it is very cold. He is just about to close the window again when he thinks he hears a sound. He listens and turns, with his left ear towards the open window. His good ear, not his right that was damaged by all the time he spent cooped up in stuffy, rumbling tractors.

A bird, he thinks. A night bird calling. Suddenly he is afraid. Out of nowhere fear appears and seizes him. It sounds like somebody shouting. In despair, trying to be heard. A voice that knows it has to penetrate thick stone walls to catch the attention of the neighbours.

I’m imagining things, he thinks. There’s nobody shouting. Who would it be? He shuts the window so hard that it makes a flowerpot jump, and Hanna wakes up.

“What are you doing?” she says, and he can hear that she’s annoyed.

As he replies, he feels sure. The terror is real.

“The mare isn’t whinnying,” he says, sitting down on the edge of the bed. “And the Lövgrens’ kitchen window is wide open. And someone is shouting.”

She sits up in bed.

“What did you say?”

He doesn’t want to answer, but now he’s sure that it wasn’t a bird that he heard.

“It’s Johannes or Maria,” he says. “One of them is calling for help.”

She gets out of bed and goes over to the window. Big and wide, she stands there in her white nightgown and looks out into the dark.

“The kitchen window isn’t open,” she whispers. “It’s smashed.”

He goes over to her, and now he’s so cold that he’s shaking.

“There’s someone shouting for help,” she says, and her voice quavers.

“What should we do?”

“Go over there,” she replies. “Hurry up!”

“But what if it’s dangerous?”

“Aren’t we going to help our best friends?”

He dresses quickly, takes the torch from the kitchen cupboard next to the corks and coffee cans. Outside, the clay is frozen under his feet. When he turns around he catches a glimpse of Hanna in the window. At the fence he stops. Everything is quiet. Now he can see that the kitchen window is broken. Cautiously he climbs over the low fence and approaches the white house. But no voice calls to him.

I am just imagining things, he thinks. I’m an old man who can’t figure out what’s really happening anymore. Maybe I did dream about the bulls last night. The bulls that I would dream were charging towards me when I was a boy, making me realise that someday I would die.

Then he hears the cry. It’s weak, more like a moan. It’s Maria. He goes over to the bedroom window and peeks cautiously through the gap between the curtain and the window frame.

Suddenly he knows that Johannes is dead. He shines his torch inside and blinks hard before he forces himself to look. Maria is crumpled up on the floor, tied to a chair. Her face is bloody and her false teeth lie broken on her spattered nightgown. All he can see of Johannes is a foot. The rest of his body is hidden by the curtain.

He limps back and climbs over the fence again. His knee aches as he stumbles desperately across the frozen clay. First he calls the police. Then he takes his crowbar from a closet that smells of mothballs.

“Wait here,” he tells Hanna. “You don’t need to see this.”

“What happened?” she asks with tears of fright in her eyes.

“I don’t know,” he says. “But I woke up because the mare wasn’t neighing in the night. I know that for sure.”

It is January 7, 1990. Not yet dawn.

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Table of Contents

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Introduction

“An exquisite novel of mesmerizing depth and suspense.” —Los Angeles Times

The introduction, discussion questions, author biography, and suggested reading list that follow are designed to enhance your group’s reading of Swedish novelist Henning Mankell’s brilliant mystery, Faceless Killers.

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Foreword

1. In what ways is Faceless Killers surprising? What is unusual about its crimes and the manner in which they are solved? Why would Henning Mankell choose to make the novel about two apparently disconnected crimes, one motivated by greed and another by racial hatred? How do you think the refugees are portrayed? And why?

2. Rydberg describes the crime scene as being so grisly it was “like an American movie” [p. 21]. What does this comment suggest about the relationship between representations of violence for purposes of entertainment and real violence? What does it suggest about the differences between Sweden and America?

3. In what ways do the setting, an isolated area of rural Sweden, and the story’s first victims, an elderly couple, make the murders seem especially horrifying?

4. Before a press conference, Wallander has an attack of self-doubt. “I’m searching for the slayers of the dead,” he says, “and can’t even pay attention to the living” [p. 97]. What aspects of his life is he neglecting? Why does Henning Mankell devote so much of the novel to Wallander’s personal life: his strained relationships with his father, his daughter, and his soon to be ex-wife? What does this personal dimension add to the novel?

5. Wallander wonders why “almost every policeman was divorced. Why their wives left them. Sometimes, when he read a crime novel, he discovered with a sigh things were just as bad in fiction. Policemen were divorced. That’s all there was to it” [p. 27]. What is it about being a cop that would make marriage unsustainable? How does Wallander feel about his estrangedwife? What do their interactions reveal about why the marriage failed?

6. Within moments of meeting Ellen Magnusson, Wallander suddenly realizes that she is “the mystery woman with whom Johannes Lövgren had had a child. Wallander knew it without knowing how he knew” [p. 248]. To what extent is this kind of intuition responsible for solving crimes in Faceless Killers? Where else does a hunch or sudden insight play a role in leading the detectives in the right direction? How does it help him solve the murder of the Somali refugee?

7. Confronted by a case he cannot solve, Wallander is plunged into an existential crisis: “Somewhere in the dark a vast meaninglessness was beckoning. A sneering face that laughed scornfully at every attempt he made to manage his life” [p. 80]. In what way is Faceless Killers, and perhaps every mystery novel, about the need to assign meaning to a world that can appear random, chaotic, and meaningless? How does solving a crime restore, if only briefly, order to the world?

8. Much of Faceless Killers is concerned with the controversies surrounding refugees, asylum-seekers, and open borders in Sweden. What is Wallander’s attitude toward these issues? What does the novel, as a whole, seem to suggest about the tensions between Sweden’s liberal immigration policies and its growing racial tensions? How do Wallander’s erotic dreams about a black woman, and his daughter’s relationship with a black man, fit into this context?

9. What specifics does the novel reveal about how police investigations are conducted? About the strained relations between the police, the press, and the government? About the connection between sudden insight and the dogged search for clues?

10. How important is Wallander’s relationship with Rydberg? What does Rydberg add both to the investigation and to the novel?

11. Wallander finds himself frequently knocked to the ground during the course of his investigations, nearly loses his job, gets slapped in the face, and refers to himself as both a “dubious cop” and a “pathetic cop.” When a fellow officer calls him “the hero of the day,” Wallander replies: “Piss off” [p. 107]. Is Wallander a hero? If so, how do his flaws and foibles fit into his heroism?

12. Looking back over the investigation with Rydberg, Wallander says, “I made a lot of mistakes,” to which his partner replies, “You’re a good policeman. . . . You never gave up. You wanted to catch whoever committed those murders in Lunnarp. That’s the important thing” [p. 279]. What were Wallander’s mistakes? Why did he make them? Is Rydberg right in suggesting that perseverance and will are more important than perfect police work?

13. At the very end of Faceless Killers, as Kurt Wallander reflects on the “senseless violence” he has seen, he thinks about “the new era, which demanded a different kind of policeman. We’re living in the age of the noose. . . . Fear will be on the rise” [p. 280]. What does Wallander mean by “the age of the noose”? What changes and new fears does he envision? Have these fears been validated by the events of the decade since the book was first published?

14. Most Americans have a rather idyllic view of life in Sweden. In what ways does Faceless Killers contradict that view? Is it disconcerting to learn that Sweden suffers many of the same problems—drugs, crime, racism—that beset the United States?

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Reading Group Guide

1. In what ways is Faceless Killers surprising? What is unusual about its crimes and the manner in which they are solved? Why would Henning Mankell choose to make the novel about two apparently disconnected crimes, one motivated by greed and another by racial hatred? How do you think the refugees are portrayed? And why?

2. Rydberg describes the crime scene as being so grisly it was “like an American movie” [p. 21]. What does this comment suggest about the relationship between representations of violence for purposes of entertainment and real violence? What does it suggest about the differences between Sweden and America?

3. In what ways do the setting, an isolated area of rural Sweden, and the story’s first victims, an elderly couple, make the murders seem especially horrifying?

4. Before a press conference, Wallander has an attack of self-doubt. “I’m searching for the slayers of the dead,” he says, “and can’t even pay attention to the living” [p. 97]. What aspects of his life is he neglecting? Why does Henning Mankell devote so much of the novel to Wallander’s personal life: his strained relationships with his father, his daughter, and his soon to be ex-wife? What does this personal dimension add to the novel?

5. Wallander wonders why “almost every policeman was divorced. Why their wives left them. Sometimes, when he read a crime novel, he discovered with a sigh things were just as bad in fiction. Policemen were divorced. That’s all there was to it” [p. 27]. What is it about being a cop that would make marriage unsustainable? How does Wallander feel about his estranged wife? What do their interactions reveal about why the marriage failed?

6. Within moments of meeting Ellen Magnusson, Wallander suddenly realizes that she is “the mystery woman with whom Johannes Lövgren had had a child. Wallander knew it without knowing how he knew” [p. 248]. To what extent is this kind of intuition responsible for solving crimes in Faceless Killers? Where else does a hunch or sudden insight play a role in leading the detectives in the right direction? How does it help him solve the murder of the Somali refugee?

7. Confronted by a case he cannot solve, Wallander is plunged into an existential crisis: “Somewhere in the dark a vast meaninglessness was beckoning. A sneering face that laughed scornfully at every attempt he made to manage his life” [p. 80]. In what way is Faceless Killers, and perhaps every mystery novel, about the need to assign meaning to a world that can appear random, chaotic, and meaningless? How does solving a crime restore, if only briefly, order to the world?

8. Much of Faceless Killers is concerned with the controversies surrounding refugees, asylum-seekers, and open borders in Sweden. What is Wallander’s attitude toward these issues? What does the novel, as a whole, seem to suggest about the tensions between Sweden’s liberal immigration policies and its growing racial tensions? How do Wallander’s erotic dreams about a black woman, and his daughter’s relationship with a black man, fit into this context?

9. What specifics does the novel reveal about how police investigations are conducted? About the strained relations between the police, the press, and the government? About the connection between sudden insight and the dogged search for clues?

10. How important is Wallander’s relationship with Rydberg? What does Rydberg add both to the investigation and to the novel?

11. Wallander finds himself frequently knocked to the ground during the course of his investigations, nearly loses his job, gets slapped in the face, and refers to himself as both a “dubious cop” and a “pathetic cop.” When a fellow officer calls him “the hero of the day,” Wallander replies: “Piss off” [p. 107]. Is Wallander a hero? If so, how do his flaws and foibles fit into his heroism?

12. Looking back over the investigation with Rydberg, Wallander says, “I made a lot of mistakes,” to which his partner replies, “You’re a good policeman. . . . You never gave up. You wanted to catch whoever committed those murders in Lunnarp. That’s the important thing” [p. 279]. What were Wallander’s mistakes? Why did he make them? Is Rydberg right in suggesting that perseverance and will are more important than perfect police work?

13. At the very end of Faceless Killers, as Kurt Wallander reflects on the “senseless violence” he has seen, he thinks about “the new era, which demanded a different kind of policeman. We’re living in the age of the noose. . . . Fear will be on the rise” [p. 280]. What does Wallander mean by “the age of the noose”? What changes and new fears does he envision? Have these fears been validated by the events of the decade since the book was first published?

14. Most Americans have a rather idyllic view of life in Sweden. In what ways does Faceless Killers contradict that view? Is it disconcerting to learn that Sweden suffers many of the same problems—drugs, crime, racism—that beset the United States?

Read More Show Less

Customer Reviews

Average Rating 3.5
( 50 )
Rating Distribution

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(11)

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See All Sort by: Showing 1 – 20 of 50 Customer Reviews
  • Posted November 6, 2009

    more from this reviewer

    Realistic murder mystery

    This book is definitely different from the police novels I've read in the past. The majority of the ones I've read had been rather fast paced filled with lots of intrigue and twists that I'm racing through the novel at an alarming rate. This one was very different. It wasn't fast paced but it was steady and although a little slow at times, it actually got me interested as the criminal investigation went on. It was a gradual procedure, and not one that would take overnight to solve. It had its exciting moments, but moments where you had to sit down and reflect as to what was going on, and it was a much different kind of police procedural novel I have ever seen so far. It was a good balance of careful analysis and examination mixed with intrigue and action. The plot did a good job of drawing you into the crime and having you also reflect and examine on how to solve it. I felt just as frustrated like Kurt was feeling when it felt as if he kept on reaching dead ends and cold trails that would lead nowhere in solving the crime.

    The thing I liked the most was the character in Kurt Wallander. He's very real and three dimensional. He had his own issues to solve and it involved a total different story arc on its own aside from the murder case so you're not entirely focused on the mystery. You also got to see the "human" side of Kurt as well which I enjoyed and very much liked. It gave the story a much more realistic feeling to it and not something sensation or "Hollywood" about the entire plot. Kurt had his own faults too and so did his colleagues. I also liked how the story also focused on the secondary characters as well (especially his partner Rydberg, who also has major problems of his own). It was great to see realistic almost "fleshy" characters in the book.

    I guess what I didn't really like was I'm not used to this style of writing, so I was really expecting this big flash bang sensational ending where I would be left speechless. This book isn't meant to be that way. The case was closed, and solved and that was that. No big gunfight. No SWAT team. No hostages. No Channel 6 news helicopters flying overhead (har har). It was simple, clean cut, and done. Then again the entire book was like that; clean and to the point. It was like one giant puzzle being put together and having the satisfaction of having it completed on time. Nothing celebratory or excitement just job done, go home and relax. I suppose that's how it's really done and if so, then it's another good job at keeping the story realistic.

    Would I read the books following this? sure, why not? it's a short read and I don't regret picking this book up. Although it's not exciting as I hoped it would be, it held my attention enough to keep me going, as I was curious as to who did it and why. Secrets were exposed, and closure was met, and all loose ends were tied. It was well done and complete.

    Overall, don't be looking for grand excitement in this one. Just a good realistic police detective novel. It's realistic, and interesting as it takes you along a journey through Sweden and their way of life. It's definitely worth giving it a try if you're up for something mellow and a more on the serious side of the police force.

    8 out of 8 people found this review helpful.

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  • Anonymous

    Posted March 1, 2005

    A great beginning to a series

    If you're tired of all the focus on forensic evidence and are interested in some old-fashioned detective work, this will be the book for you. The murder is gruesome and the detective, Kurt Wallender, wants badly to solve it. But, the thing that makes this book so good is the author's ability to take you inside Wallender's life. He has many of the issues of middle-aged people - financial problems, divorce, concerns for his child and his father. These all compete for his time and the author does a fabulous job of pacing the book so you really get the idea of what it takes to solve a major crime while living a normal, albeit stressful, life.

    6 out of 6 people found this review helpful.

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  • Posted March 17, 2011

    Borrow It Instead of Buying It

    A really disappointing audiobook. I have discovered that I don't really care for Dick Hill's narration of the book. Of course, the real problem is the story itself. Kurt Wallander isn't a very sympathetic character, if you ask me. It was hard to feel much for him as he worked his way through the story. And that's how you'll feel, too. Like it was work getting to the end of this book.

    4 out of 6 people found this review helpful.

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  • Posted January 26, 2010

    more from this reviewer

    Not my favorite

    The overall progression of the book was very slow and it didn't have much depth and suspense.

    4 out of 6 people found this review helpful.

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  • Anonymous

    Posted December 23, 2009

    I Also Recommend:

    Great series-Read them all!

    I gave this one 5 stars, although at the time I read it I may have given it 4. The entire series is wonderful and deserves a 5. Yes, this is a police crime mystery and the plot is a good one, but the main reason I enjoy these books is the character, Wallander. He is so interesting, 3 dimensional, flawed, funny, accessible, etc. You really end up caring about him, wanting to know more and hoping the book won't end. I love the setting, which I was not familiar with. Enjoy!

    3 out of 3 people found this review helpful.

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  • Posted February 21, 2009

    more from this reviewer

    Faceless Killers by Henning Mankell

    I grabbed this book wanting a good read on a mystery. I guess I could say I was 75% satisfied. The opening and ending chapters were excellent. The beginning really got me hooked and the end was a surprise. It was what was in the middle that made me a little impatient. The story line would move away from the mystery and talk about Kurt Wallander's, the detective, personal and day-to-day life. Interesting character all in all. But the mystery took a bit too long to finally fold out.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted January 12, 2005

    Chilling crime in a cold climate

    An elderly couple are brutally murdered on a farm in the middle of the night. Inspector Kurt Wallander investigates the murder. His investigation upturns racist violence, long-hidden family secrets and reveals much about Wallander himself. In addition to police work, Wallander has his hands full with his elderly father, estranged wife and daughter, and a new prosecutor. Having grown bored with Patricia Cornwell I was looking for a new crime book to sink my teeth into. While Faceless Killers didn¿t thrill me the same way as my first Cornwell, I thoroughly enjoyed it. I particularly appreciated the way it was more about old-fashioned police work, rather than more hi-tech or forensic based crime novels.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted April 26, 2011

    Great debut for Wallander series! review by Patti Phillips

    The vicious murder of a man and the beating of his wife at an isolated farmhouse shocks even Kurt Wallander, a seasoned detective. An elderly neighbor discovers the horrific scene and says they were a typical old couple, like he and his wife. They had socialized for forty years, sharing coffee every day. There was no reason to kill the man and leave the wife to die. There was no money to steal. And what enemies could the quiet couple possibly have had? But, as any mystery reader knows, there's more to the story and as the investigation unfolds, a completely different view of the pair evolves. Astounding secrets are revealed, but are they enough to cause the murders? When another senseless death occurs, the police investigate possible ties between the cases. Were the killings in either case racially motivated? If mere robbery was involved, why were the deaths so violent? "Faceless Killers" was first published in Sweden in 1991, at a time when anti-immigrant feeling raged as thousands of people arrived illegally on Swedish shores, sapping government resources. This actual socially and politically charged atmosphere is the backdrop for the first book in the Kurt Wallander series. Wallander has strong opinions about how the immigration issue in Sweden is handled, and constantly battles officials who flatly deny anything is amiss with the obviously faulty system. Wallander is not a precise, logical detective who slices through red herrings with aplomb. He is disdainful of the press, chases leads that go nowhere, and relies heavily on his co-workers for solutions. He is separated from his wife, estranged from his daughter, has a father approaching senility, drinks too much, and wonders why his personal life changed while he was paying attention to murder. But, he is dogged in his pursuit of the truth. He needs to find out why these people were killed, no matter whom is upset in the process. He goes over the evidence again and again, searching for what he missed. Wallander might not uncover the truth right away, but make no mistake, he uncovers it. Masterpiece Theatre, the Public Television show, recently aired episodes based on the Wallander character, perfectly played by Kenneth Branagh, who won several British awards for both his performance and his producing. Rated R for gritty realism, the murders, and mature themes.

    2 out of 2 people found this review helpful.

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  • Posted April 3, 2011

    Boring... Don't bother wasting your time ... there are too many other good books

    Dull dull dull. Packs all the excitement of Swedish snow drift. A couple of old people are brutally murdered and then ... nothing. Page after page after page and nothing happens ... until the last few pages when slow-witted detective Wallander solves it purely by accident because he's too dumb to figure it out earlier. This barely makes it as a short story. You can ignore Mankell. Life is too short to waste on this terrible mystery writer. There are so many other much better writers.

    2 out of 4 people found this review helpful.

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  • Posted October 22, 2010

    more from this reviewer

    great story

    so burial

    1 out of 6 people found this review helpful.

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  • Posted May 10, 2010

    more from this reviewer

    Rushed to Ending

    "Faceless Killers" is interesting because it gives a small insight into Swedish life, which I feel is its main appeal. Character development is the key to his novel, especially with Wallander (the main character) and Rydberg (his trusted second). Even the police techniques seem spot on. However, the story has too much going on. There are two murders, the main story and a secondary story. I feel that Mankell added the second one, concerning the growing problem of immigrants in Sweden. It doesn't really have anything to do with the first (some may disagree) and seems to be added as a social commentary by the author. Next, Wallander goes through a lot of suspects, and they always seem to be the culprits, until one last bit of information clears them. The primary murder is solved much too quickly with a solution from left field.

    I may pick up the next book in the series to see if there is an improvement or if this is Mankell's writing style.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 24, 2010

    The first Wallander makes you want more.

    Henning Mankell is one of the great Scandanavian writers of crime fiction, famous for his Inspector Wallander mysteries. "Faceless Killers" is a well written introduction to Wallander who, like many protagonists in this genre, are divorced, have an ongoing battle with alcohol, but are honorable men about whom one wants to know more. Luckily, there are many more books in the series.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 12, 2014

    The description on B&N website to place an order says this i

    The description on B&N website to place an order says this is 400 pages but on Nook it is 219 pages. Not a good buy at $14.95 for an ol d book. Hope it is a good read.

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  • Anonymous

    Posted May 21, 2013

    Great detective novel

    Great story for a quick read. Similar to the detective / inspector series written by Hakan Nesser and Jo Nesbo.

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  • Anonymous

    Posted March 29, 2013

    Something lost in the translation?

    I bought this because I'd enjoyed the 'Wallender' series with Kenneth Branaugh on PBS. After reading this I wonder if all the depth of character comes from his portrayal, not the book. It's hard to believe that the author's prose is as wooden, plodding and colorless as it comes across in English. I think it's a horrendous translation that may not do justice to the original work. Probably will not continue reading the series.

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  • Anonymous

    Posted February 17, 2013

    Blood

    Sorry. I don't know you copy-cat. I AM THE ONE WHO CAN ONLY GIVE EXTRA LONG AND SHARP CLAWS. But here you go. Extra long and sharp claws.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 17, 2013

    Blackenthorns

    I am a female with desire to kill goody two shoes clans. I love the work of chaos and have scars on my flank which is permently black. I have the power to turn into a wolf. I love to stir up trouble and watch someone else clean up my disasters. I have worked with a cat named blood. I have perment blood on my extra long and sharp claws. Thank u

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 17, 2013

    Mirror

    Locked out. :(

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 25, 2013

    I found this author after reading another series and really enjo

    I found this author after reading another series and really enjoyed the work.  I read the 5th Woman first and think it is a better read but I am now reading the series from the beginning.


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  • Anonymous

    Posted August 7, 2012

    A fantastic book. While the style may not be like the modern pu

    A fantastic book. While the style may not be like the modern pulp fiction that you find in many crime novels these days, I found it to be a thoroughly deep novel that was just as driven by character as plot, which is rare and refreshing for this genre.

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