Fairy Tales from the Brothers Grimm: A New English Version

Fairy Tales from the Brothers Grimm: A New English Version

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by Philip Pullman, Brothers Grimm
     
 

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#1 New York Times bestseller Philip Pullman retells the world’s best-loved fairy tales on their 200th anniversary

Two centuries ago, Jacob and Wilhelm Grimm published the first volume of Children’s and Household Tales. Now Philip Pullman, one of the most accomplished authors of our time, makes us fall in love all over again with

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Overview

#1 New York Times bestseller Philip Pullman retells the world’s best-loved fairy tales on their 200th anniversary

Two centuries ago, Jacob and Wilhelm Grimm published the first volume of Children’s and Household Tales. Now Philip Pullman, one of the most accomplished authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.

Pullman retells his fifty favorites, from much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “The Three Snake Leaves," "Godfather Death" and "The Girl with No Hands." At  the end of each tale he offers a brief personal commentary, opening a window on the sources of the tales, the various forms they've taken over the centuries and their everlasting appeal.

Suffused with romance and villainy, danger and wit, the Grimms' fairy tales have inspired Pullman's unique creative vision—and his beguiling retellings will draw you back into a world that has long cast a spell on the Western imagination.

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Editorial Reviews

The New York Times Book Review
It's strange to think that Pullman, whose novels often feature ambiguous or flawed characters and a narrative pace that might be described as deliberate or protracted…was drawn to this kind of bat-out-of-hell storytelling. But you know what? He crushes it, as the youth of today are wont to say. Pullman tells each tale in a straightforward manner, hewing closely to the Grimm originals. His translations are perfection…These stories make great bedtime read-alouds for children who can handle a little gore…[Pullman] makes 200-year-old stories feel as fluid and weird and gross and dreamlike as anyone could wish.
—Marjorie Ingall
The New York Times
There is no shortage of Grimm on the market…But Mr. Pullman's Fairy Tales offers something unique: the chance to watch a master storyteller think through these most foundational of tales…Mr. Pullman keeps his touch light, lending the stories a plain-spoken, casual voice and respecting the strange transformations, reversals of fortune and patterns of three that give them their power. He concludes each tale with a brief analytical note—praising or criticizing the story, pulling out a piquant detail, sometimes suggesting improvements. This is shoptalk, essentially—an expert narrator pointing out the storytelling triumphs or missteps of his forebears—and it is fascinating.
—Amanda Katz
Publishers Weekly
Pullman (The Good Man Jesus and the Scoundrel Christ) celebrates the 200th anniversary of the Grimm brothers’ first fairy tale collection in this collection of 50 tales, which draws from all seven original Grimm editions as well as other versions and Pullman’s own imagination. (He opens with a Tuscan proverb by way of Calvino that “the tale is not beautiful if nothing is added to it.”) Favorites like “Cinderella” and “Rumpelstiltskin” become just slightly bloodier, but all retain their old-fashioned feel. Pullman also resurrects tales of the Devil’s odd bargain with a soldier (“Bearskin”) and a girl who faces an enchanted lion (“The Singing, Springing Lark”). Smooth narration makes every tale accessible while keeping the mystical and lyrical qualities that make fairy tales so beloved. Afterwords provide bibliographic and scholarly information. Readers will enjoy not only returning to European fantasy’s roots but seeing how the tree still blooms. Agent: Jamie Byng, Canongate. (Nov.)
Library Journal
It's been 200 years since the publication of the first volume of Jacob and Wilhelm Grimm's Children's and Household Tales, and we'll be seeing celebrations. Norton is issuing an update of Maria Tatar's The Annotated Brothers Grimm, and now Pullman has jumped in with his own versions of 50 of the immortal tales, from perennials like "Cinderella" to less familiar gems like "Briar-Rose." The dark edginess of Pullman's own work (e.g., "His Dark Materials" trilogy) seems a good match for the Grimm tone of the originals.
From the Publisher
“Pullman’s Fairy Tales offers something unique: the chance to watch a master storyteller think through these most foundational of tales. . . . It is fascinating.” —The New York Times
 
“You didn’t know you needed to reread Grimm. You do. This is a grand and great book. . . . I read it ravenously, rapturously.” —Gregory Maguire, author of Wicked and Making Mischief: A Maurice Sendak Appreciation
 
“Zippy! . . . These tales are about plot and economy and speed [and] make great bedtime read-alouds for children who can handle a little gore. . . . The original tales weren’t for children, of course; they were for everyone. So is this book. . . . Pullman is both erudite and funny. . . . He has fun with dialogue, and is particularly snappy with dwarfs. . . . You know what? He crushes it, as the youth of today are wont to say. . . . His translations are perfection.” —The New York Times Book Review
 
“It is such a pleasure to read these tales again, to experience their strangeness and richness, their violence and beauty, their sheer nonsense. . . . Reading Pullman’s version it is impossible not to hear Pullman’s own gentle voice; he is present on every page. . . . [His] interventions work brilliantly.” —The Boston Globe
 
“These wonder tales . . . compel belief as powerfully as any adventure or thriller.” —Marina Warner, The Times Literary Supplement
 
“Excellent . . . His beginnings are like invitations that cannot be refused. . . . Pullman shows how completely he understands the Grimms. . . . [He] pays homage to the Brothers’ pioneer work and simultaneously breathes new life into a great, venerable tradition of magical storytelling.” —Jack Zipes, Los Angeles Review of Books
 
“A real pleasure to read . . . This is the kind of writing that stands up to years of bedtime repetition. . . . The author’s best appearances are in the notes, which are often as entertaining as the stories themselves. . . . Swiftness and clarity, he says, were his guiding principles; to which he has added wit and invention. . . . Beautiful or grotesque, the mad poetry of these tales is often delightfully funny too.” —The Economist
 
School Library Journal
Fifty tales are retold in this witty, fast-paced, and entertaining collection. In fairy-tale tradition, Pullman adds his own modern phraseology and an occasional event to the "originals" when he believes it will be an improvement. The conceits of the genre are respected and adhered to but the subtle changes make the stories compelling. It is charming to think of the Brave Little Tailor as "a weapon of mass destruction." This and a few other modernisms enliven the narratives. Pullman effectively makes use of other sources to tell the stories: an Uncle Remus conclusion for the ending of "The Cat and the Mouse Set Up House" and the epigram in "The Robber Bridegroom" from "Mr. Fox," which is similar to Much Ado About Nothing. He attributes and incorporates the original tellers and writers as collected by the Grimms as well as authors of other variants and other folktales. Each selection is referenced by type, source, and similar tale. Mention of the psychologist Bruno Bettelheim and scholars such as Maria Tatar, Jack Zipes, and Marina Warner point to varying interpretations of the stories. The introduction conveys his purpose and presents some history of the Grimms and information about the fairy-tale conventions found in their tales. Others have presented the complete tales (Zipes) and annotated tales (Tatar) and there are countless picture-book adaptations. Pullman's collection is noteworthy for the energetic pace of the stories and the subtle adaptations that make it accessible to modern readers. This is a collection for librarians and teachers to read aloud and to encourage listeners to imagine and retell in their own words.—Jackie Gropman, formerly at Chantilly Regional Library, VA

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Product Details

ISBN-13:
9780670024971
Publisher:
Penguin Publishing Group
Publication date:
11/08/2012
Pages:
432
Sales rank:
891,026
Product dimensions:
6.40(w) x 9.10(h) x 1.80(d)
Age Range:
18 Years

What People are saying about this

From the Publisher
“Pullman’s Fairy Tales offers something unique: the chance to watch a master storyteller think through these most foundational of tales. . . . It is fascinating.” —The New York Times
  
“Zippy! . . . These tales are about plot and economy and speed [and] make great bedtime read-alouds for children who can handle a little gore. . . . The original tales weren’t for children, of course; they were for everyone. So is this book. . . . Pullman is both erudite and funny. . . . He has fun with dialogue, and is particularly snappy with dwarfs. . . . You know what? He crushes it, as the youth of today are wont to say. . . . His translations are perfection.” —The New York Times Book Review
 
“It is such a pleasure to read these tales again, to experience their strangeness and richness, their violence and beauty, their sheer nonsense. . . . Reading Pullman’s version it is impossible not to hear Pullman’s own gentle voice; he is present on every page. . . . [His] interventions work brilliantly.” —The Boston Globe
 
“These wonder tales . . . compel belief as powerfully as any adventure or thriller.” —Marina Warner, The Times Literary Supplement
 
“Excellent . . . His beginnings are like invitations that cannot be refused. . . . Pullman shows how completely he understands the Grimms. . . . [He] pays homage to the Brothers’ pioneer work and simultaneously breathes new life into a great, venerable tradition of magical storytelling.” —Jack Zipes, Los Angeles Review of Books
 
“A real pleasure to read . . . This is the kind of writing that stands up to years of bedtime repetition. . . . The author’s best appearances are in the notes, which are often as entertaining as the stories themselves. . . . Swiftness and clarity, he says, were his guiding principles; to which he has added wit and invention. . . . Beautiful or grotesque, the mad poetry of these tales is often delightfully funny too.” —The Economist

A fresh, sparkling collection of the finest stories from the Brothers Grimm, hand-picked by an author perfectly suited to the task. This volume is a must-have for any lover of fairy tales. . . . In the hands of a master storyteller such as Pullman, the Grimms’s tales take on a whole new life.” —Library Journal(starred review)

A wonderfully rich reading experience . . . Stylish in its simplicity [and with] a salutary clarity and directness . . . In addition to his elegant introduction, [Pullman] concludes each tale with his own always interesting commentary. . . . There are, of course, any number of English-language versions and editions of Grimm, but few are as felicitous in their telling as Pullman’s. His book surely belongs on the same shelf as the very best of those that appeal to general readers of all ages.” —Booklist(starred review)

“Readers will enjoy not only returning to European fantasy’s roots but seeing how the tree still blooms. . . . Smooth narration makes every tale accessible while keeping the mystical and lyrical qualities that make fairy tales so beloved.” —Publishers Weekly(starred review)

“You didn’t know you needed to reread Grimm. You do. This is a grand and a great book. With confidence and modesty alike, Pullman adds just enough Pullman to remind us that the oldest stories are always best told by someone who knows how to do the job of storytelling. No grandstanding here, no posturing or poesy-making. Pullman selects familiars and exotics, and gives us the goods anew—the ashes never grittier, the golden shoes never more lively, and the teller’s notes concise, witty, scholarly even. Older Grimms—put them on the top of the bookcase. This one needs to be closer to hand. I read it ravenously, rapturously.”—Gregory Maguire, author of Wicked and Making Mischief: A Maurice Sendak Appreciation
 

I could not imagine a better emissary for the Brothers Grimm than Philip Pullman. His translations have the timeless quality of a voice speaking in a quiet room, at once ancient and immediate to the senses. What a pleasure it is to be reacquainted with these stories in all their swiftness, wonder, horror, and charm.” —Kevin Brockmeier, author of The Brief History of the Dead

“Philip Pullman’s Grimm is quite eloquent, and his commentary is witty and historically accurate. There is no doubt in my mind that the Grimms would have been delighted with what he has accomplished.” —Jack Zipes, Professor Emeritus, University of Minnesota

“In this pitch-perfect retelling of the Grimms’ fairy tales, Philip Pullman reminds us that the stories have lost none of their relevance or racing energy, even two hundred years after they were written down. As storyteller and sage, he preserves the flavors and aromas of fine, old wines from times past and delivers them to us in sparkling new bottles.” —Maria Tatar, Harvard University; author of The Classic Fairy Tales

“I’ve admired Philip Pullman since his early fantasy Galatea on through the splendid trilogy His Dark Materials. All of his gifts, including his prose eloquence, and his endless high Romantic imagination, are manifested in this marvelous retelling of Grimm.” —Harold Bloom

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