Fairy Tales of Oscar Wilde, Volume 2

Overview

Award-winning illustrator P. Craig Russell's adaptations of Oscar Wilde's The Remarkable Rocket and The Young King, in a signed and limited edition, are exquisitely spun tales for adults and children alike.

A celebrated and feared English ghost is outraged when the new American owners of his haunting place refuse to take him seriously and actually fight back against him.

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Overview

Award-winning illustrator P. Craig Russell's adaptations of Oscar Wilde's The Remarkable Rocket and The Young King, in a signed and limited edition, are exquisitely spun tales for adults and children alike.

A celebrated and feared English ghost is outraged when the new American owners of his haunting place refuse to take him seriously and actually fight back against him.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
This is the first of a five-volume series of Russell's adaptations of Oscar Wilde's fairy tales into a comics format. The two retellings here, The Selfish Giant and The Star Child , adeptly capture Wilde's ability to bring a gentle, unexpected note of pathos to the conventional fairy-tale mix of anthropomorphic fantasy and whimsical moral guidance. In The Selfish Giant , the eponymous creature kicks a bunch of frolicking youngsters out of his garden, only to find that frosty winter moves in to take their place, refusing to leave because of his selfishness. In The Star Child, a beautiful but mean , narcissistic boy becomes physically repulsive when he rebuffs a ragged beggar who turns out to be his long lost mother. Russell matches Wilde's literary skills with his estimable artistic talent. His colors are brilliant and pure; his linework sure and fluid, at once cartoonlike and elegantly representational, reflecting both his art-nouveau and pre-Raphaelite influences and the inherent charm of Wilde's material. Ages 5-up. (Nov.)
Children's Literature - Marilyn Courtot
Oscar Wilde was a man who knew how to use language to express himself. His collection of fairy tales was undoubtedly written to entertain his children, but they have a deeper meaning. Wilde mocks the arrogant and self-righteous and lauds the virtues of kindness, generosity and caring. Illustrator Brent is a fitting choice for a man who loved to be fashionable and showy. Her gilded and intricate full-page art and the bordering on each page complement Wilde's rich prose. A magnificent book!
School Library Journal
Gr 7 Up Lovers of Oscar Wilde's stories will delight in this new illustrated version of The Canterville Ghost if the picture book format does not keep them from finding it. Wilde's story of an American family who moves into Canterville Chase and annoys a weary ghost with their lack of belief in him is a wry commentary on the ways of British nobility and of their hard-headed American cousins. Like many of Wilde's tales, this one is filled with sophisticated allusions to his social and political milieu, but ends as sentimental romance. Zwerger's wry pictures highlight this tone beautifully. Her toothless ghost is round and comical, as would suit a ghost whom no one fears, and her heroine, Virginia, is young and sweetly boyish. All of the illustrations are set against misty gray watercolor backgrounds except for the climactic scene, echoed on the front cover, in which the tiny huntsmen on the wallpaper call out to Virginia to ``Go Back.'' This will make a fine read-aloud for audiences of secondary students who are prepared to savor Wilde's ironic humor and Zwerger's delicate watercolors. Barbara Chatton, College of Education, University of Wyoming, Laramie
Janice Del Negro
The second volume in a series of comic book adaptations of Wilde's tales [see BKL Ja 15 93 for previous volume] gives "The Young King" and "The Remarkable Rocket" the Marvel-DC treatment. In elaborate underground "comix" style, Russell reintroduces the tales with an accessible if nontraditional approach to picture-book illustration and better-than-average adaptations of the original texts. Whether you believe circulating comics in the library is appropriate or not, this full-color book won't stay on the shelf for long, and it may well attract readers to a genre they might not usually find appealing.
Carolyn Phelan
ger for reading aloud. This beautiful volume features two or three illustrations for each fairy tale. Reminiscent of scenes from illuminated manuscripts, the pictures appear in brilliant colors and gleaming gold, surrounded by wide, decorative borders. Every page of text also has a narrow, vertical border in the same style. In the introduction, Philip contributes a thoughtful appreciation of Oscar Wilde and his fairy tales. Recom mended for libraries where there's room for one more edition of these classic literary tales.
Stephanie Zvirin
While Russell's precisely detailed, vibrantly colored cartoon art will certainly make this comic strip retelling of two of Oscar Wilde's short stories, "The Selfish Giant" and "The Star Child," a popular browsing item, there's some question about what age group the book will appeal to most. A juvenile-looking dust jacket makes it look a little too much like a picture book, while the yeasty dialogue and syntax used in "Star Child" will be too difficult for young children who use comics as a jumping off point for reading on their own. These children will find "Selfish Giant," the first story in the book, the more accessible tale, while older, better readers will love the suspenseful, multilayered "Star Child," about a beautiful, prejudiced boy who rejects his mother because she is ugly, only to become ugly himself. An uneven but attractive introduction to Wilde's tales, this is the first in a planned series.
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Product Details

  • ISBN-13: 9781561630998
  • Publisher: N B M Publishing Company
  • Publication date: 1/28/1994
  • Series: Fairy Tales of Oscar Wilde Series , #2
  • Edition description: LIMITED
  • Pages: 48
  • Product dimensions: 8.50 (w) x 11.00 (h) x 0.40 (d)

Meet the Author

Oscar Wilde was a playwright, essayist, and novelist. He was the author of The Importance of Being Earnest and The Picture of Dorian Gray. P. Craig Russell is the author of several comics, and has adapted other fairy tales written by Oscar Wilde, as well as operas composed by Wagner and Mozart. He has won multiple Eisner, Harvey, and Parents’ Choice Awards. He lives in Kent, Ohio.

Biography

Oscar Fingal O'Flahertie Wills Wilde was born on October 16, 1854, to an intellectually prominent Dublin family. His father, Sir William Wilde, was a renowned physician who was knighted for his work as medical adviser to the 1841 and 1851 Irish censuses; his mother, Lady Jane Francesca Elgee, was a poet and journalist. Wilde showed himself to be an exceptional student. While at the Royal School in Enniskillen, he took First Prize in Classics. He continued his studies at Trinity College, Dublin, on scholarship, where he won high honors, including the Demyship Scholarship to Magdalen College, Oxford.

At Oxford, Wilde engaged in self-discovery, through both intellectual and personal pursuits. He fell under the influence of the aesthetic philosophy of Walter Pater, a tutor and author who inspired Wilde to create art for the sake of art alone. It was during these years that Wilde developed a reputation as an eccentric and a foppish dresser who always had a flower in his lapel. Wilde won his first recognition as a writer when the university awarded him the Newdigate Prize for his poem "Ravenna."

Wilde went from Oxford to London, where he published his first volume of verse, Poems, in 1881. From 1882 to 1884, he toured the United States, Ireland, and England, giving a series of lectures on Aestheticism. In America, between speaking engagements, he met some of the great literary minds of the day, including Henry Wadsworth Longfellow, Oliver Wendell Holmes, and Walt Whitman. His first play, Vera, was staged in New York but did poorly. After his marriage to Constance Lloyd in 1884 and the birth of his two sons, Wilde began to make his way into London's theatrical, literary, and homosexual scenes. He published Intentions, a collection of dialogues on aesthetic philosophy, in 1891, the year he met Lord Alfred Douglas, who became his lover and his ultimate downfall. Wilde soon produced several successful plays, including Lady Windermere's Fan (1892) and A Woman of No Importance (1893). Wilde's popularity was short-lived, however. In 1894, during the concurrent runs of his plays An Ideal Husband and The Importance of Being Earnest, he became the subject of a homosexual scandal that led him to withdraw all theater engagements and declare bankruptcy. Urged by many to flee the country rather than face a trial in which he would surely be found guilty, Wilde chose instead to remain in England. Arrested in 1895 and found guilty of "homosexual offenses," Wilde was sentenced to two years hard labor and began serving time in Wandsworth prison. He was later transferred to the detention center in Reading Gaol, where he composed De Profundis, a dramatic monologue written as a letter to Lord Alfred Douglas that was published in 1905. Upon his release, Wilde retreated to the Continent, where he lived out the rest of his life under a pseudonym. He published his last work, The Ballad of Reading Gaol, in 1898 while living in exile.

During his lifetime, Wilde was most often the center of controversy. The Picture of Dorian Gray, which was serialized in Lippincott's Monthly Magazine in 1890 and published in book form the next year, is considered to be Wilde's most personal work. Scrutinized by critics who questioned its morality, the novel portrays the author's internal battles and arrives at the disturbing possibility that "ugliness is the only reality." Oscar Wilde died penniless, of cerebral meningitis, in Paris on November 30, 1900. He is buried in Paris's Père Lachaise Cemetery.

Author biography from the Barnes & Noble Classics edition of The Picture of Dorian Gray.

Good To Know

To make ends meet, Wilde edited the popular ladies' periodical Woman's Day from 1887 to 1889.

When in exile on the Continent, Wilde was forced to live under the alias Sebastian Melmoth.

It is rumored that Wilde's last written words were found in his journal, left behind in the Left Bank flophouse where he died: "My wallpaper and I are fighting a duel to the death. One or the other of us has got to go."

Wilde is buried in the Paris cemetery of Père Lachaise; there, he keeps company with other famous artists, including Jim Morrison and Edith Piaf.

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    1. Also Known As:
      Oscar Fingal O'Flahertie Wills Wilde (full name)
    1. Date of Birth:
      October 16, 1854
    2. Place of Birth:
      Dublin, Ireland
    1. Date of Death:
      November 30, 1900
    2. Place of Death:
      Paris, France

Table of Contents

Age Before Beauty 1
The Last Romance 9
Civilised Society 25
An Eloquent Fool 37
The Grand Tour 47
Unadulterated Country Life 59
Relative Values 65
The Prettiest of Playthings 73
Some Useful Professions 83
Unsound Art 91
Second-Rate Sonnets 105
Blankets and Coal 123
Sin and Cynicism 135
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