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The Judeo-Christian tradition, according to Coleman, is the primary component of the African American spiritual perspective, though its syncretism with voodoo/hoodoo—a ...
The Judeo-Christian tradition, according to Coleman, is the primary component of the African American spiritual perspective, though its syncretism with voodoo/hoodoo—a religion transported from West Africa through the West Indies and New Orleans to the rest of black America—also figures largely. Reviewing novels written mainly since 1950 by writers including James Baldwin, Randall Kenan, Toni Morrison, John Edgar Wideman, Alice Walker, Gloria Naylor, Erna Brodber, and Ishmael Reed, among others, Coleman explores how black authors have addressed the relevance of faith, especially as it relates to an oppressive Christian tradition. He shows that their novels—no matter how critical of the sacred or supernatural, or how skeptical the characters' viewpoints—ultimately never reject the vision of faith.
Black novelists, Coleman concludes, stay connected in many ways to the culture that they write about. Faith, a source of strength historically for the black community, remains a powerful influence on black literature, as seen in the content, structure, ideology, and themes of twentieth-century African American novels. With its focus on religious experience and tradition and its wider discussion of history, philosophy, gender, and postmodernism, Faithful Vision brings a bold critical dimension to African American literary studies.
About the Author:
James W. Coleman is the author of Blackness and Modernism: The Literary Career of John Edgar Wideman and Black Male Fiction and the Legacy of Caliban, which was a Choice Outstanding Academic Title. He is a professor of English at the University of North Carolina at Chapel Hill, where he teaches African American and American literature.
|Introduction : faithful vision : its definition and significance in African American culture and fiction||1|
|Ch. 1||African American faithful belief : imposing social determinism, naturalism, and modernism||16|
|Ch. 2||The centrality of religious faith : communal acceptance, textual ambiguity, and paradox||43|
|Ch. 3||Critiquing Christian belief : the text as prophecy of different ways of seeing salvation||77|
|Ch. 4||Rejecting God and redefining faith : portrayals of black women's spirituality||118|
|Ch. 5||Reshaping and radicalizing faith : the diasporic vision and practice of Hoodoo||156|
|Conclusion : fiction, life, and faithful vision : final thoughts on its overall portrayal and relevance||197|