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Familiar Things
A vivid and enchanting novel by one of South Korea’s foremost writers, in a haunting reminder to be careful what we throw away.
Seoul. On the outskirts of South Korea’s glittering metropolis is a place few people know about: a vast landfill site called Flower Island. Home to those driven from the city by poverty, is it here that 14-year-old Bugeye and his mother arrive, following his father’s internment in a government “re-education camp”.
Living in a shack and supporting himself by weeding recyclables out of the refuse, at first Bugeye’s life on Flower Island is hard. But then one night he notices mysterious lights around the landfill. And when the ancient spirits that still inhabit the island’s landscape reveal themselves to him, Bugeye's luck begins to change—but can it last?
Vibrant and enchanting, Familiar Things depicts a society on the edge of dizzying economic and social change, and is a haunting reminder to us all to be careful of what we throw away.
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Familiar Things
A vivid and enchanting novel by one of South Korea’s foremost writers, in a haunting reminder to be careful what we throw away.
Seoul. On the outskirts of South Korea’s glittering metropolis is a place few people know about: a vast landfill site called Flower Island. Home to those driven from the city by poverty, is it here that 14-year-old Bugeye and his mother arrive, following his father’s internment in a government “re-education camp”.
Living in a shack and supporting himself by weeding recyclables out of the refuse, at first Bugeye’s life on Flower Island is hard. But then one night he notices mysterious lights around the landfill. And when the ancient spirits that still inhabit the island’s landscape reveal themselves to him, Bugeye's luck begins to change—but can it last?
Vibrant and enchanting, Familiar Things depicts a society on the edge of dizzying economic and social change, and is a haunting reminder to us all to be careful of what we throw away.
A vivid and enchanting novel by one of South Korea’s foremost writers, in a haunting reminder to be careful what we throw away.
Seoul. On the outskirts of South Korea’s glittering metropolis is a place few people know about: a vast landfill site called Flower Island. Home to those driven from the city by poverty, is it here that 14-year-old Bugeye and his mother arrive, following his father’s internment in a government “re-education camp”.
Living in a shack and supporting himself by weeding recyclables out of the refuse, at first Bugeye’s life on Flower Island is hard. But then one night he notices mysterious lights around the landfill. And when the ancient spirits that still inhabit the island’s landscape reveal themselves to him, Bugeye's luck begins to change—but can it last?
Vibrant and enchanting, Familiar Things depicts a society on the edge of dizzying economic and social change, and is a haunting reminder to us all to be careful of what we throw away.
Hwang Sok-yong was born in 1943 and is arguably Korea’s most renowned author. In 1993, he was sentenced to seven years in prison for an unauthorised trip to the North to promote exchange between artists in the two Koreas. Five years later, he was released on a special pardon by the new president. The recipient of Korea’s highest literary prizes, he has been shortlisted for the Prix Femina Etranger and was awarded the Emile Guimet Prize for Asian Literature for his book At Dusk. His novels and short stories are published in North and South Korea, Japan, China, France, Germany, and the United States. Previous novels include The Ancient Garden, The Story of Mister Han, The Guest, and The Shadow of Arms.
Sora Kim-Russell has translated numerous works of Korean fiction, including Hwang Sok-yong’s Princess Bari (Garnet Publishing, 2015), Familiar Things (Scribe, 2017), and At Dusk (Scribe, 2018), which was longlisted for the 2019 Man Booker International Prize.
