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1. The novel is told from Rachel's point of view. Judging from her character as she presents it, is Rachel a good person? What does she want for herself and for her family? What kind of a mother is she?
2. In Dr. Zelman's office, Ned and Rachel are asked for information about their families' psychiatric history. Rachel admits that her mother has a 'narcissistic personality disorder' and begins to feel panic: 'It was if an invisible hand had seized me by the throat and forced me to swallow the ugliest possible truth. I came from a sick and faulty genetic line and had passed it all down to my daughter' (p. 134). Judging from her mother's and her daughter's behavior, do Rachel's worries about this possibility seem justified?
3. . Why does Ned move out? Does he assume that Rachel believes Kate's accusation that he sexually abused her? How does Ned come across as a father and as a husband?
4. Comment on the novel's structure and on Shapiro's decision to disrupt the narrative chronology. What is the effect of this style of revealing what has happened to the family?
5. Family History engages the question of how we become who we are, and how much control we have over our lives, considering our genetic inheritance. When pregnant with Kate, Rachel thinks, 'How could anything good come out ofme, when I came from this angry messed-up woman?' (p. 31). Why does Rachel feel so preoccupied with what her children have received from her side of the family, when Ned does not? Does Rachel worry too much about things she can't possibly control? Or is the problem that a mother can't help but feel that she has to control everything that affects the lives of her family?
6. . How have Kate's troubles exacerbated the stressful aspects of Ned and Rachel's marriage? Rachel says, 'Even during the best of times, the subject of Ned's work was the no-man's-land of our marriage' (p. 70). Was moving to a small town, and away from the art world, the wrong decision for both of them?
7. Learning that Kate has been hurt in a fight with another girl at Stone Mountain, Rachel thinks, 'We don't know our daughter. How is it possible? I could find her if I were blindfolded in a room of a hundred girls, but I don't know what's going on inside her' (p. 71). How accurately does the novel depict the confusion and bewilderment of parents whose child is going through a rocky adolescence?
8. Rachel makes it clear that her mother is impossible to deal with, a person who oversteps boundaries and doesn't respect her daughter's privacy. Would Rachel be justified in cutting off contact with her mother? What would be gained, and what lost, from such a decision?
9. . Judging from Kate's description of the accident on the stairs (pp. 152–64) and her emotional state during the scene at the hospital, does it seem possible that she is concealing the truth about what happened? Or, on the contrary, is it clear that what happened was purely accidental? Does this issue remain ambiguous? If so, why?
10. How accurate is Liza's comment that Rachel and Ned shouldn't worry so much about money? Is Liza's philosophy of living 'as if' a useful one (p. 177)? Is it better, for Ned and Rachel, to have financial security or fulfilling work? Might Ned and Rachel have been happier if they had taken more risks?
11. . Rachel reflects, 'You can live a good life, be the best mother and wife you know how to be, and still it can explode all around you' (p. 251). What particular insights does Family History offer about motherhood and the kind of inner strength being a mother requires?
12. Discuss the significance of the paintings Rachel finds in the barn (pp. 199–203). What is the meaning of Ned's new style and subject matter? What role do the paintings play in bringing Ned and Rachel back together?
13. Kate's actions leave her parents in the unusual position of having to forgive their daughter for the extensive damage she has done to the family. After visiting Kate at Stone Mountain, Rachel realizes, 'I was furious with her, angry beyond comprehension . . . the truest test of unconditional maternal love was being exacted upon me' (p. 159). How well does Rachel perform in this test?
14. What does the final chapter suggest about the future of the family? Why do Ned and Rachel change their minds and decide to leave Kate at Stone Mountain for a while longer? How hopeful an ending does the novel offer?
Anonymous
Posted April 17, 2003
They were young when they met in a New York City café. Rachel is an aspiring art restorer, in the middle of graduate studies at New York University. Ned Jensen is an artist who dreams of a grand showing. This chance meeting is to unalterably change their lives. Rachel says there was nothing dramatic about that moment. It was simply that 'There was something between us. There you are. The thought came to me, bizarre and unbidden. I simply knew I had just met the man I was going to spend my life with.' Career plans are set aside when Rachel finds herself pregnant, and the couple decide to marry. Such a thought is unconscionable to Rachel's mother. After all, 'Nice Jewish girls weren't supposed to marry artists. My choices were doctor, lawyer, banker.' This is not the first rift between mother and daughter. Mother is widowed, selfish, a product of Bergdorf Goodman and Elizabeth Arden. Rachel tends toward the bohemian and, as an only child, relishes the thought of becoming part of a larger family, Ned's family. Following their wedding the pair settle in Ned's hometown of Hawthorne, Massachusetts, where his parents, successful realtors, have made it possible for them to buy a comfortable older home. With a barn behind the house in which he can paint, Ned signs on as an instructor at Hawthorne Academy. And then Kate is born. She is a golden child. She flourishes and grows - a joy to all. She earns high grades in her school subjects and is elected captain of athletic teams. They are a happy family and Ned is a popular teacher, dreams of becoming an artist seemingly forgotten. His early ambition is not mentioned any more 'It had faded away slowly, the way a painting itself fades when left too long in the sun. One day the image of Ned-the-artist was impossible to make out, and in his place was a high school teacher.' At the age of 13 Kate goes to summer camp; she is dreadfully missed by her parents. But when she returns from camp wearing a belly ring and a sullen expression, both Rachel and Ned sense something is very much amiss and they are right. Instead of their sunny, easy-going daughter they are now living with a withdrawn, somewhat volatile young lady. When Rachel finds herself pregnant again at 39, Kate is at first solicitous. Yet Joshua's birth does not have the hoped for cohesive effect on their family life. On the contrary, Kate's dark moods increase and she becomes more rebellious. When she accidentally drops Joshua severely injuring him, she seems to lose complete control, eventually falsely accusing her father of abuse. There seems to be no alternative but to institutionalize her for treatment. Ned, of course, loses his job at the Academy. Unable to bear the burden of Kate's behavior and false accusations he leaves Rachel, and takes a job selling real estate for his parents. The deterioration of the Jensen family is related in flashback episodes; it is spare, compelling, and heartbreakingly authentic. When we first meet Rachel she is alone in the house, in bed, watching home videos of Kate's young life, unsuccessfully trying to determine what went wrong - when and where the break down of her family began. There are no answers for her, as there are no pat answers for readers. Dani Shapiro has fashioned a deeply moving, beautifully crafted story. Once begun it is impossible to put down.
1 out of 1 people found this review helpful.
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Posted December 4, 2010
it was written well i liked how it went from past to present and back again but it has no real ending. the daughter does make a break though but you are left wanting more. glad only paid 2 bucks for it.
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Posted July 13, 2008
I really enjoyed this book. It was imensely interesting. The story was written in an intriguing manner. I literally read it in a day.
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Posted July 8, 2006
This book doesn't reveal its secrets easily but uncovers pieces of a troublesome family history slowly. The story highlights the fact that all families have certain problems that we try to shield ourselves from in order to keep ourselves together, for better or worse. However, the ending was a letdown for me because nothing really 'happens' at the end. I wanted more payoff--but as in real life, sometimes the payoff is just that the pages keep turning.
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Posted October 27, 2005
I loved this book. It was a wonderful read. My only problem was the ending. I felt a little disappointed because I wanted more closure.
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Posted October 8, 2005
This story moved WAY to slow. I found myself putting it down and not rushing back to it. The end was fair, but it took what felt like forever to get there.
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Posted November 16, 2003
Rachel is self-involved,and shoresighted, doesn't see complexity in lives of others. the mother is a silly caricature.
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Posted October 10, 2003
This is the first book I read by Dani Shapiro, i loved the story and connected with the characters, but the ending was like running into a stone wall. I just finished Fugitive Blue by Dani, and it was excellent, her writing draws me in. I would still recommend Family History and look forward to future books.
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Posted September 11, 2003
Though my expectations for this book were high I felt slighty let down by it. Yes it caught your attention and it dealt with how you can have everything one moment and the next nothing. But it took seemly forever to make that point. Dani Sharpio kept you interested by not telling much of anything. Good read but there are better books about the same thing.
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Posted May 2, 2003
This book was well written, and totally believable. It brings home the point of how even a solid marriage can be shaken when children have problems.... whose side does a woman take? The husband that she loves and has built a life with - or the sick child that needs her...
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Posted May 27, 2003
This book has so much potential. The characters are beautifully drawn and the plot is substantial. Howvere, the author leaves you with so many loose ends and unresolved conflicts that you are disappointed at the end. The relationship between Rachel and her mother is complex and painful, yet it never develops and there are many unanswered questions. After much angst she just about vanishes from the story line. Why? The reader is also left bereft at the end. The conclusion comes as a surprise given all the effort the author put into the build-up.
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Posted April 25, 2003
Great read about the unraveling of a family. One thing leads to another, and it seems just when you catch your breath, it gets worse. I felt for each member of Rachels family, especially Kate. Dani Shapiro is a very talented writer who nails the everyday details of a family, in and out of turmoil. I felt almost as if I was watching this book as a movie, she's that visual. I was a little disappointed in the ending, but the book held me captive until it's end.
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Posted April 21, 2003
great read. I felt for the characters in this book. Just when you think things can't get worse.....they do. It makes you think about your own family dynamics, and how life really can turn on a dime. Dani Shapiro is a very talented writer. I haven't seen family life detailed with quite this much precision in a very long time.
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Posted April 18, 2003
The cover of this book, a girl hanging upside down, intrigued me enough to pick it up among the dozens of stacked hardcovers at my local Barnes and Noble. I began reading, as I always do before deciding to buy a book, and before I knew it, I was on page 60. Few books draw you in so closely...within a minute I was laughing and tearing up. Losing control and seeing your whole world completely upside down is something that everyone can either relate to or relate to being afraid of. This book exposes and explores those feelings. I highly recommend it!
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Posted June 2, 2009
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Posted May 2, 2009
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Posted July 3, 2011
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Overview
From the prodigiously gifted author of the acclaimed memoir Slow Motion, a stunning and brutally honest novel about one family’s harrowing recovery from devastation.Rachel Jensen is perfectly happy: in love with her husband, devoted to their daughter Kate, gratified by her work restoring art. And finally, she’s pregnant again. But as Rachel discovers, perfection can unravel in an instant. The summer she is thirteen, Kate returns from camp sullen, angry, and withdrawn. Everyone assures Rachel it’s typical adolescent angst. But then Kate has a terrifying accident with her infant brother, and the ensuing guilt brings forth a dreadful lie—one that ...