Family Tree

Editorial Reviews

All Music Guide - Richie Unterberger
For many years after his death, unreleased home tapes that Nick Drake made shortly before beginning his official recording career have been bootlegged among collectors. The 28 songs on Family Tree add up to an extensive (though not quite complete, missing some minor covers like "Get Together," "Don't Think Twice, It's Alright," and "Summertime") compilation of the performances he recorded on such equipment before he cut his debut album, 1969's Five Leaves Left. The bulk of it, and the part that's been oft-bootlegged, was recorded on a reel-reel at his family home (and include a vocal duet between him and sister Gabrielle Drake on "All My Trials," though otherwise ...
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Editorial Reviews

All Music Guide - Richie Unterberger
For many years after his death, unreleased home tapes that Nick Drake made shortly before beginning his official recording career have been bootlegged among collectors. The 28 songs on Family Tree add up to an extensive (though not quite complete, missing some minor covers like "Get Together," "Don't Think Twice, It's Alright," and "Summertime") compilation of the performances he recorded on such equipment before he cut his debut album, 1969's Five Leaves Left. The bulk of it, and the part that's been oft-bootlegged, was recorded on a reel-reel at his family home (and include a vocal duet between him and sister Gabrielle Drake on "All My Trials," though otherwise they're all solo performances). Less familiar, and hence probably new even to many hardcore Drake collectors, are eight songs taped on cassette somewhat earlier during his spring 1967 stay in Aix-En-Provence in France, as well as a couple of earlier versions of songs that later appeared on Five Leaves Left that were taped by Robert Kirby in 1968, and a couple recordings of songs sung and played (on piano) by Nick's mother, Molly Drake. Many Drake fans will already be familiar with the performances he taped at his family home, but the cleaned-up sound here makes this disc much easier to listen to than those earlier unauthorized releases, though everything's still (inevitably given the sources) a little lo-fi. As for the music, it's a very pleasant and listenable portrait of Drake's folk roots, though not on par (and not meant to be) with his studio releases. For one thing, at this point, he wasn't playing much of his own material; most of the songs are traditional folk tunes, or covers of compositions by '60s folk songwriters that were obviously big influences on Drake, such as Bert Jansch, Jackson C. Frank, and Dylan (and, on "Been Smokin' Too Long," a friend he met in France, Robin Frederick). Also, both his guitar work and singing are more derivative of the likes of Jansch, Donovan, and country bluesmen such as Blind Boy Fuller (whose "My Baby's So Sweet" he covers here) than they would be by the time he settled into his own style on Five Leaves Left. Still, much of what makes Drake special does come through, even with the relatively low percentage of original material and primitive recording conditions. His folk guitar work is already nimble, but more striking are his vocals, which already boast his characteristic mixture of assured slight smokiness and English reserve. And the few Drake compositions put his reclusive yet poetic world view in greater, more original focus, though it's really only on the songs later used on Five Leaves Left (and, perhaps, the haunting if Donovan-esque "Strange Meeting, Pt. 2") that it becomes fully mature. The two Molly Drake songs, incidentally, aren't mere completist add-ons; they make it clear that she was likely a substantial influence upon her son's melancholy melodies and songwriting, if perhaps a subliminal one. Less essential, though still illuminating for the dedicated Drake fan is a classical instrumental (by "the Family Trio") with Nick on clarinet.
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Product Details

  • Release Date: 4/14/2009
  • Label: Ume Imports
  • UPC: 602517340411
  • Catalog Number: 001279202
  • Sales rank: 76,005

Tracks

Disc 1
  1. 1 Come Into the Garden (0:31)
  2. 2 They're Leaving Me Behind (3:16)
  3. 3 Time Piece (0:43)
  4. 4 Poor Mum - Molly Drake (1:38)
  5. 5 Winter Is Gone (2:42)
  6. 6 All My Trials - Gabrielle Drake (1:55)
  7. 7 Kegelstatt Trio - The Family Trio (1:14)
  8. 8 Strolling Down the Highway (2:50)
  9. 9 Padding in the Rushes (0:24)
  10. 10 Cocaine Blues (2:58)
  11. 11 Blossom (2:41)
  12. 12 Been Smokin' Too Long (2:13)
  13. 13 Black Mountain Blues (2:37)
  14. 14 Tomorrow Is a Long Time (3:40)
  15. 15 If You Leave Me (2:04)
  16. 16 Here Come the Blues (3:53)
  17. 17 Sketch 1 (0:59)
  18. 18 Blues Run the Game (2:25)
  19. 19 My Baby's So Sweet (1:44)
  20. 20 Milk and Honey (3:00)
  21. 21 Kimbie (3:26)
  22. 22 Bird Flew By (2:54)
  23. 23 Rain (3:07)
  24. 24 Strange Meeting II (4:27)
  25. 25 Day Is Done (2:20)
  26. 26 Come Into the Garden (1:59)
  27. 27 Way to Blue (2:51)
  28. 28 Try to Remember - Molly Drake (1:35)
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Album Credits

Performance Credits
Nick Drake Primary Artist, Clarinet, Track Performer
Chris McDowall Piano
Molly Drake Track Performer
Gabrielle Drake Track Performer
Technical Credits
Blind Boy Fuller Composer
Wolfgang Amadeus Mozart Composer
Nick Drake Composer, Engineer
Bert Jansch Composer
Bob Dylan Composer
Robin Frederick Composer
Dave Van Ronk Composer
Robert Kirby Engineer, Liner Notes, Pitch Adjustment
Simon Heyworth Mastering
Jackson C. Frank Composer
Cally Audio Production
Traditional Composer
Molly Drake Composer
Gabrielle Drake Liner Notes
Andrew Mary Hicks Liner Notes
Robin Frederick Liner Notes, Pitch Adjustment
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