Famous Poems from Bygone Days

Famous Poems from Bygone Days

by Martin Gardner
     
 

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Over 80 poems from the 19th and early 20th centuries, from Hugh Antoine d'Arcy's "The Face on the Barroom Floor" to Phila Henrietta Chase's "Nobody’s Child," rich in rhythm and rhyme, filled with feelings and stories about love and war, ships and the sea, farms and family, life and death, heaven and hell. Introduction. Brief biographies of each poet.…  See more details below

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Over 80 poems from the 19th and early 20th centuries, from Hugh Antoine d'Arcy's "The Face on the Barroom Floor" to Phila Henrietta Chase's "Nobody’s Child," rich in rhythm and rhyme, filled with feelings and stories about love and war, ships and the sea, farms and family, life and death, heaven and hell. Introduction. Brief biographies of each poet. Alphabetical indexes of titles and first lines.

Product Details

ISBN-13:
9780486286235
Publisher:
Dover Publications
Publication date:
09/01/1995
Series:
Dover Books on Literature and Drama
Pages:
208
Product dimensions:
5.39(w) x 8.46(h) x 0.39(d)

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Famous Poems from Bygone Days


By Martin Gardner

Dover Publications, Inc.

Copyright © 1995 Martin Gardner
All rights reserved.
ISBN: 978-0-486-14856-4



CHAPTER 1

JOHN QUINCY ADAMS


(1767–1848)

BORN IN BRAINTREE (now Quincy), Massachusetts, the son of the second president of the United States, John Quincy Adams became the sixth president. As Secretary of State he was responsible for the Monroe Doctrine.

Not many know that Adams was a professor of rhetoric at Harvard, his alma mater, and that he was a writer of copious prose and verse. A portion of his diary was published in twelve volumes!

Only one poem, "The Wants of Man," became famous. It is said to have first been published in an Albany newspaper, though I do not know the details, and can be found in Adams's Poems of Religion and Society (1848). Its twenty-five stanzas are seldom given entire. The first two lines are quoted from Oliver Goldsmith's The Hermit, which appears in The Vicar of Wakefield (1766).


    The Wants of Man

    "Man wants but little here below,
    Nor wants that little long."
    'Tis not with me exactly so;
    But 'tis so in my song.
    My wants are many and, if told,
    Would muster many a score;
    And were each wish a mint of gold,
    I still should long for more.

    What first I want is daily bread—
    And canvas-backs—and wine—
    And all the realms of nature spread
    Before me, when I dine.
    Four courses scarcely can provide
    My appetite to quell;
    With four choice cooks from France beside,
    To dress my dinner well.

    What next I want, at princely cost,
    Is elegant attire:
    Black sable furs for winter's frost,
    And silks for summer's fire,
    And Cashmere shawls, and Brussels lace
    My bosom's front to deck,—
    And diamond rings my hands to grace,
    And rubies for my neck.

    And then I want a mansion fair,
    A dwelling-house, in style,
    Four stories high, for wholesome air—
    A massive marble pile;
    With halls for banquetings and balls,
    All furnish'd rich and fine;
    With high-blood studs in fifty stalls,
    And cellars for my wine.

    I want a garden and a park,
    My dwelling to surround—
    A thousand acres, (bless the mark!)
    With walls encompassed round—
    Where flocks may range and herds may low,
    And kids and lambkins play,
    And flowers and fruits commingled grow,
    All Eden to display.

    I want, when summer's foliage falls,
    And autumn strips the trees,
    A house within the city's walls,
    For comfort and for ease;
    But here, as space is somewhat scant,
    And acres somewhat rare,
    My house in town I only want
    To occupy—a square.

    I want a steward, butler, cooks;
    A coachman, footman, grooms;
    A library of well-bound books,
    And picture-garnish'd rooms;
    Corregio's Magdalen and Night,
    The Matron of the Chair;
    Guido's fleet coursers in their flight,
    And Claudes, at least a pair.

    I want a cabinet profuse
    Of medals, coins, and gems;
    A printing-press for private use,
    Of fifty thousand ems;
    And plants, and minerals, and shells;
    Worms, insects, fishes, birds;
    And every beast on earth that dwells
    In solitude or herds.

    I want a board of burnish'd plate,
    Of silver and of gold;
    Tureens of twenty pounds in weight,
    And sculpture's richest mould;
    Plateaus, with chandeliers and lamps,
    Plates, dishes—all the same;
    And porcelain vases, with the stamps
    Of Sèvres and Angouleme.

    And maples of fair glossy stain,
    Must form my chamber doors,
    And carpets of the Wilton grain
    Must cover all my floors;
    My walls with tapestry bedeck'd,
    Must never be outdone;
    And damask curtains must protect
    Their colours from the sun.

    And mirrors of the largest pane
    From Venice must be brought;
    And sandal-wood and bamboo cane,
    For chairs and tables bought;
    On all the mantel-pieces, clocks
    Of thrice-gilt bronze must stand,
    And screens of ebony and box
    Invite the stranger's hand.

    I want (who does not want?) a wife,—
    Affectionate and fair;
    To solace all the woes of life,
    And all its joys to share.
    Of temper sweet, of yielding will,
    Of firm, yet placid mind,—
    With all my faults to love me still
    With sentiment refined.

    And as Time's car incessant runs,
    And Fortune fills my store,
    I want of daughters and of sons
    From eight to half a score.
    I want (alas! can mortal dare
    Such bliss on earth to crave?)
    That all the girls be chaste and fair,
    The boys all wise and brave.

    And when my bosom's darling sings,
    With melody divine,
    A pedal harp of many strings
    Must with her voice combine.
    Piano, exquisitely wrought,
    Must open stand apart,
    That all my daughters may be taught
    To win the stranger's heart.

    My wife and daughters will desire
    Refreshment from perfumes,
    Cosmetics for the skin require,
    And artificial blooms.
    The civet fragrance shall dispense,
    And treasured sweets return;
    Cologne revive the flagging sense,
    And smoking amber burn.

    And when at night my weary head
    Begins to droop and doze,
    A chamber south, to hold my bed,
    For nature's soft repose;
    With blankets, counterpanes, and sheet,
    Mattress, and sack of down,
    And comfortables for my feet,
    And pillows for my crown.

    I want a warm and faithful friend,
    To cheer the adverse hour;
    Who ne'er to flatter will descend,
    Nor bend the knee to power,—
    A friend to chide me when I'm wrong,
    My inmost soul to see;
    And that my friendship prove as strong
    For him as his for me.

    I want a kind and tender heart,
    For others' wants to feel;
    A soul secure from fortune's dart,
    And bosom arm'd with steel;
    To bear divine chastisement's rod,
    And, mingling in my plan,
    Submission to the will of God,
    With charity to man.

    I want a keen observing eye,
    An ever-listening ear,
    The truth through all disguise to spy,
    And wisdom's voice to hear:
    A tongue, to speak at virtue's need,
    In heaven's sublimest strain;
    And lips, the cause of man to plead,
    And never plead in vain.

    I want uninterrupted health,
    Throughout my long career,
    And streams of never-failing wealth,
    To scatter far and near—
    The destitute to clothe and feed,
    Free bounty to bestow,
    Supply the helpless orphan's need,
    And soothe the widow's woe.

    I want the genius to conceive,
    The talents to unfold,
    Designs, the vicious to retrieve,
    The virtuous to uphold;
    Inventive power, combining skill,
    A persevering soul,
    Of human hearts to mould the will,
    And reach from pole to pole.

    I want the seals of power and place,
    The ensigns of command;
    Charged by the People's unbought grace
    To rule my native land.
    Nor crown nor scepter would I ask
    But from my country's will,
    By day, by night, to ply the task
    Her cup of bliss to fill.

    I want the voice of honest praise
    To follow me behind,
    And to be thought in future days
    The friend of human kind,
    That after ages, as they rise,
    Exulting may proclaim
    In choral union to the skies
    Their blessings on my name.

    These are the Wants of mortal Man,—
    I cannot want them long,
    For life itself is but a span,
    And earthly bliss—a song.
    My last great Want—absorbing all—
    Is, when beneath the sod,
    And summoned to my final call,
    The Mercy of my God.

    And oh! while circles in my veins
    Of life the purple stream,
    And yet a fragment small remains
    Of nature's transient dream,
    My soul, in humble hope unseared,
    Forget not thou to pray,
    That this, THY WANT, may be prepared
    To meet the Judgment Day.

CHAPTER 2

THOMAS BAILEY ALDRICH


(1836–1907)

BORN IN PORTSMOUTH, New Hampshire, Aldrich spent most of his life in New York City and Boston as a popular poet, novelist, essayist, playwright and author of short stories. He also edited several newspapers and magazines in the two cities, including the Atlantic Monthly, where he spent ten years as editor. His well-polished lyrics were collected in half a dozen volumes.

Aldrich intensely disliked the free verse of Walt Whitman, and Whitman had an equally low opinion of Aldrich's poems. "Yes, Tom," he once said, "I like your tinkles. I like them very well."

"Memory" was perhaps Aldrich's best known lyric. It was much admired by Whittier, who said it aroused "a pleasure that is very near pain in its intensity."


    Memory

    My mind lets go a thousand things,
    Like dates of wars and deaths of kings,
    And yet recalls the very hour—
    'T was noon by yonder village tower,
    And on the last blue noon in May
    The wind came briskly up this way,
    Crisping the brook beside the road;
    Then, pausing here, set down its load
    Of pine-scents, and shook listlessly
    Two petals from that wild-rose tree.

CHAPTER 3

ANONYMOUS


ANONYMOUS POEMS, as they traveled from one newspaper to another, underwent many changes. "The Hell-Bound Train" is no exception. I have taken a version that I found in an old scrapbook and combined it with the one in Hazel Felleman's The Best Loved Poems of the American People (1936). Felleman's version changes "Tom Gray" to "A Texas Cowboy," and includes three stanzas not contained in the scrapbook's clipping. Where lines differ, I have selected those that scan the best.

Granger's Index to Poetry says the poem has been attributed to J. W. Pruitte, but I have never seen it with this byline.


    The Hell-Bound Train

    Tom Gray lay on the bar room floor,
    Having drunk so much he could drink no more.
    So he fell asleep with a troubled brain,
    And dreamed that he rode on a hell-bound train.

    The engine with blood was red and damp,
    And brilliantly lit with a brimstone lamp;
    For fuel, an imp was shoveling bones,
    While the furnace rang with a thousand groans.

    The boiler was filled with lager beer,
    And the devil himself was the engineer.
    The passengers made such a motley crew—
    Church members, Atheist, Gentile and Jew.

    Rich men in broadcloth, beggars in rags;
    Handsome young ladies and withered old hags;
    Yellow and black men, red, brown and white—
    All chained together! What a terrible sight.

    While the train rushed on at an awful pace—
    The sulphurous fumes scorched hands and face;
    Wider and wider the country grew,
    As faster and faster the engine flew.

    Louder and louder the thunder crashed
    And brighter and brighter the lightning flashed;
    Hotter and hotter the air became
    Till the clothes were burned from each quivering frame.

    And out of the distance there arose a yell,
    "Ha, ha," said the devil, "we're nearing hell!"
    Then oh, how the passengers shrieked with pain
    And begged the devil to stop the train.

    But he capered about, and sang in his glee,
    And laughed and joked at their agony.
    "My faithful friends, you have done my work,
    And the devil can never a pay-day shirk.

    "You have bullied the weak, and robbed the poor,
    And the starving brother turned from your door.
    You have laid up gold where the canker rusts,
    And given free vent to your fleshly lusts.

    "You have justice scorned, and corruptions sown,
    And trampled the law of nature down.
    You have drank and rioted, murdered and lied,
    And mocked at God in your hell-born pride.

    "You have paid full fare, so I'll carry you through,
    For it's only just you should get your due.
    Why, the laborer always expects his hire,
    So I'll land you safe in the lake of fire.

    "Where your flesh shall roast in the flames that roar,
    And my imps torment you forever more."
    Then Tom awoke with an anguished cry,
    Clothes soaked with sweat and his hair standing high.

    And he prayed as never before that hour,
    To be saved from drink and the devil's power,
    And his vows and prayers were not in vain,
    For he never more rode on a hell-bound train.

    ANONYMOUS


I HAVE NO IDEA where this tender poem first appeared or who the author was. Burton Stevenson, in his monumental Home Book of Verse (1922), titles it "Forty Years Ago" and credits it to one Francis Huston, about whom he says he has no biographical information. Hazel Felleman, in The Best Loved Poems of the American People gives it the byline of Dill Armor Smith, whoever he is. Granger's Index to Poetry calls the author "unknown," and so does The Fireside Book of Poetry (1878), edited by Henry Coates, and The Speaker's Garland, 1, no. 3 (1872). Music for the poem, by William Willing, can be found in Heart Songs (1909).

I had a great-uncle who taught me the knife game mentioned in the fourth stanza. It is known as mumblety-peg or mumble-the-peg. A pocket knife is flipped off each finger, wrist, elbow, shoulder, chin and other parts of the body so that it falls and sticks in the ground. The loser is obliged to pull out with his teeth a peg that has been driven firmly into the dirt.


(Continues...)

Excerpted from Famous Poems from Bygone Days by Martin Gardner. Copyright © 1995 Martin Gardner. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Meet the Author


Martin Gardner was a renowned author who published over 70 books on subjects from science and math to poetry and religion. He also had a lifelong passion for magic tricks and puzzles. Well known for his mathematical games column in Scientific American and his "Trick of the Month" in Physics Teacher magazine, Gardner attracted a loyal following with his intelligence, wit, and imagination.

Martin Gardner: A Remembrance
The worldwide mathematical community was saddened by the death of Martin Gardner on May 22, 2010. Martin was 95 years old when he died, and had written 70 or 80 books during his long lifetime as an author. Martin's first Dover books were published in 1956 and 1957: Mathematics, Magic and Mystery, one of the first popular books on the intellectual excitement of mathematics to reach a wide audience, and Fads and Fallacies in the Name of Science, certainly one of the first popular books to cast a devastatingly skeptical eye on the claims of pseudoscience and the many guises in which the modern world has given rise to it. Both of these pioneering books are still in print with Dover today along with more than a dozen other titles of Martin's books. They run the gamut from his elementary Codes, Ciphers and Secret Writing, which has been enjoyed by generations of younger readers since the 1980s, to the more demanding The New Ambidextrous Universe: Symmetry and Asymmetry from Mirror Reflections to Superstrings, which Dover published in its final revised form in 2005.

To those of us who have been associated with Dover for a long time, however, Martin was more than an author, albeit a remarkably popular and successful one. As a member of the small group of long-time advisors and consultants, which included NYU's Morris Kline in mathematics, Harvard's I. Bernard Cohen in the history of science, and MIT's J. P. Den Hartog in engineering, Martin's advice and editorial suggestions in the formative 1950s helped to define the Dover publishing program and give it the point of view which — despite many changes, new directions, and the consequences of evolution — continues to be operative today.

In the Author's Own Words:
"Politicians, real-estate agents, used-car salesmen, and advertising copy-writers are expected to stretch facts in self-serving directions, but scientists who falsify their results are regarded by their peers as committing an inexcusable crime. Yet the sad fact is that the history of science swarms with cases of outright fakery and instances of scientists who unconsciously distorted their work by seeing it through lenses of passionately held beliefs."

"A surprising proportion of mathematicians are accomplished musicians. Is it because music and mathematics share patterns that are beautiful?" — Martin Gardner

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