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| Introduction | ||
| Foreword | ||
| I | Roast Beef, Medium | 1 |
| II | Rrepresenting T.A. Buck | 28 |
| III | Chickens | 50 |
| IV | His Mother's Son | 78 |
| V | Pink Tights and Ginghams | 107 |
| VI | Simply Skirts | 137 |
| VII | Underneath the High-Cut Vest | 166 |
| VIII | Catching Up With Christmas | 196 |
| IX | Knee-Deep in Knickers | 230 |
| X | In the Absence of the Agent | 263 |
Anonymous
Posted May 12, 2012
You have no idea who the characters even are with the amount of typo's. I couldn't get past the first two pages. I don't have the patience to determine what the story is even relating. Several sentences were jumbled with symbols. I would have just read a photocopied page than one that was so messed up.
Anonymous
Posted March 29, 2011
No text was provided for this review.
Anonymous
Posted July 23, 2011
No text was provided for this review.
Overview
It has become the fashion among novelists to introduce their hero in knee pants, their heroine in pinafore and pigtails. Time was when we were rushed up to a stalwart young man of twenty-four, who was presented as the pivot about whom the plot would revolve. Now we are led, protesting, up to a grubby urchin of five and are invited to watch him through twenty years of intimate minutiae. In extreme cases we have been obliged to witness his evolution from swaddling clothes to dresses, from dresses to shorts (he is so often English), from shorts to Etons