08/29/2016
Bockoven’s first novel, a high-concept riff on The Lord of the Flies and The Warriors, has plenty of gonzo potential but degenerates into a polemic against social media and millennials. When North Florida’s FantasticLand theme park is cut off thanks to a storm, the workers in the various areas, such as Pirate Cove and World’s Circus, have a decent amount of supplies at first, but each area soon devolves into its own faction (with names that include the Deadpools for the folks from the superhero area, Mole Men for maintenance workers in the tunnels, and Shopgirls for the retail employees), and things get bloody extremely quickly. Told in the format of a series of interviews conducted by a reporter, each narrative slowly introduces the core characters, most notably Pirate Cove employee Brock Hockney and Sam Garliek, the manager on duty at the time who goes power-mad when the disaster strikes. Cookie-cutter narrative voices and characters who are generally uninteresting and unlikable make for a ride that’s less than thrilling. (Oct.)
“For us, horror stories are a long, dark, scary tunnel. You hear sounds you don’t want to hear; you see things that are going to stick in your head. But if you keep putting one foot after the other, that speck of light at the end is going to grow a little bit bigger and […]