Farther Afield in the Study of Nature-Oriented Literature

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Overview

In the 1990s, the emerging field of ecocriticism—nature-sensitive literary studies—began to establish and define itself. Arguing that the field has matured to the point where it requires a thorough critique and new theoretical underpinnings, Patrick D. Murphy suggests a variety of ways ecocriticism can become more inclusive in its objects of study and more sophisticated in its methodologies.

According to Murphy, ecocriticism in the United States has been too narrowly associated with the study of nonfiction. To broaden the field's purview, he proposes a new taxonomy that draws an important distinction between nature writing—a nonfiction essay form descended from Henry David Thoreau—nature literature, which includes fiction and poetry, and environmental literature, which is inspired by and concerned with a threatened natural world. He also urges ecocritics to expand their study to international literature, and he proceeds to survey nature-oriented prose from Central America, the Caribbean, southern Africa, Spain, and Japan.

On a theoretical level, Murphy addresses the relationship of ecofeminism to postmodernism and provides interpretations of contemporary American multicultural and women's literature, including works by Gary Snyder, Simon Ortiz, Jane Brox, Pat Mora, Lori Anderson, Nora Naranjo-Morse, Sallie Tisdale, and Terry Tempest Williams. Applying his theories of ecocritical analysis to underappreciated or unknown literature, especially fiction and poetry by American women writers of color, Murphy introduces his fellow critics to authors ripe for ecocritical analysis.

Murphy's wide-ranging book will no doubt serve as a watershed in the development of ecocriticism.

University of Virginia Press

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Editorial Reviews

Library Journal
In his third book on nature and literature, Murphy (Indiana Univ. of Pennsylvania) establishes a taxonomy of nature-oriented literature--"nature writing, nature literature, ecofiction, environmental literature, and whatever other terms critics use to label literary attention to the relationship of humanity to the rest of nature." He does this through discussions of bias, ecofeminism, and postmodernism and through an examination of genre, mode, and critical orientation in specific literary works. In the book's final chapters, he expands his literary discussion to the subjects of pedagogy and language. A good bibliography provides a supplementary reading list. This informative though densely written text is recommended for academic collections or large public libraries.--Sue Samson, Univ. of Montana Lib., Missoula Copyright 1999 Cahners Business Information.
Booknews
Ecocriticism, nature-sensitive literary studies, has evolved enough that Murphy English, Indiana U. of Pennsylvania argues it requires its own critique and new theoretical underpinnings. In this volume he provides a "taxonomy" that addresses the issues of mode and genre in nature literature with an emphasis on texts written by women such as Linda Hogan, Edna Escamill, and Ishimure Michiko. In the process he suggests ways that ecocriticism can become more inclusive and more sophisticated. Annotation c. Book News, Inc., Portland, OR booknews.com
Cheryll Glotfelty
A wonderful contribution to ecocriticism, advancing the field in many exciting ways. This is a book that will stimulate others to read new books, teach new kinds of classes, conceive of ecocriticism differently. It will contribute to a transformation of our thinking.
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Product Details

  • ISBN-13: 9780813919058
  • Publisher: University of Virginia Press
  • Publication date: 2/28/2000
  • Pages: 254
  • Product dimensions: 6.10 (w) x 9.30 (h) x 0.90 (d)

Meet the Author

Patrick D. Murphy, the founding editor of ISLE: Interdisciplinary Studies in Literature and Environment, is Professor of English at Indiana University of Pennsylvania. He is the author of Literature, Nature, and Other: Ecofeminist Critiques and Understanding Gary Snyder.

University of Virginia Press

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