Fashion and Fiction is packed with details about clothing design and manu-facture in New York City. The prose is lively, and there is much for readers to learn. Cardon blends fashion history and literary interpretation to give us new ways of thinking about familiar novels and, at times, about novels we may not know well. It is a good book for Wharton scholars and aficionados, especially those looking for links between her novels and those of other writers in the period. Cardon’s framing of fashion and her selection of fiction would work well in undergraduate and graduate classes on novels in a cultural context.
Cardon makes important contributions to literary fashion studies and material culture, areas often overlooked or erroneously dismissed as depthless. She distinctly pinpoints their relevancy to the neo-historical sense of independence Americans felt as they entered the innovative twentieth century. Finally, she convincingly demonstrates how clothing represented the struggles of careeradvancement, matrimonial security and societal acceptance during the early twentiethcentury while simultaneously symbolising the timeless allure of selftransformation.
Using literary analysis of influential twentieth–century American writers such as Edith Wharton, F Scott Fitzgerald, Ernest Hemingway, and more, Cardon shows how these writers used clothing in their character and narrative development and maps the changes in the American fashion industry through its depictions in these novels.... [F]or those looking for a comprehensive illustration of the early American fashion industry and the various ways dress works as a form of personal expression and identity construction, this book is an excellent option.
Lauren Cardon gives us a broad-spectrum study of how we read, manipulate, blend, and perform fashion in American society and literature. She deftly moves from theory to practice, placing novelists and designers of the Gilded Age in the context of current conversations about the many meanings of fashion. Seeing new patterns in familiar novels, Cardon stitches together a book that is lush, smart, and a joy to read.
Cardon makes important contributions to literary fashion studies and material culture, areas often overlooked or erroneously dismissed as depthless. She distinctly pinpoints their relevancy to the neo-historical sense of independence Americans felt as they entered the innovative twentieth century. Finally, she convincingly demonstrates how clothing represented the struggles of career
advancement, matrimonial security and societal acceptance during the early twentieth
century while simultaneously symbolising the timeless allure of selftransformation.
"Lauren Cardon gives us a broad-spectrum study of how we read, manipulate, blend, and perform fashion in American society and literature. She deftly moves from theory to practice, placing novelists and designers of the Gilded Age in the context of current conversations about the many meanings of fashion. Seeing new patterns in familiar novels, Cardon stitches together a book that is lush, smart, and a joy to read. "Katherine Joslin, Western Michigan University, author of Edith Wharton and the Making of Fashion
" Fashion and Fiction is packed with details about clothing design and manu-facture in New York City. The prose is lively, and there is much for readers to learn. Cardon blends fashion history and literary interpretation to give us new ways of thinking about familiar novels and, at times, about novels we may not know well. It is a good book for Wharton scholars and aficionados, especially those looking for links between her novels and those of other writers in the period. Cardon’s framing of fashion and her selection of fiction would work well in undergraduate and graduate classes on novels in a cultural context. "author of Edith Wharton Review
"Cardon reads fashion and selffashioning in fiction alongside the history of the US fashion industry. In doing so, she charts a progressive narrative of the democratization of fashion over the course of the early twentieth century and provides fresh readings of canonical texts along the way. "author of American Literature
"Using literary analysis of influential twentieth–century American writers such as Edith Wharton, F Scott Fitzgerald, Ernest Hemingway, and more, Cardon shows how these writers used clothing in their character and narrative development and maps the changes in the American fashion industry through its depictions in these novels.... [F]or those looking for a comprehensive illustration of the early American fashion industry and the various ways dress works as a form of personal expression and identity construction, this book is an excellent option. "author of Journal of Dress History
"Cardon makes important contributions to literary fashion studies and material culture, areas often overlooked or erroneously dismissed as depthless. She distinctly pinpoints their relevancy to the neo-historical sense of independence Americans felt as they entered the innovative twentieth century. Finally, she convincingly demonstrates how clothing represented the struggles of careeradvancement, matrimonial security and societal acceptance during the early twentiethcentury while simultaneously symbolising the timeless allure of selftransformation. "author of Literature & History